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  • … their biggest show yet: Will The Haermorrhoids finally make it big??!

    … their biggest show yet: Will The Haermorrhoids finally make it big??!

    Thanks to Frosch for reporting, i was absent on family care duties!

    Got our tickets for this show at Hamburg’s long running Fabrik not because of Headliner The Chats, who I never rated that high, but for the support act, fellow Australians and beloved The Prize from Melbourne, probably the best Power Pop band going right now.

    Very nice surprise came a couple of weeks ago when a 2nd support act, local heroes The Haermorrhoids, was confirmed.

    Made the investment of roundabout € 40,- a little more reasonable I guess…

    This is how we were greeted at the Fabrik on a cold and rainy November night, just what the world needs right now. Some backbone in a world gone mad, right at the edge of fascism and nuclear war…

    ( (c) Frosch, 2024))

    We arrived at the Fabrik really early as The Haermorrhoids were going to kick the evening off at 8pm already. Meeting the guys just before the gig they told us that they were only given 10 minutes to sound check, so they were pretty unsure how it would sound on stage.

    By far their biggest gig yet as the Fabrik holds 1.200 people and they had sold 900 tickets in advance.

    This is how The Haermorrhoids kicked off:

    Talking later they said that they didn’t warm up at all, but you surely couldn’t feel that. Kicking into full gear and full of confidence with the title track of their latest album “At The Earth Core” they took the Fabrik by storm and got the crowd moving right away.

    No break, just like their heroes Ramones, Queers, Screeching Weasel, you name them all, Alleister Crowley next. And Sk8. Old favourites.

    I decided early on to record the whole show for them.

    Not being a musician – they are very picky when it comes to all these technical details… – I thought the sound was really good, guess it proofs if you watch the clips.

    And it was going to be a very short set, I counted 22.5 minutes.

    What I really like was the mix of old and new hits, just before the clip above we got the old crowd please “Overdose” and my personal favourite just recently, “Degenerator”, is kicking off these 2 songs.

    Just watch the young crowd getting into the band, pogoing along.

    For the last 2 songs we got the title track of great album No.1, “Apparatus Of The Ultimate Power”. I rate this one just as high as the best Teenage Bottlerocket album.

    Finally another Punk band from Hamburg with international class, and I guess we can all agree on that 😉. “Lost In Space” concluding this set, another example of the perfect dual vocals from Greg and Yannick.

    That’s what’s keeping this band really interesting, Lennart and Martin doing a great job on the strings too. Let’s all hope that they get what they deserve and make it really big in this fucked up world!

    After a short break The Prize took the stage. Love this band and their perfect blend of Power Pop. Honestly think nobody does it better than them at this moment.

    And they wear their influences on their sleeves, one of the 3  (!) guitarists sporting a Joe Walsh shirt. Very old school indeed, including drummer Nadine Muller, daughter of Cosmic Psychos drummer Dean Muller, wearing the matching 70’s stage outfit.

    And it’s her voice and great drumming that really drives this band, best heard on the instant classic “Wrong Side Of Town”, see the clip for it below:

    Shame that Nadine was set up right in the back, a hidden gem. That’s drummers usual fate after all, but when we did see The Prize before her drum set was placed right in the middle between the 4 boys in the band.

    Generally the gig felt a bit more lackluster than before, so we’re looking forward to the release of their 1st album hopefully spring next year and another tour to follow later in 2025, as male lead vocalist and guitar player Carey Paterson confirmed later.

    This is him performing the 1st song released off the new record, “Had It Made”, at the end of their set.

    Last but not least The Chats.

    Thanks to them The Haermorrhoids got their support slot for tonight, as they were supporting The Unknowns at the Komet a month before.

    Not completely sure about the drummer but I suppose The Chats are totally identical to The Unknowns, who in the end also play Garage Punk, just like The Chats, but with more emphasis on the end 70’s punk side.

    I immediately ordered their record and liked their gig in the small Komet basement, which attracted quite a few Chats fans, but never really got into the Chats recorded output.

    It’s still great that they attract a really young crowd, which feels much more vital than our usual old school punk sets, with a 60+ crowd.

    And they proved to be a really good live act, which is what’s causing all the fuzz about them I suppose. Being Australian and snotty helps as well. Up to 25 Mio. YouTube clicks, just crazy!

    I’ll never get one of their records I suppose, to me they just sound like any other garage punk band that can play the Get Lost Fest or Komet Club, not bad at all, but nothing special either.

    That being said, their song “6L GTR” is REALLY GOOD!

    And this is how it went off live, only the last 40 seconds, sorry, missed the best crowd support part, but just to give a little impression.

    After about half of their set I went from the front to the back of the room, as the songs all sounded a bit samey.

    But hey, a good live gig nevertheless and a fun evening with 2 great support acts!

    (Report, Pics and Videos by Frosch – hence color and not B/W. Fanx!)

  • Bücher, schnell gelesen: 1.740

    Bücher, schnell gelesen: 1.740

    Steve Moriarty – Mia Zapata & The Gits (Feral House, 2024)

    Gelesen: 19. – 22.11.2024 (netto 249 Seiten)

    Im englischen Original gelesen, wird wohl ehr nicht in Deutsch erscheinen.

    Hach, die Gits.

    Traurig, Mia Zapata.

    The Gits waren eine ziemlich großartige Band aus Seattle, die ihre wahre Größe nie einspielen konnte.

    Zum einen waren sie zu einem Zeitpunkt am machen als Grunge der heiße Scheiß aus Seattle war – und Grunge war ihr Sound nicht. So gar nicht.

    Zum anderen wurde die wunderbare Sängerin Mia Zapata am 07.07.1993 in Seattle auf dem Weg nach Hause vergewaltigt und ermordet. Und das war natürlich das Ende der Gits.

    Und, doppelt traurig, nur wenige Tage vor der Ermordung hatte ein A&R Manager von Atlantic Records den Plan die Gits unter Vertrag zu nehmen genehmigt bekommen.

    Das Buch handelt aber weniger davon, sondern zeigt den Weg der Gits. Der Autor Steve war der Drummer der Gits und hatte Mia am College in Yellow Springs, Ohio, kennengelernt. Dort formten sie die erste(n) Bands und dann auch The Gits.

    Und gingen nach dem College (2x abgeschlossen, 2x abgebrochen) nach Seattle. Eine Stadt, die damals noch nicht High-Tech (Microsoft etc) war sondern … ziemlich runtergerockt.

    Und dort starteten sie parallel zu den ganzen “to-become Grunge Heroes” wie Nirvana ihre Kariere – DIY und als Kollektive.

    Sehr persönlich, voller liebevoller und auch harter Erinnerungen und immer Ehrlich: Steve hatte psychische Probleme, Mia hatte Alkohol Probleme.

    Aber zusammen mit dem Rest waren sie eine großartige Band.

    Und, nicht vergessen, ohne Mia war der Rest als Dancing French Liberals of ’48 eine ebenso großartige Band.

    Pflichtlektüre!

    Soundtrack dazu: Everything The Gits, remastered, was sonst?

    PS: … Referenzen? Jede Menge!

  • Bücher, schnell gelesen: 1.739

    Bücher, schnell gelesen: 1.739

    Jake Lamar – Das Schwarze Chamälion (Edition Nautilus, 2024)

    Gelesen: 11. – 18.11.2024 (netto 313 Seiten plus ein großartiges Nachwort von Robert Brack)

    Aus dem Englischen von Robert Brack.

    Das Buch ist im Original von 2001, ließt sich aber sehr aktuell. Unter anderem auch weil es einen Einblick in das Universitäre Leben an einer Universität gibt das – aufgrund der Themen – eigentlich fast schon eine korrekte Vorhersage der Zukunft ist.

    Es geht um schwarze Identitätspolitik, es geht um Postkoloniale Studien, es geht #MeToo und es geht auch um Black Lives Matter. Und in einem weiten Bogen nimmt es auch noch Black Panther, FBI und Cointelpro.

    Und das ganze mit einem Hauptdarsteller, Dozent Clay Robinette, der extrem menschlich rüberkommt und perfekt das ganze Chaos moderiert: Sein Kollege Professor Reggie Brogus, ein ehemaliger Black Panther der jetzt extrem reaktionäre und kapitalistische Positionen einnimmt, bitte um Hilfe – in seinem Büro liegt eine Leiche. Weiblich. Weiß.

    Das Buch ist sowohl ein klassischer whodunit? mit ein paar realistischen falschen Fährten als auch eine Satire auf die Kultur (sowohl auf der Studenten als auch Professoren Seite) an amerikanischen Universitäten.

    Und, auch das ist fast hellseherisch, auch jemand wie Clarance Thomas hat hier eine Rolle.

    Manchmal schwer zu lesen, manchmal extrem lustig. Und voller Referenzen.

    Ach ja, der whodunit? wird natürlich auch aufgeklärt und das Ende, ja, das Ende ist cool. Weil es so echt klingt. Weil es keinen Gewinner gibt, auch nicht Clay.

    Und offensichtlich in den US of A völlig vergessen, unter anderem auch weil der Autor seit 1993 in Paris lebt.

    Klasse Buch!

    Soundtrack dazu: Pure Hell – No Rules, was sonst?