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  • … UK82 reloaded: Mess, all the way on Intercity from Guadalajara!

    … UK82 reloaded: Mess, all the way on Intercity from Guadalajara!

    Another great Monday evening at the Hafenklang was waiting for me and me mates, MESS all the way from Guadalajara, Mexico, would be in town. Plenty of folks got attracted by their sound, many where eager to grab their vinyl and one even made the effort to see them in Berlin a day earlier.

    Support was local and fitting, the RED⚒BRICKS where providing the warm-up. I have noted their record and i took note of their struggles from the need to replace the singer like the day prior their record release show – but i was yet to see them live.

    I guess thanks to them it was already well filled upstairs at the Hafenklang when they kicked off. Their sound is pretty dense, neither fast nor harsh, and they not fall victim of the trap of putting themselves into an obvious Oi! or Skinhead cupboard.

    RED⚒BRICKS (Hafenklang, Hamburg, 14.11.2022 (c) gehkacken.de 2022)

    Controlled speed, loads of melodies and as an asset a pretty decent signature bass play, sometime carrying the songs that bit further that makes it worthwhile to listen. I am not sure if the singer resp. the vocals is a full fit, but that is just me and me mu-sick-al preferences – i would prefer it harsher and a bit more … dangerous maybe? Adventurous?

    Good tight set, excellent sound and some applause but actually they did not get people dancing.

    With a quick changeover MESS took the stage and took it into a different territory: Much more basic, much more stripped down and – with a positive spin – amateurish. Or simply: Authentic. Whilst many refer to them as “ah, the Mexican Blitz” i don’t think that default provides them justice.

    MESS (Hafenklang, Hamburg, 14.11.2022 (c) gehkacken.de 2022)

    Sure some of the guitar at moments has that Blitz sound but by and large they are a very basic, very energetic and pretty much non-nonsense band that takes inspiration from UK82 (to use their own reference).

    At times they indeed sounded like lads just picking up instruments back in 1982 and screaming it out to friends, at other times they actually proofed that they are close, tight and able to create a sing-a-long wall of sound.

    Just like here with “Street Boys”:

    A great sing-a-long by the way:

    We have been challenged
    To hate the whole world
    Stand firm, stand proud
    
    We have walked
    The streets for hours
    Searching for a way out
    
    We are street boys ! X 4
    
    We are different
    And we will fight for ours
    Struggle while growing old
    
    We are tough guys
    And we don't need your lies
    Never say why, never say die
    
    We are street boys ! X 4
    

    I liked it, many of me mates liked it (just one found them too lightweight) and the well packed audience at the Hafenklang liked them too, even beyond the novelty bonus of an Oi! Band from Mexico. I would definitely see them again, they are worth it.

    Worthy was also the shopping experience, being alerted of low quantities of records already ahead of the show i broke my own rules and purchased the vinyl prior to the band convincing me live. And i was lucky to score all i wanted, including the MESS / The Chisel split EP in colored vinyl. Lucky greedy bastard me!

    In case you need it this shit too – which is not only great songs but also great packaging – try local at Sounds Of Subterrania!

    Best shopping for a #recordcollectorbeingapretentiousarsehole

    It is these shows that actually make my day, specifically when that day was spoiled on the work front. Best club, best booking, best companions (many life long by now) and great new music. Luv it, love you (you know who you are).

    PS: Thanks to Beno for the video, i was too busy enjoying the band to shoot one myself.

  • … Proto-Punk reloaded: Dion Lunadon!

    … Proto-Punk reloaded: Dion Lunadon!

    This was indeed a show i was looking for, as i recently did figure out Dion’s solo efforts (2017 to 2022) and found some real gems in there. To most Dion Lunadon seems to be know from his stint in A Place To Bury Strangers, a quite know Noise-Rock band from NYC (and that Noise-Rock linkage fended at least one friend off).

    Support was from Hamburg, a band called Billy Zach. Once they entered the stage i thought they got all their friends in the audience, as the ~20 people upstairs at the Hafenklang all chatted with members of the band prior to the show.

    Billy Zach (Hafenklang, Hamburg, 09.11.2022 (c) gehkacken.de 2022)

    They had like zero stage presence, almost shy. Their sound at good moments was like a movie soundtrack, at bad moments over-engineered post-something indie rock. Some of their guitar soundscapes over the very present bass where good, most of the rest was just not my mu-sick-al cupboard. If you like depressive dance music go check them out.

    Next Dion Lunadon and they kicked off like this:

    And stormed into this next:

    Now that had so much more drive and the kick-ass Proto-Punk i was expecting, though the light show, carefully constructed by Dion and run from this mobile made it a very dark and foggy exercise.

    I have no clue where his backing band came from, the bass player i believe is from Italy and provided, once some electrical problems where overcome, quite a groovy bass. The guy on guitar looked non-descriptive but was able to push some great power out of his guitar. And the drummer was just perfectly sturdy.

    Dion Lunadon (Hafenklang, Hamburg, 09.11.2022 (c) gehkacken.de 2022)

    All three basically stood back and left Dion both the center of the stage and the attraction. And he lived up to it, dressed for the occasion and playing both with his guitar and his voice (through effects strapped to the mike stand). He was also not shy to put some Rock Show elements in, be it self strangle on a chain or ripping all strings from his guitar on the last song.

    I liked it and the approximately 50 folks now in attendance liked it too. But for the quality of both songs, mu-sick and show (sans light and smoke though) it was a way too low turn out. A packed Goldener Salon should have been their fate rather.

    As always when a band convinces me live i picked up a record, unfortunately the Double-A-Side single with “Com/Broke” and “1976” from 2016 is no more, but the re-release of the first solo album is an equal good catch.

    Good show, though really not enough of the Hamburg lot present.

    PS: Also their videos are worth it if you ask me, here are me favorite songs #1 and #2 (and the double A-Side single from 2016 in all glory)

    #1

    #2

  • Bücher, schnell gelesen: 1.613

    Bücher, schnell gelesen: 1.613

    Cédric Fabre – Ein Kurzer Moment (Polar Verlag, 2022)

    Gelesen: 01. – 07.11.2022 (netto 270 Seiten)

    Übersetzt von: Beate Braumann und Jutta Nickel

    Marseille scheint ein ganz besonderer Ort zu sein. Selbst deutsche Krimi-Autoren lassen da ihre Helden brillieren, für die französische Krimi-Welt ist ein Ort, wo Jean-Claude Izzo eine großartige Trilogie erschaffen hat.

    Über die Marseille Trilogie von Izzo schrieb jemand “...dass das Spiel nach Regeln gespielt wird, die mit Ehre nichts zu tun haben. Von Leuten, denen genauso egal ist, ob einer Polizist ist oder Verbrecher.“.

    Cédric Fabre sieht das ähnlich:

    ( (c) Polar Verlag, 2022)

    Das ist ein guter Kontext für dieses Buch, das sicherlich hard-boiled ist – aber weniger Krimi. Aber trotzdem voller Energie, voller Straftaten und voller Menschen, die von anderen Menschen enttäuscht bzw. getäuscht werden.

    Als Einstieg gibt es einen Terroranschlag am Strand mit einem detaillierten Blick auf die letzten Atemzüge von Olivia. Gefolgt von einer aufwendigen Schilderung einer knochenbrechenden Massenschlägerei, die mit einem humorvollem Satz endet: “Der Typ, der die Prügelei erfunden hat, und der Typ, der die Knochen erfunden hat, die beiden müssen zusammen gesoffen und viel gelacht haben, anders kann es nicht sein

    Willkommen Grégoire Lang, ex-Kriegsfotograf und ex-Freund von Oliva. Und wohl mehr oder weniger der Autor selbst. Er hat keinen Bock mehr auf Krieg, hat genug Geld mit Fotos von Gewalt und Elend verdient und hängt immer noch Olivia nach.

    Die Geschichte hat zwar einen roten Faden, ist aber im Grunde so durcheinander wie der Held selbst, der zwar versucht Gutes zu tun aber auch spürt das um ihn herum auch schlechtes Unterwegs ist.

    Lustig, gewalttätig und ohne viel Hoffnung. Ziemlich genau die Stimmung von 2016 in Frankreich, auf der Straße.

    Ziemlich gute Literatur, wenn der Leser sich darauf einlässt.

    Soundtrack dazu: The Sobers – Darkest Times Are Yet To Come, was sonst?

    PS: Cedric scheint aus einer coolen Szene zu kommen

    ( (c) Polar Verlag 2022)

    PPS: Und wenn ein Autor direkt eine Playlist mitgibt, dann ist er schon mal per se cool…

    ( (c) Polar Verlag, 2022)

    PPPS: O-Ton?