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  • … 2023 in numbers

    … 2023 in numbers

    On the mu-sick-al side 2023 was back to normal, the live circuit does work again, though clubs still suffer – namely from the cost side (be it staff cost, tour cost or heating/electricity/rent).

    And how many shows did i get to?

    # of shows# of bandsaverange bands per show
    Hafenklang16352
    Monkeys8182
    Knust383
    MS Hedi221
    Indra242
    Marias Ballroom133
    Logo122
    Komet122
    34742

    34 Shows with 74 Bands, so on average 2 Bands per night and 3 shows a month. And the places i prefer are clearly visible, eh? Biggest holiday driven misses where the Sounds Of Subterrania 25th anniversary end of May at the Hafenklang and sure – as almost every year – the Get Lost Fest 2023 with great bands like Split System. Both collided with time out at our 2nd home up north.

    And the best set?

    The French contingent definitely made the shortlist: Be it Claimed Choice in an almost empty Monkeys, be it Cran again at the Monkeys, be it Oi! Boys upstairs at the Hafenklang or 1984 supporting the Rejects at the Monkeys. Throw Home Front into it too, they are sort of French being from Canaduh.

    The biggest surprises?

    Kahuna Surfers from sunny Sweden, playing Hamburg back-to-back in miserable weather. Dead Years and their support stint for Red Dons. And sure Shitshow and their support for Civic. All Hafenklang (with the exception of the boat ride on the MS Hedi with the Kahuna Surfers). And, late in the year, the surprise return of the Rubbermaids at the Knust.

    So – Show of the year? The following shows for me where near perfect, for a variety of reasons:

    Finally i got to see the Travoltas at the Monkey, i was yearning for that one for years. Youth Of Altona and D.I. at the Hafenklang kept me glued in the club with me friends until the wee of the night. The Razors warming up for Rebellion at the Knust was paired with the best, tightest, longest, funniest etc set Wonk Unit ever delivered in Hamburg:

    This was the best ever show you gave the Hamburg lot! It felt like a double album, gatefold cover damn fucking Punk Rock Opera without any break.
    

    Sailing the mighty river Elbe on the tiny vessel M/S Hedi and experiencing … almost a Buttocks return thanks to Bad Job Boys. And sure Hola Ghost from sunny Denmark setting the Knust on fire.

    Loads of words. Whats does it condense to? Best set/surprise: Home Front. Best show: Youth Of Altona and D.I.

    On the book front i managed to slightly up the reading:

    # of books# of pages#of days
    Crime5219.053323
    Music41.82714
    History14639
    SciFi000
    5721.343

    That is more books (and pages) read than in 2022, the average page count per day in 2023 is up towards 89 pages.

    Yet again the list is topped by the Crime series of the Polar Verlag (10 books), followed by the stuff that Thomas Wörtche orchestrates for Suhrkamp (6 books) and beyond that a wide spread.

    Book of the year 2023? Easy, that was James Kestrel – Fünf Winter (Suhrkamp, 2023) and a book that painfully reminded me how much i miss the Hard Case Crime Series of Rotbuch these days. Runner up just by a short margin was the Jack Laidlaw Trilogy by William McIlvanney (that i finally got in and read in sequence, actually not new books published in 2023).

    Also these books provided definite reading and brain cinema pleasure: J. Todd Scott – Weisse Sonne (Polar Verlag, 2023), Walter Mosley – Blood Groove (Ars Vivendi, 2022), S.A. Cosby – My Darkest Prayer (Ars Vivendi, 2023) and William Boyle – Shoot The Moonlight Out (Polar Verlag, 2023). Highly recommended if your are into my genre.

    And on the side of buying vinyl and listening pleasure? Discogs tells me i added 69 records in 2023, so let’s go by that list:

    Top 5, in no particular order:

    1991 (Man … or Astro-Man?): Surf is my other love, next to Hardcore & Punk Rock. And MoAM are one of the coolest shits around. And it is quite hopeless to get all of their stuff (and variants). Discogs lists 66 releases and tells me i have 38 of them, not too bad.

    This basically was their return 7″, it came out in 2021 but i only ever got it in 2023. It’s from Chunklet Industries and hopefully marks the return of MoAM (and hopefully to Europe too). Check out 1991, a beauty of a song that has all the ingredients i yearn for.

    Taken by Force (Civic): A killer LP from down under, no more no less. On heavy rotation in the household. Carrying most likely the most played song on my stereo with Born In The Heat. This is how modern Punk Rock should sound, eh?

    And a band that makes me mate Frosch travelling Europe … that one must be a good one!

    S/T (Complete Loss): Now this is funny – they convinced me with their set at MOi!n It’s Hamburg 2022 and had the record fresh of the press. Still i did not buy it on the spot but only in 2023. And it is a mighty slab, more H/C than Oi! if you ask me and right up the alley so many bands from the US are now looking to master.

    Complete Loss out of Dülmen have done so, a while ago! Best song: Needle Park!

    At The Earth’s Core (The Haermorrhoids): Home town heroes that should hit it big. Instead they still dwell in tiny cellars. This is the most grown up, out of country record from Hamburg by far and by many many years.

    If this would be on Fat Wreck it would sell … a lot more. They will do an Easter Tour in 2024, do not miss them. Try Captain Isolation for a start!

    Games Of Power (Home Front): There once was a time where music was not sliced’n’diced into zillions of cupboards. Home Front nicely remind of it to the extend that is may be blatant obvious. Sure do i have Joy Division, New Order and other more electronic stuff in my collection – all next to Punk, New Wave and Neue Musik. All seemed possible at the end of the 70s and beginning of the 80s.

    This time around they have manifested a collection of Post Punk anthems that act as a sonic looking-glass reflecting all of the textures of this genre. Case in point, not too many bands nowadays remember when Post Punk 12 inches were the go-to dance music for the 80s club kids in the UK. Straight up, their title track “Games of Power” shows us all that Dance Music comes in many forms, and that’s why this is one of my favorite songs of the year.
    (CVLT Nation)
    
    Home Front have managed to fix truth to the beautiful and borderline mythical thread-needle moment in which punk, new wave, pop, indie and rock and roll all descend upon a single source. We may have only dreamed that Tears for Fears might have been going to see GBH at the weekend or that Annie Lennox spent her evening sewing Crass patches to her Wrangler Blue Bell jacket, but Home Front have rang the dinner triangle for us all to feast.
    (J. Falco)
    

    I guess both Graeme of No Problem fame and La Vida Es un Mus (one of the most relevant, most innovative labels these days) simply sensed a void and perfectly filled it. Games Of Power has a wide range, check End Transmission or Nation out! And the best`? Live it worked even better, so much better. Stunning!

    You can get your La Vida Es Un Mus or Home Front stuff at Sounds Of Subterrania, our trusted local dealer.

    Whilst 2022 resulted in 3 (three!) Playlists i kept my promise and created only one, getting the numbering to match the year finally. So here are 214 songs, many new. Some old. But all hit material. Now. Or then. And most never made it big. Damn.

  • Bücher, schnell gelesen: 1.677

    Bücher, schnell gelesen: 1.677

    Marie Rutkoski – Real Easy (Suhrkamp, 2022)

    Gelesen: 29.12.2023 – 02.01.2024 (netto 391 Seiten)

    Aus dem amerikanischen Englisch von Stefan Lux.

    Das Buch stand bei mir schon länger im Leserückstand, ich habe immer andere vorgezogen. Und ich kann mich nach dem Lesen nicht wirklich entscheiden ob das ein Fehler war.

    Das Buch ist der Erstling in Sachen “Thriller” von Marie Rutkoski, im echten Leben Kinder- und Jugendbuchautorin mit Professur für Englische Literatur.

    Das Buch ist definitiv Thriller (und weniger Crime), da der Leser a) bei der Suche nach einem Serienmörder dabei ist und b) dieser im Buch auch aus seiner Sicht (als Namenloser ER) erzählt wird.

    Das Setting ist in jedem Fall gelungen, den Hauptspielort ist ein Strip-Club namens Lovely Lady und die Geschichte wird hauptsächlich aus der Sicht der Frauen erzählt, die sich hier ihr Geld verdienen. Und dieser Teil der Story ist echt stark, verschiedene Charaktere und sehr individuelle Gründe warum sie dort arbeiten. Und ziemlich coole Gespräche zwischen den Girls hinter der Bühne.

    Aus “Stripperinnen: Eine Tote, eine Verschwundene – die eine Woche später tot auftaucht” wird die Suche nach einem Serienkiller, angeführt von einem weiblichen Detektive mit ordentlich Seelenbalast, ebenso traumatisiert wie viele der Stripperinnen.

    Ungefähr in der Mitte des Buches liegt ein kleiner Tipp der das Buch quasi auflöst, dagegen stellt Marie Rutkoski dann eine – fast schon bemüht wirkende – Flut an falschen Fährten bzw. Verdächtigen.

    Der Teil, der die Schicksale der Frauen (inklusive der kleinen Tochter von einer der Toten) ziemlich genau ausleuchtet ist echt gut (da gibt es zB eine XY-Frau, ein geborenes Opfer, eine Einsame – die sich in eine Lesbische Kollegin verliebt).

    Das der Fall am Ende nicht von der Polizei (die hier mehr oder weniger Fähig hingestellt wird) sondern von einer Stripperin gelöst wird, die gelernt hat sehr genau hinzuhören, passt zu der Story. Frauen sind hier im Focus und das echt gut.

    Die Geschichte und das Setting in der typisch amerikanischen Strip Club Kultur gefällt mir, der Umsetzung hätte ein wenig mehr Schärfe und weniger Seiten eventuell gut getan.

    Aber gute Unterhaltung. Mir fehlte da dennoch ganz deutlich das Böse, das Noir und … der Pulp.

    Soundtrack dazu: ALL – Strip Bar, was sonst?

    PS: In anderen Ländern ist das Cover einfach … stimmiger.

    PPS: Und Marie so?

  • Family. Here to stay.

    Family. Here to stay.

    It ain’t all honky-dory all the time, for myself i was confined away from shows for some weeks due to an operation on the leg but that ain’t nuthin compared to the fate that the Molotow awaits.

    It’s now 10 years that they had to evacuate their old place below the so called Esso-Building (as the owner let it rot to the point that tenants, business and the name-giving petrol station had to be evicted as an emergency) and now they single-handedly got their lease for their current place terminated by mid-2024.

    It will be torn down and another new Hotel will rise.

    It actually does not matter at all that club itself ain’t a favorite of mine, the simple fact that yet again all of the praise of the cultural work of places like the Molotow (coming through once the City can suck up Press and Mu-sick Industry praise for something like the Reeperbahn Festival) is void and nothing if it comes to hard business that makes the City tick.

    Another deal with another property developer. Fuck it.

    The Molotow asked for solidarity and that is what they got – approximately 3.000 people took the Reeperbahn and made a stance.

    Molotow Must Stay! (Reeperbahn, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    Team Scheisse was supposed to play but generator problems hampered the start but then they set sail, up the Reeperbahn and down the Ost-West-Strasse to finish in front of another Hotel of that chain.

    What really sucks is that the fate of the Molotow (being bend over and raped three times directly or indirectly by property owners) is the custom fate of the smaller & underground clubs. The City of Hamburg is only ever paying lip service when it comes to support towards more underground and/or independent culture and for sure all is void when it comes to making money from or supporting money being made from property deals.

    Regardless if the investor meets his promises (like the one that was supposed to re-build the former Esso-Building complex).

    A really sad start into a long evening with good music, family and friends but it was also good to see so many faces i know from shows (on and off stage) taking the street – it means a heck within the given limits and it generated at least a peak of noise in the local press.

    Will it help? I doubt. Damn.

    Still, as long as we can, we gotta take our side of the story into the world – and the annual We’ll Burn The Baum Down (now as edition 16.0) is exactly part of the storyline: Next to Staatsoper, Elbphilharmonie and Ohnsorg Theater there are tight and striving communities and they stick together, against all odds. But it is getting harder.

    This year the Razors went all local, providing stage time for their Rebellion companions Harbour Rebels and … big surprise … providing a comeback opportunity: The Rubbermaids came back out of (almost) nowhere.

    The Harbour Rebels had the hardship of starting early (as in 20:00) but the Knust was already well filled (as many where taking the street for the Molotow and just strolled over from there).

    As much as when they supported the Razors for the Rebellion warm-up earlier in the year they are a mixed bag for me. They got the right messages, they even get some dance-a-long Ska-stuff in their set but somewhere in the back of my single-minded mu-sick-al brain always opens the cupboard “Deutsch-Rock“.

    Harbour Rebels (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    And as ever my deduction of received mu-sick might not be all right, so check them out for yourself. They do their thing, with dedication, and such do deserve the spot up there. And deserved the share of applause and support they got.

    Next from the ashes of the Rubbermaids … the Rubbermaids. And this is how they kicked off:

    They had a more of less secret gig in March 2023 at the Indra for a Birthday Bash and now, with apparently only a few rehearsals, took the big stage of the Knust. I guess that this surprise return also up’ed the numbers of tickets sold, they did draw plenty of additional people.

    And from the start they where back together as if they never disbanded in 1994. I saw them a couple of times in the late 80s and the beginning of the 90s and always thought they would make it big, but somehow they never got off the independent label circuit and signed by the industry. They biggest shows where support slots in Hamburg and Bremen for the Toten Hosen on their 1992 Learning English Tour.

    Rubbermaids (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    They sure looked different than back then, where they took the look of the time all in: Hair (extra hair), non-punk conformity clothing, ribbed and thorn jeans and sneakers. Very 90s. Very American.

    And being able to pen matching hits like this one (and the video definitely sports the look of those days):

    And how did it look and sound today? It sure looked different but sounded still great. And their main asset – lightweight songs with drive paired with multi-vocal harmonies still comes through almost puuurrrfect on That Rings A Bell:

    I was not the only one more than positively surprised. And taken back in time by say 30 years. Wow. As much as myself plenty of folks of the now packed main room of the Knust had either their jaws dropped or moving in sing-a-long.

    They did not do a lot of chatting, rather kept the flow and nodding toward many old fellows in the audience. And receiving loads of applause.

    Rubbermaids (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    Near perfect set, only few misses in chords or rhythm. Perfect drumming, perfect bass and fast forward dual guitar play. And their biggest asset in perfection: Near perfect vocals and multi-vocal harmonies. From where i sit one of the biggest mu-sick-al surprises in 2023, i honestly did not expect this.

    Will they do this again or more regular? No clue, as they all have family, work and other musical adventures. In different places.

    It did set the bar high for the Razors though, trust me! And the Razors kicked of like this:

    Bang! As in a literal and visual Bang!

    And from there they took the lot through an extended set – old old stuff and new old stuff. Favorites and outtakes. Covers and originals.

    Razors (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    And sure thing within that the one cover (from a long forgotten Scottish Power-Pop band) that i now regard as their signature song:

    Oh oh oh oh the shape of things to come
    Oh oh oh oh the shape of things to come
    

    The well oiled machine almost never stopped to take a breath: Christiane on the wild side, Stoffel shredding it (in a great shirt, Bärchen was in attendance of the show actually) and Sven hammering it home.

    Razors (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    And Klaus, towering the center of the stage, smiling, singing and encouraging the lot to sing-a-long.

    Razors (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    Little did i know when i thought for myself that the Razors would have a hard time after the energetic show of the Rubbermaids, i was proven so wrong.

    The Razors simply took the lot by storm and the lot (sans one intoxicated individual that got a helping hand leaving the room) returned the favor.

    Prior to the encore they even took the opportunity to side with the lot.

    Razors - Hanx!(Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    It was almost midnight when the encore culminated into the all family hands on deck sing-a-long mix of “Because You’re Young” and “YNWA” and the whole place sung the last song together with Klaus.

    Razors & Family (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    The perfect finish to 2023, a year that as said was not all honky-dory but as most of the years the traditional Razors show was an uplifting one. Plenty of people to bump into, to speak with or to just say Hi to. And great mu-sick.

    And as every year it draw people from Hamburg and far. My friend Nico from Rotterdamn did return after being my guest last year and walking him home to his hotel after the show i realized that he is now ready to sign up for the Razors Fan-Club (he liked the sing-a-long attitude of the set).

    Due to the post-Op situation of my leg i did not stay for the dancing procedures in the pub of the Knust but rather went home – all sober – early with my guest. Big thanks to the Razors and the Knust for making this possible, year on year. We love you!

    PS: As an extra, as Sven is most of the time hidden behind the drums and those who can roam around the stage without the baggage of a drum set (and thanks to the virtue of long cables) – here is the god of drums:

    Sven “Gott” Gotfredsen (Knust, Hamburg, 30.12.2023 (c) gehkacken.de)

    As as form of appreciation here three downloads you can print on high gloss photographic paper if you dare (or in any other form). For me they sum-up the evening and have a lot of individual details (go searching!) that make me simply … smile! Go klick on ’em!

    Rubbermaids

    Razors

    Razors Family