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  • … a Northern Irish rock band packs the Markthalle – yet again after 37 years!

    … a Northern Irish rock band packs the Markthalle – yet again after 37 years!

    It was 1980 and all of the punks in Hamburg had been blown away by Stiff Little Fingers debut album “Inflammable Material” that came out in 1979 that – according to some – made Punk worthwhile again.

    For me in Hamburg it was me 16th Birthday and SLF played only for me. At least i’d like to think so.

    Stiff Little Fingers (Markthalle, Hamburg, 22.04.1980 - from the vault of the Archive)
    Stiff Little Fingers (Markthalle, Hamburg, 22.04.1980 – from the vault of the Archive)

    I do not really remember the detailed sound but recollection of many was that it was shite. A rather poor tape bootleg exists that seems to confirm it. And on top they have been referred to “cool stars” rather than approachable punks. It may or may not have added to the shit storm The Clash got a month later, same stage. My regular Fanzine back then (regular as published by school mates) did report it as such:

    Willkürakt No. 4 (Fanzine from Hamburg, 1980)
    Willkürakt No. 4 (Fanzine from Hamburg, 1980)

    Now fast forward to 2017 and 37 years later me is still there and an incarnation of SLF is also still there. The punk SLF existed from 1977 to 1983 and their first four LP’s (Inflammable Material, Nobody’s Heroes, Hanx! and Got for It) are just killer material. When they released “Now then” in 1983 they folded and only ever came back … different.

    Stiff Little Fingers (Markthalle, Hamburg, 31.03.2017 (c) gehkacken.de)
    Stiff Little Fingers (Markthalle, Hamburg, 31.03.2017 (c) gehkacken.de)

    What was not different was the packed Markthalle – back then and now. It came much as a surprise, the last few times they played at the Knust, which is only 1/3 of the capacity. But next to their punk roots they are nowadays a bit of an Irish Rock legend and well known beyond punk nostalgia. And, fun fact, plenty of Northern Irish fans took cheap flights from Manchester to be in Hamburg.

    Stiff Little Fingers (Markthalle, Hamburg, 31.03.2017 (c) gehkacken.de)
    Stiff Little Fingers (Markthalle, Hamburg, 31.03.2017 (c) gehkacken.de)

    They kicked off with a variety of songs and made it known upfront that they where to play a wee bit longer than normal, given it was their 40th anniversary tour. What was clear from the start was the simple fact that whatever sound they play (and the sure leaned more to the rock side) it was carried by the excellent and unique voice of Jake Burns. And i’ll guess he has worked a lot on his voice – it is perfect singing by now (back then it was harsher and sure fitting the time, the anger and the songs).

    In the later part of the set they also delivered to their punk roots and more people got dancing on the dance floor. Less people compared to the Undertones last year but them Undertones are sure the better party band (period). SLF delivered their message loud and clear up to and including nods like this one – to the one and only Mr. Strummer:

    By now we were clearly over the 1h30m mark and they kept going. And thus it was time to give the crowd what the crowd wanted (at least those aged greedy bastards like my humble self). So here is my loveliest Stiff Little Fingers song in the 2017 live edition:

    Yep, that one was ok. Actually it was to my liking. And the message that is carried is not lost these days, let’s be frank – it is a message oh so true nowadays too.

    And like every SLF show the final bit was their plea for an Alternative Ulster, something they may or may no have today (some things are better up there, some things appear to be the same old shit) and that might be at risk from that thingy called Brexit. And frank – i can make out that riff amongst anything and would be able to identify the song, it is a killer one!

    So as a fond memory and a loud message from the past remaining not only valid but also relevant here is … Alternative Ulster 2017:

    And that was almost 2 hours of SLF, on a perfect spring Friday, delivered as a rock show. And there ain’t nothing bad with that at all – if you want to see something fresher, wilder and … whatever then you gotta go somewhere else. If you are happy to see a Northern Irish rock band that has messages and developed to something that covers much broader territory – then SLF is for you.

    And the sold out house did applaud them and gave them a big HANX!

    Stiff Little Fingers (Markthalle, Hamburg, 31.03.2017 (c) gehkacken.de)
    Stiff Little Fingers (Markthalle, Hamburg, 31.03.2017 (c) gehkacken.de)

    Some people complained about the ticket price, i think the 12 DM from 1980 (unbelievable 6€ if you just do the simple currency math – in reality it compares to 37€ if you take inflation, buying power and and and into it) was cheap by the sound but not really for me as a young school boy trying to see as many shows as possible (and boy had we shows back then).

    Stiff Little Fingers (Markthalle, Hamburg, 31.03.2017 - nuthin for the vault))
    Stiff Little Fingers (Markthalle, Hamburg, 31.03.2017 – nuthin for the vault)

    I was relieved from these cost and could spend the money rather on fuel aka booze, both because of that little Top Trump business called Keressinho and of SLF, as they got me in for free thanks to my translation job in the most recent UK Punk edition.

    KRRSNH (Markthalle, Hamburg, 31.03.2017)
    KRRSNH (Markthalle, Hamburg, 31.03.2017)

    And booze was needed too because we did watch the painful loss of St. Pauli away at Aue at the Dschungel prior to the show – something so painful (and pulling us back down) that it needed counter beer (or harder stuff).

    Happy and done! (Markthalle, Hamburg, 31.03.2017)
    Happy and done! (Markthalle, Hamburg, 31.03.2017)

    Where people happy? Yes, until after midnight people stayed at the Markthalle, listened to DJ Tiki Boy playing old punk singles and talked – many faces that where young and fresh in 1980 where there in 2017 too and it was literally the equivalent of an old school class meeting.

    And, full disclosure, i was a VIP for that show. I guess that was thanks to my 16th birthday back then.

    Stiff Little Fingers (Markthalle, Hamburg, 31.03.2017)
    Stiff Little Fingers (Markthalle, Hamburg, 31.03.2017)

    NB: I used the term rock band a lot, eh? It ain’t bad mouthing or else it just ensures that you get the setting right. And the setting includes that Jack is a very very gifted musician.

    Just look at this effort from 1994, also released as Stiff Little Fingers. It is not only a great song but also carries lyrics that yet again are still relevant today. And is where you have to accept that style and looks might change but what someone is never changes. And for that due respect Jake!

    https://www.youtube.com/watch?v=M9w8yAj-4Dg

    Just to make sure you get it though Jake sings it pretty clear- here are the lyrics:

    Don't pity this poor immigrant
    My eyes were open when I caught the boat
    All I wanted was your shelter
    And maybe just a little hope
    But you turned your anger on me
    For the courage that you lack
    I don't want your half assed freedom
    You can have the whole deal back
    So now I'll tell you something
    Let's get this straight from the start
    Don't call me Harp
    Don't call me Harp
    
    You said: "Bring me your poor and destitute
    And I can kick them when they're down"
    Cause there's always enough misery
    And we'll be sure to share it round
    Now I'll turn my anger on you
    For the decency you lack
    For the morals you fail to uphold
    Your cocaine, crack and smack
    To the land that wears it's heart up front
    I'm screaming from the back
    Don't call me Harp
    Don't call me Harp
    
    And the ghettos almost full now
    It's time for trash to move uptown
    And the sight of all those beggars
    On the streets must really get you down
    Soon they'll turn their anger on you
    For the promises you broke
    For all the lies you told them
    As their dreams went up in smoke
    And I feel I stand among them
    As I shout this from the heart
    Don't call me Harp
    Don't call me Harp
    
    You built your land on principles
    Decent, brave and true
    I find it hard to understand
    Just what went wrong with you
    Don't call me Harp
    Don't call me Harp
    
    (c) 1994 SLF (Jake Burns)
    
  • … a stroll down memory lane: My secret love of the early 80s – them bands on “Chaos en France”!

    … a stroll down memory lane: My secret love of the early 80s – them bands on “Chaos en France”!

    Once somehow loosing interest in German or English Punk round about 1982 me and me mates discovered US Hardcore and … France. It must have been around 1983/1984 when the Chaos Productions records, first the compilations then the records by Reich Orgasm, Komintern Sect, Les Collabos and others hit us and boy did they hit us.

    On top we discovered other stuff like Sub Kids (“Kids of Glory” remains one of my hit singles), Camera Silens and Oberkampf. See a great snippet from back then and Camera Silens storming into their über hit “Pour La Gloire” in front of a very 80s audience:

    The most strange thing: They did rarely sing in English and even if they did it was with a heavy accent – we did not understand a single word. But the sounds where utmost catchy and the visuals where a great mix of punk’n’skins’n’herberts – something that in Hamburg did not mix at all.

    Unfortunately US H/C then took over full time and i somehow lost sight of how bands developed in France, though great stuff like Les Thugs did catch my eye every once in a while. And  by today some great bands are in full view and have placed France back again with me (and today, do i have to name Syndrome 81 or Lion’s Law?)

    So it was a definite date for me when Komintern Sect and R.A.S. where to play in me stadium, just a couple of floors down where i have my season ticket. And on top it was a neat DIY show by the St. Pauli Skinheads, just another worthy reason.

    First on Haddocks from Jena and as much as i do love seeing bands and discovering new bands their sing-a-long Oi! Punk did not really stick with me – though they were both firm on their attitude and well mannered.

    Haddocks (Fanräume, Hamburg, 25.03.2017 (c) gehkacken.de)
    Haddocks (Fanräume, Hamburg, 25.03.2017 (c) gehkacken.de)

    And that gave way to them French who seemed to be out there in Hamburg in numbers. R.A.S. (or “Rien A Signaler“) where quick to setup and crowded the small stage with two guitars and two singers and sure thing had themselves setup or better dressed for the occasion (and, if i got it right, one them guitar players actually lives in Hamburg).

    They kicked off with their signature hit “Rien A Signaler” from their first 7″ (that dates back to 1983 and one in me collection, greedy record collector scum that i am) and they where boy oh so 1983 indeed. There was nothing polished, nothing fancy and sure thing … nothing in English.

    R.A.S. (Fanräume, Hamburg, 25.03.2017 (c) gehkacken.de)
    R.A.S. (Fanräume, Hamburg, 25.03.2017 (c) gehkacken.de)

    They even got Carl from Komintern Sect onto the stage and got him to sing a song with them (aided by printed lyrics):

    For me it was a mixed bag, they had their good moments and they too had moments that provided the feel of “public rehearsal” – quotes i observed in the audience ranged from “authentic”, “basic” to “karo einfach”. What did come through was the deep love for the music and being out to events like this.

    Next on Komintern Sect and they have come a long way since, for example, this rather old (and somehow funny) TV snippet (and note that The Dogs poster in the backdrop of the dork TV host):

    Actually they have come all the way into Blackpool fame, as some people from the Hamburg pilgrims where very vocal about Komintern Sect last year in Blackpool pulling off a great set and making a huge impression on the lot. Though some of the enthusiasm them pilgrims express in context of the Blackpool pilgrimage is debatable it did place a little light into me head to make sure to see Komintern Sect next time round.

    Komintern Sect (Fanräume, Hamburg, 25.03.2017) (c) gehkacken.de)

    And yes, they had it all. Great music, tight set and the extra quality on songwriting. And Carl did his best to converse with the public in English so that the engagement was there.

    And they got the crowd moving, they got plenty of sing-a-long and they got a tight set together that lasted much longer than Carl’s voice. He tried to finish but then they had another one. And one more.

    Finishing off finally they did in style, a mixed bag of R.A.S. and Komintern Sect doing a neat memory to Micky Fitz and blasting “Real Enemy” into an extremely satisfied audience.

    RAS & Komintern Sect - (Fanräume, Hamburg, 25.03.2017 (c) gehkacken.de)
    RAS & Komintern Sect (Fanräume, Hamburg, 25.03.2017 (c) gehkacken.de)

    And with that i moved outside to gain some fresh air (inside was too much smoking) and – thanks to the DOM already closed and being dark – to seek some stars on the clear sky above. Lovely.

    Was my thirst for French 80s Street Punk covered? Yes it was! Did i see some neat references? Yes, a Camera Silens T-Shirt, a Syndrome 81 shirt, a Collabos badge and a Sub Kids badge! Did i meet nice people? Yes indeed, amongst them an old fellow from out of town that i have not seen for ages (who still had memories of me and me mates back then in our little fanzine (over-)promoting french bands and declaring “Chaos en France” as a killer record.

    Great stuff, now i need to explore some more French stuff (yet again).

  • Bücher, schnell gelesen: Teil 1.232

    Bücher, schnell gelesen: Teil 1.232

    James McClure - Steam Pig (UT Metro, 2016)
    James McClure – Steam Pig (UT Metro, 2016)

    Gelesen: 20. – 24.03.2017 netto 299 Seiten

    Wo Song Dog aufhört da mach Steam Pig weiter – aus einem Zufall wird ein Fall und dieser Fall ist tief drinnen dermaßen verstörend – zumindest aus heutiger Sicht.

    Da sicher der Fall um dieses verstörende Detail dreht kann es natürlich nicht verraten werden. Aber der Leser wird hier mit einem weiteren kleinen und feinen Detail der Apartheid-Politik konfrontiert.

    Der Rest ist spannend und einfach nur eine schonungslose Offenlegung des Lebens unter der Apartheid und vor dem Backdrop eines alle Rassen überspannenden Kriminalfalls. Und das ganze mit ordentlich Tempo. Und jede Menge toten Enden bzw. Annahmen die einfach nicht zutreffen.

    Cooler Stoff! KAUFEN!

    Soundtrack dazu: Contramundi, was sonst?