Tag: Hafenklang

  • … surf pop the metal way: Welcome back Hard-Ons!

    … surf pop the metal way: Welcome back Hard-Ons!

    It has been a while that the Hard-Ons graced these shores, i can’t even recall when and where i did see them in the 90s the last time. But they stayed forever in my books as one of the bands that had an almost endless stream of great singles with excellent covers. Still, sometime after Yummy (their 1990 effort) they somehow lost me from a record perspective (i still got more than 10 records by them though) and some time later also from a live perspective.

    Nevertheless it was worth it to give them yet another chance, specifically as they now are a 4 piece and they have Keish solely on vocal duties whilst new recruit Murray on drums.

    The support slot on this warm and sunny Wednesday (that had Germany exiting the pretty useless 2018 FIFA WC vs. South-Korea) was for locals Bolanow Brawl and they took it with pride.

    Bolanow Brawl (Hafenklang, Hamburg, 27.06.2018) (c) gehkacken.de)

    I do not necessarily dig them but they have grown  quite a bit: They have a very tight sound and absolute excellent dual guitar play (and on top great whoooa-background vocals). But the thing that keeps me off is something like an undercurrent and that keeps being both that they sound like something i heard before and that their songs tend to be too complex and too long.

    That second thing was actually a shared observation with a fellow friend in the audience who has a sufficiently successful career in a band so seems to be in the know much more than me when it comes to debunking mu-sick. But what they do they do very well, so i stayed on through the set (whilst many others enjoyed beer and sun outside).

    Next on the Hard-Ons, now fronting about 75 people in a rather empty Hafenklang. I observed some initial surprised faces and heard some comments about the 4-piece thing, by the looks many people did not keep up to date with the ins- and outs of the Hard-Ons (breakup 1994, return 1998 without Keish and then 2016 the final return of Keish to from the 4-piece). But down-under is far away so that somehow comes natural.

    Hard-Ons (Hafenklang, Hamburg, 27.06.2018) (c) gehkacken.de)

    And the Hard-Ons gave all that you would expect: Loads of power, loads of metal infused whatever (someone on the internet (damn internet, never forgets) called it once “… a mix of punk, pop, and metal with dashes of power pop, psychedelic rock, thrashy metal, and a healthy dose of humor“). In the initial part of the set it was a wee bit too much of that long haired guitar work (though Peter Black is a terrible great guitar player and Murray/Ray are a terrible great driving backline).

    There where also some fun moments, specifically as the well intended bad joke about Germany going out was met with sheer ignorance by the audience. On top i also liked that after 3 songs everyone but Keish uniformly took their shirt off to sweat it really out. And sweating they did.

    And then came overtime and they gave the audience the choice. Some requests where denied (“Sorry Mate, we did not practice that one…“) others where met with a smile (and a quick on-stage rehearsal of the chords). And within that, they also played one of my loveliest songs:

    And yes, for me they still have it and as a 4 piece they actually have it even more. The only item to complain about was that guitar, bass and drum where quite loud and Keish was quite not loud enough. But i guess that comes natural when the dominant force is the strings.

    And how did that one sound in the 90s – here is some MTV history for ya:

    In the end they played like 90 minutes i guess and they put in all i want from a touring band: Energy, humor, humbleness and both listening to the audience and playing for themselves. No complaint here. I think i will now check out they more recent records too.

    Perfect Wednesday out at my local club down the road and more to come in July (let’s see what happens to the Adolescents show given the sad news of Steve Soto having passed away).

  • … a small K-Town warm-up with a small turnout!

    … a small K-Town warm-up with a small turnout!

    Over the last years the K-Town Warm-up was quite a sizeable effort at the Hafenklang, this year it was cut back to a small and intimate setting. Though when i arrived at the Hafenklang i had the initial fear that i was going to be surprised by a large something, given the huge nightliner in front of the doors…

    K-Town Shuttle?
    K-Town Shuttle?

    But that was wrong – it was going to be two bands only and it was going to be empty. Not sure if it was the competition (Lillingtons in Bremen, Beatsticks at the Rote Flora and a few other items) or just the unknown bands.

    But unknown is the trigger, at least for me. How can i judge what music to listen to or what records to buy if i do not check out new bands? First on where Idiota Civilizzato from Berlin (and some other places) and they came just in time for the show.

    Idiota Civilizzato (Hafenklang, Hamburg, 14.06.2018) (c) gehkacken.de)

    They sound like great US inspired Italian Hardcore from the mid-80s and they do sound almost perfect in that vein. Push, drive, speed and dual guitars. The vocals must have been in Italian, as i could not make out any theme. And they pushed their set in a stoic manner towards the rather empty space in front of them.

    Besides Project Youth there where about 15 paying customers and that does not really drive enthusiasm but i have to give credit to them – they where relentless. How did it sound? Listen up youth:

    Next on Project Youth from Istanbul (Turkey) and i think so far i have not yet seen a band from Byzantium so i was very interested to see and hear. It was a wee bit a surprise (and in hindsight not really) to get to see and hear a band that was fully engulfed into 80s UK punk.

    Project Youth (Hafenklang, Hamburg, 14.06.2018) (c) gehkacken.de)

    And their sound indeed was more Punk Rock than H/C, had some melodies and their singer tried to be a wee bit of an entertainer, an art really lost on the few people this night. They where pretty much like a well oiled engine, pushing out their songs and mixing English and Turkish language. And they did engage a bit more with the audience.

    Their sound is pretty much summed up with this Blitz cover, i guess their finest moment that night.

    As for Idiota Civilizzato they would have benefited from a few more people, a bit more enthusiasm in front of the stage and generally “more” (of everything). I think in a different setting they will be well received, lets see if they make it back to Hamburg on a different occasion.

    As you lot where not there, check out both bands on Bandcamp:

    I went home not really satisfied (though indeed with some new mu-sick-al experience) and sincerely hope that next year K-Town Warm-Up at the Hafenklang is again a bigger variety and a bigger exposure for bands travelling to DK.

    And the real thing over this weekend was in København!

  • … not lagging behind at all: Hysterese are most likely an advanced system producing chords!

    … not lagging behind at all: Hysterese are most likely an advanced system producing chords!

    The Hafenklang has a good routine to fill the empty void after the weekend, they allow for small shows on a Monday with a donation only door price. Sometimes they get pennies (literally) – sometime they get big bucks (to be shared with the band). What they always get is the surprise of the number of people (and the surprise of the various types of people who just can’t fathom that donation means donation of their choice) and the surprise of what the band puts in.

    On this hot Hamburg evening it was the return of Hysterese, who are around since 2011 but have not been back to Hamburg since 2016. And i saw them only once in 2014 but was forever glued onto their sound. And given the sunny weather, that fact that the Hafenklang is just a short stroll down the street and given that i faced two weeks off from work it was sure a booked show. And a big surprise that actually plenty of folks made way to see them: It wasn’t packed but it was well attended, so hopefully a good share for the band.

    Hysterese (Hafenklang, Hamburg, 28.05.2018) (c) gehkacken.de)

    Over the years they got their sound perfected and also put a unique visual identity onto the stage: Guitar left & right, Bass center and with the back to the audience. And – as a professional musican in the audience noted – driven by a precision drummer. That topped with large amps provided the perfect setup for a good bulldozing and that is what Hysterese did:

    Burst of high energy punk with both feet down into both H/C, Punk and scents of pop. And sure thing the added bonus of dual guitars and dual male/female vocals, that is such a positive addition to sound that i’d wish more bands would dare to try that (no, i won’t stop preaching the added value of the female contingent on stage).

    They barraged through a short set (i’d recon 12 songs) with most songs clocking in above 2 minutes and well below 3 minutes, so in the range of the perfect pop song. They did not interact with the audience a lot, they concentrated on the sweaty task of pushing our chord after chord.

    Hysterese (Hafenklang, Hamburg, 28.05.2018) (c) gehkacken.de)

    I am fixed in my brain on certain songs, they trigger a little spark that goes off and tells me “…listen up mate, this is a perfect song!“. Hysterese are one of the few German bands that have set that spark off, it is their – at least to my account – top hit from their first album:

    And sure thing that little beauty came right down from the stage, full power and with brilliant guitar play. Listen up youth and sing-a-long:

    i can't see 
    i can't breathe 
    start to eat 
    strengthens me 
    
    
    headlocked when i come round 
    that's such an awkward pressure 
    forced to some trojan properties 
    
    
    i can move 
    brightens up 
    now i'm full 
    ate you up
    
    credits : Hysterese, released July 20, 2013 - all rights reserved
    

    Done, sold, just fucking great. As ever, i wonder how they would grace if they are paired with something bigger on a bigger stage. They got the capability, they got the chords and they got the beauty to assemble it all well.

    The internet (damn internet, never forgets) praises their new record just like this:

    These fellas are quite known not only in Europe (but also) worldwide. They released and worked together with labels like Search For Fame, Kidnap, Sabotage or Taken By Surprise. 
    
    Their new third s/t album is a little step out of the long portland-music-shadow into the world of popy tunes. But stop: its still Hysterese, their own twin singing of Helen and Mortitz, shouting their lines like gunfire at each other, their superb guitar-melodies, the stakkato riffing and their precise, machine-like drumming. 
    
    On their new record, you may find between all these Hysterese trademarks some tiny tiny sparkling pop-diamonds, which suits 'em good. If you dig the sadness of The Wipers, the explosivness of old Descendents records and the hits and melodies of your fav Ramones songs, i guess you will dig this little piece of Punk Rock as well.
    

    And to that extend here is one beauty from said record, recorded at Rama Studio – no overdubs – 100% Live one take! Get it on!

    Did i note i am sold on them? And because i nowadays tend to buy records only at shows and ideally from the band i took the “all three LP’s for 35€” offer and threw away the download code – these beauties are to be put under the needle rather!

    And next time round? Next time round i expect me mate Thomas to donate more (he was noted down in the big book of generous moods) and i expect even more people to show up – Hysterese are worth it.