Blog

  • … the return of the DIY shows: The Roxies!

    … the return of the DIY shows: The Roxies!

    It has been a while that i saw a show in a place that was not meant to run live mu-sick. But hey, sometimes opportunities come about and then you gotta grab ’em.

    And grabbing Eugen did, he immediately liked The Roxies after they played the Indra last year and was determined to do something for & with them. They had another show in Hamburg supporting the Dead Boys in February at the Monkeys that i also did not attend, but mates were full of praise.

    I only ever saw them pre-Covid, when they supported the mighty Maniac down in the cellar of the Komet.

    Come June 2024 and Eugen decided to get them over to play … actually in his office, in sync with a yard fest run by his neighboring Coffee Roasters.

    Eugen introducing The Roxies at the Pretty Vacant HQ ( (c) gehkacken.de 2024)

    His office turned out spacious, he and Mike created a decent stage, got some lights and a small PA ready – and off went a short showcase in best DIY fashion. Remember shows in rehearsal rooms? That sort of thing, but better.

    Support was to be Tanju with Tan LeRacoon & Racoonery, but a short notice Covid infection of one band member put a hard stop to it. So it was one band only, early and … crisp.

    The Roxies are from Berlin and they seem to have perfected on Power Pop, with heavy borrowing on UK Post Punk (and some Garage i guess). The net result comes across as high-energy (almost old school) Punk with a slick coating of Pop. They call themselves Indie Punk, but that is an odd label for my single minded tastes.

    The Roxies (Pretty Vacant HQ, Hamburg, 08.06.2024 (c) gehkacken.de 2024)

    They are 3/4th German and have enlisted Mattew from Yorkshire (“Tha’ can allus tell a Yorkshireman but tha’ can’t tell ‘im much.“) to sing for them. And whilst the others provide the sturdy backdrop, he goes off like being fueled with a radioisotope battery.

    The Roxies (Pretty Vacant HQ, Hamburg, 08.06.2024 (c) gehkacken.de 2024)

    They do not dress uniform (always a malus) but they provide unique stage characters (always a bonus) also besides the vocals: An always smiling drummer, a sturdy and almost shy guitar and a towering slender girl on bass – smiling too.

    And how did it sound? It sounded like this:

    It is Cat Caller and on their 12″ (see below) and it is indeed my loveliest song by them, it will make it onto my 2024 playlist (actually it is already on it, whilst the playlist still grows).

    The Roxies (Pretty Vacant HQ, Hamburg, 08.06.2024 (c) gehkacken.de 2024)

    They got a few people dancing and they lured some of the folks of the yard fest indoors. And given they play Power Pop (and that is something straight into the feet) i saw a couple of surprised smiles.

    They did not play long but it was a pleasant and crisp set. I did fancy buying their record but eventually let go the idea (as my remaining space for 12″/LP’s is tiny). If they would have had Cat Caller on a 7″ then i would have grabbed it.

    I grabbed some stickers instead. But by all means, go and check them out for yerself and if you like it try to grab the Vinyl, it is already sold out at the label i believe.

    Nice and early Saturday evening showcase, i wonder if Eugen and Mike try that again with another band. The place would allow for it, being surrounded by largely industry it may take a while before someone raises concerns.

    Nice One. Surprise One! Thanks Eugen & Mike for the effort, much appreciated.

  • … 8 years later and even better: No Time, best in class Oi! ctd!

    … 8 years later and even better: No Time, best in class Oi! ctd!

    It’s been a while.

    Actually 8 years since they graced the Hafenklang in a K-Town Fest wind-down event. And frank, i lost sight of them and somewhat thought they dissolved. Then in 2022 a little nugget appeared, and late in 2023 the great news of a new record made it onto my screen.

    And thus i was happy as a fuck when the Hafenklang appeared as their first date on a short run through Europe in 2024.

    Support was by True Gloom from Hamburg, a new band (having just played their first show on the ill-fated Booze Cruise Fest) with some known faces. They kicked off with loads of feedback and noise and then went to deliver H/C with a decent scent of Rock (at least to my single-minded mu-sick-al ears).

    True Gloom (Hafenklang, Hamburg, 07.06.2024 (c) gehkacken.de 2024)

    For myself the amount of pedals, effects and what have you in front of the guitar player somewhat created a wee bit of a dislike, though he managed to use some of them to positive effects.

    Pity though that the singing (and thus the words) was barely audible, so i could not really make out what the crisp set actually delivered.

    True Gloom – Setlist (Hafenklang, Hamburg, 07.06.2024 (c) gehkacken.de 2024)

    Luckily they have put their demo up on Bandcamp including the lyrics, so you can both make up your mind about them and get the message – this is the song i liked most:

    I was a bit torn with them, they had some good moments where they sounded like a fright train and the vocals fitted into that, they also had bad moments when the guitar took way too much of a metal approach.

    Still, they came across as a tight package, well rehearsed and thus i’ll be happy to see them again. Even if it is not 100% up my mu-sick-al alley.

    Next No Time, nicely wasted from long travel. This is what they set out – a good mixture of old and new stuff.

    No Time – Setlist (Hafenklang, Hamburg, 07.06.2024 (c) gehkacken.de 2024)

    From the start they were back at where they left us in 2016: Same stage personas, same drive, same aggressiveness by Adam. But very much improved on the ability to deliver the music. Back then we all envied them for their ferocious mix of classic Blitz influenced OI! and Hardcore (to quote me mate Frosch) but now they have widened their sound to carry an undercurrent.

    No Time (Hafenklang, Hamburg, 07.06.2024 (c) gehkacken.de 2024)

    And that undercurrent – surprise – is full of hidden melodies. Even on this banger from their 2013 EP. Here is Perpetual War:

    Bang! They got something right almost ahead of time, that Oi! H/C crossover currently seems to be on of the fastest growing niches of the last few years. I do hope No Time eventually are able to capitalize now on having been there almost first.

    The more they pushed forward, the more they got a bit of action in front of the stage. Sad though that only about 80 good people attended downstairs, with that number it would have felt better upstairs in the smaller room (though that was booked with another event).

    No Time (Hafenklang, Hamburg, 07.06.2024 (c) gehkacken.de 2024)

    Sure thing they also got their signature tune back on the map, this is the song that got me hooked onto them when i got to hear the tape in 2016:

    And how did it sound in 2024? It sounded like this:

    Still, a top notch song with a definite stance.

    They got plenty of cheers and they even got pushed for an extra once they had left the stage. After that they where thoroughly exhausted – great start for their tour!

    The only pity was that they screwed up on the merch side, their new LP Suffer No Fool made it to Hamburg somewhat … but then the parcel got returned to Euskal Herria to Menedeku Diskak.

    No Time – Suffer No Fool LP (Mendeku Diskak / TKO Records)

    I will now have to wait until my trusted local dealer, Sounds of Subterrania, gets his delivery from Euskal Herria. In the meantime i can already listen to this:

    Almost perfect show i’d say, a great return of No Time and hopefully towards more output from them. And from where i sit i would even want them to branch wider mu-sick-ally, i think they have a great recipe at hand:

    We love a lot of '80s American USHC, a lot of international punk and Oi!, anarcho-punk, and lots of the classic rock 'n’ roll bands like AC/DC, The Sweet, Slade, KISS, etc. We try to mix things in a thoughtful and cohesive manner and I hope that while we wear a lot of those timeless influences on our sleeve, at the end of the day we still sound somewhat fresh and exciting.
    

    Keep it coming No Time, keep it coming.

    PS: Shitty lights, shitty pictures. No really my bad.

  • Bücher, schnell gelesen: 1.711

    Bücher, schnell gelesen: 1.711

    Michael Connelly – Cops Und Killer (Kampa Verlag, 2024)

    Gelesen: 03. – 07.06.2024 (netto 302 Seiten plus 27 Seiten mit zwei Nachworten von Michael Carlson und Jochen Stremmel)

    Aus dem amerikanischen Englisch von Sepp Leeb.

    “True Crime” und aus der Zeit als Michael Connelly noch Journalist und Polizei-Reporter war. Zuerst von 1980 bis 1987 in Florida, dann ab 1987 in L.A. und bei der Los Angeles Times.

    Den Job als Journalist gab er erst 1995 auf, da waren die ersten drei Bosch Romane bereits geschrieben. Der Rest ist Erfolg auf der ganzen Spur, sowohl als gedrucktes Buch als auch die Verfilmung(en).

    Die Originalgeschichten sind in diesem Buch eingerahmt von einem Vorwort von Michael Connelly und den beiden Nachworten, sie dienen dabei als Einordnung (Connelly) als auch als Referenz.

    Das Vorwort von Connelly setzt den Leser dabei ein wenig mit Absicht auf eine Spurt – welche Fälle resp. welche Puzzleteile aus echten Fällen hat Connelly in Bosch und den anderen Büchern verbraten.

    Die Fälle selbst sind hier in Europe weitestgehend unbekannt, es hilft den einen oder anderen Namen mal bei Wikipedia zu checken um mehr Kontext zu bekommen. Die Reportagen selbst sind fast schon klinisch klar resp. kalt: Wer – Was – Wann – Wo – Warum – Wie. Aus. Dem. Lehrbuch.

    Interessanter ist da schon in welche Struktur Connelly das ganze verpackt hat:

    1. Die Cops – 2. Die Killer – 3. Die Fälle

    Das ist es was ihn interessiert hat, das ist es was er später als hard-boiled Autor geschrieben hat.

    Ich denke das Buch ist in Wirklichkeit nur für Die-Hard Connelly Fans, sonst ist es ein wenig zu trocken. Eine etwas aufwendigere Aufmachung mit zB Original Zeitungsausschnitten (und Fotos) wäre irgendwie cooler. Und wertiger, für Fan Boys.

    Soundtrack dazu: Crime – Feel The Beat, was sonst?

    PS: Und Connelly so über die Zeit des Übergangs vom Journalisten zum Autor?