Tag: Spitfire Stevens

  • … 10 years without facing an audience: How Sonny Vincent came back (home, of sorts)!

    … 10 years without facing an audience: How Sonny Vincent came back (home, of sorts)!

    Sonny Vincent had left a lasting impression on Hamburg, ever since eg. Shotgun Rationale graced our shores in the 1990s and he choose to put eg. records out via Hamburgs own Vince Lombardy Highschool Records. And he graced the Hafenklang more than once, last if i recall correctly 2011.

    Poster for last show of Sonny Vincent at the Hafenklang (11.10.2011) …

    But fate came across his touring life around the world, homebased in the Netherlands. Disaster struck 02.01.2016 and his life as a musician more or less ended right there.

    ( (c) Please Kill Me 2021)

    With quite some cheer the lot in Hamburg (and beyond) took note that almost 10 years on he choose to return and selected Hamburg for it.

    The show was sold out in record time, also because it was upstairs in the smaller room. And Sonny was a tad bit nervous and afraid of people:

    I take it a lot of people took some extra effort to make it happen, up to and including the support (the Spitfire Stevens for some time have a Sonny Vincent cover in their setlist).

    Luke and his band took the stage early and kicked off rather mellow:

    And then directly moved into one of their signature songs:

    From the start they where tight, together and had an almost perfect sound (the only complaint: the guitar on the left was a tad bit too loud for the overall sound).

    And whilst they started slow, they also took their faster songs to the stage and overall had a great, balanced, setlist.

    Spitfire Stevens (Hafenklang, Hamburg, 25.10.2025)
    (c) gehkacken.de 2025

    As almost all the time when i get to see them they made a very humble, almost shy stage appearance. Not too much banter, focused on the delivery.

    Spitfire Stevens (Hafenklang, Hamburg, 25.10.2025)
    (c) gehkacken.de 2025

    Applause from the already packed house was there, a number of people also silently moved along to the sound. I had to miss their last show at the Hafenbahnhof a couple of weeks ago but got word that it was also a near perfect set & sound.

    They are getting there it looks, i guess it is time for a 3rd 10″ with some new songs!

    Sonny Vincent took the stage soon after and he kicked of like this:

    Bäng!

    Different territory than Spitfire Stevens and heavy, fast and raunchy! And a very modern sound!

    That was My Guitar from 2002 and i guess the whole set was more on the faster side, the fan favorite side of things.

    Whilst there may have been a tad bit of a reservation with Sonny before hitting the stage it felt like him being fully back and fully self assured with guitar play, in front of people.

    Sonny Vincent (Hafenklang, Hamburg, 25.10.2025)
    (c) gehkacken.de 2025

    Rather, he came for the lot like a Tiger:

    Come For You from 2004 that was.

    Where Sonny took the center, the rest of the band supporting him stood slightly back and simply proved that they are utmost professional musicians:

    Be it Frank Ferrer on drums (with earned badges for a number of bands, most notable Guns’n’Roses), be it Nils Finkeisen with his guitar (a notable stint with Die Krupps but further more co-owner of a well respect Guitar & Amp Retail Store in Hamburg) or be it Christoph Lubrich (Bass in Sidek!ck and long time collaborator with Sonny Vincent under the nickname Billy The Kid).

    Sonny Vincent (Hafenklang, Hamburg, 25.10.2025)
    (c) gehkacken.de 2025

    Apparently they had two rehearsal sessions together in Hamburg only and boy, the net result was almost hand-in-glove.

    The longer they played, the more the audience was taken along and away, plenty of dancing, plenty of cheers and plenty of beer flying through air!

    The encore included Let’s Get Zooed Out:

    That’s a song dating back to 1976, the Testors and Sonny playing with them all the early spots in NYC: Max’s Kansas City, CBGB – you name it.

    And it is full circle back actually: Sonny always played high octane slash and burn Rock and fucking Roll. And that is what he is hopefully continuing to do (in whatever setup and form).

    Sonny Vincent – Setlist (Hafenklang, Hamburg, 25.10.2025)
    (c) gehkacken.de

    Time being the show looks like a once-off, for the occasion and also for a new movie project by Danny Garcia on Sonny Vincent. He is the film maker that already gave us Nightclubbing – The Birth Of Punk Rock in NYC:

    Looking forward to that project too!

    It was really an almost magical return with Sonny hitting a yearning audience (and having the most professional backing band you could dream off).

    If you want to wander beyond the music i recommend Sonnys small book Snake Pit Theraphy from 2021.

    … early show, early end – off to the aftershow party!

    As the upstairs of the Hafenklang was needed for something else later the wind-down was rather fast and those who desired took their feet to the after show party.

    Being off sick for some days earlier the week i choose to take off to home, i hope Sonny got a few more cheers (and drinks) at the party!

    Thank You, Sonny!

  • … weggeblazen door aanstekelijke punk rock uit Amsterdamned: The Covids!

    … weggeblazen door aanstekelijke punk rock uit Amsterdamned: The Covids!

    Football Euro Championship opening game with Germany, 50.000 on the Heiligengeistfeld plus many in pubs all across the Reeperbahn – all of no interest for the few that made their way to the Komet. Still, the almost empty streets gave the stroll over to the Komet an unreal feeling for a Friday evening.

    I was keen to enter the cellar (that i more dislike for shows than like) not only because my last Spitfire Stevens show was a long time ago but even more because the hottest shit from Dutchistan was to grace Hamburg.

    These two created enough pull for me, pity though that the turnout was far from packed, specifically the energetic show of The Covids should have had a packed house (or rightaway a packed bigger house and stage).

    A somewhat negative surprise awaited us, at least that was the initial feel, in the simple message that a US 3-piece had bragged it’s way onto the stage as support for the support. And no, it wasn’t Green Day.

    When we finally got down from the bar into the cellar that unspecified band had already started, 2 guys on strings, a girl on drums. And loaded with negative energy it sounded initially like an open rehearsal. Though quickly i had the feeling that my brain was about to betray me.

    Nauseaters (Komet, Hamburg, 14.06.2024 (c) gehkacken.de 2024)

    After the set, lasting about 30 minutes, the negative feeling though had turned. Because they had a cool (and tricky) name as in Nauseaters and they had a wee bit a Power Pop undercurrent of the better side.

    Undercurrent as much as the guitar tended towards the heavier side (Flying V model, most likely can not be played non-heavy) but still you could make out the sugar coating somewhat.

    After their set we got to understand what got them onto the stage – they had a free slot within a a DIY trip across central Europe and had taken residence in Hamburg.

    It was not fully up my alley but it had enough pop nuggets scattered across to keep me entertained. If you come across them – go and check them out.

    Next Hamburgs own and only Spitpunk band and Spitfire Stevens set out to give the lot (including family and friends) the following classics and newbies:

    Spitfire Stevens – Setlist (Komet, Hamburg, 14.06.2024 (c) gehkacken.de)

    As ever the band was well dressed, uniformly (always a bonus), and well behaved. But from the start there were sound problems, Luke was barley audible. And frank, the guitars were way too loud, giving even some of the more mellow songs a very rough edge.

    Spitfire Stevens (Komet, Hamburg, 14.06.2024 (c) gehkacken.de 2024)

    Yannick, of Haermorrhoids fame, who does sound at the Komet tried to persuade both guitars to reduce volume but somewhat that felt between the cracks or on already deaf ears – it only ever improved slightly.

    Luckily a large portion of the audience knew the songs and thus was able to lip-snyc with Luke, who neither could hear himself nor see the audience (as he was standing exactly where an LED sport was soaking colorful light onto the stage).

    Spitfire Stevens (Komet, Hamburg, 14.06.2024 (c) gehkacken.de 2024)

    Strange set somewhat, it was far from the balanced sound they normally are able to get across. A mate noted that it felt to him like a totally roughed up set and thus a unique positive experience. I definitely missed the softer, more mellow sound structures and i was not alone with the feel that it was not their most stellar delivery.

    That said, i bet you they come back from this unharmed and their next show … will be their best. Have faith, fans!

    The Covids next and this is how they took residence on the tiny stage of the Komet:

    Bang! And proof that the sound can be good, if everything is set in concert.

    What do we get here? A hard hitting girl on drums that holds them together and adds vocals, a sturdy bass that secretly sings along to every song, a guitar that finds the right balance between too hard and too soft plus a singer that roams the audience and is a real front man.

    Cudos, Covids – you got a very fitting and very modern mixture here!

    The Covids (Komet, Hamburg, 14.06.2024 (c) gehkacken.de 2024)

    What surprised my even more was that the three in the back managed to keep their position on the tiny stage and specifically them strings not falling into the trap of moving (and either falling off and/or hitting their head).

    The Covids (Komet, Hamburg, 14.06.2024 (c) gehkacken.de 2024)

    The music they play is full of drive, energetic and borrows a lot: Their self proclaimed references include ’77 punk, punk, garage punk, glam, proto-punk, punk rock and rhythm & blues and that is not far off from reality.

    The tiny stage though felt like an artificial limitation, they should be allowed to roam around, thus i hope their next visit to Hamburg gives them a larger audience and a bigger stage.

    When it came to encore, i was lucky, as they started with my loveliest Covids song: Light A Match (Farmboy) from their really cool LP. Go and check it out loud:

    That is indeed a real cool banger that has it all, near to perfection. Whouah!

    Luckily for the lot they did not stop there and added a couple of more songs, almost enthusiastically received and people danced along with the singer.

    The Covids (Komet, Hamburg, 14.06.2024 (c) gehkacken.de 2024)

    Perfect show by The Covids and i guess indeed they are currently the hottest shit from Dutchistan. Can i have a whish? Make it like Nauseaters, brag you way into a support the support slot at the Knust on 26.07.2024, supporting The Briefs and The Spits.

    Alsjeblieft! Bedankt!

    As ever when a band convinces me live i score vinyl, here we go with the LP and the “Banned from the USA” single. Go and click on the pic, it gets you to Wap Shoo Wap Records were you can order it rightaway!

    The Covids on Wap Shoo Wap Records (from Amsterdamned)

    Because of the 3 bands the evening turned out longer than expected but surrounded by like minded connoisseurs i could finish it off with a cold beer.

    Nice one.

  • … Spitfire Stevens & Nasser Hund: All local, all in!

    … Spitfire Stevens & Nasser Hund: All local, all in!

    This was to happen ages ago at the Molotow but was pulled during the end of Covid due to lack of advanced tickets sold if i am not mistaken. So both bands took it down the Große Freiheit to the Indra where they double headlined a “local for the locals” show.

    First on Spitfire Stevens with their unique Spit Punk. I somehow sensed they where somewhat nervous and frank the first couple of songs where not fully on the mark. Here is one example, Here And Back Again from their 2017 10″ (still the coolest format around):

    The more they played, the more self assured they got – also because they got their share of support from the audience (that was anyway 100% local friends). Still, at some times i had the feeling that especially the drummer drifted away (either into his own world or into sleep).

    Spitfire Stevens (Indra, Hamburg, 31.03.2023 (c) gehkacken.de 2023)

    Towards the 2nd half of the set they where in full swing, only the sound and light was not fully optimal (light actually was not ok at all but as far as i understood nobody was really looking after it anyway).

    They also inserted something untypical that was meant as a nod to Sonny Vincent – much appreciated actually:

    Whilst Spitfire Stevens are sure not the most customer (consumer?) engaging entity and their sound is also not too much ear pleasing for the average Tom, Dick or Harry i stay by the fact that they have something. On this occasion though it did not shine through all the time, but i was more than happy to see Luke and his comrades again on stage.

    With a quick changeover Nasser Hund took the stage and Arne strummed them with his signature bass sound into Alle Erbsen Sind Gezählt:

    Is your view blurry? Get new glasses… Not. My bad, i somehow de-focused that song.

    From the start their songs where more upbeat and had more speed than Spitfire Stevens. And where Spitfire Stevens cover a wide spectrum, Nasser Hund nail it down as perfect Power Pop with a deep grounding in Punk Rock.

    Plus: Almost all of their songs feature great storytelling and all of their lyrics are worth to listen into.

    Nasser Hund (Indra, Hamburg, 31.03.2023 (c) gehkacken.de 2023)

    In addition all three are near perfect musicians on their instruments, allowing them to also throw in random differences (licks, breaks, chords – you name it) that give the songs so much more life on stage.

    Here a perfect live version of Sie Lächeln Nur Auf Fotos:

    Throughout the set they even enlisted the big voice of Barbro (Demolition Girls) to give two songs some extra Chorus-umpf, not sure if it was rehearsed or an on the spot idea. But it gave the whole presentation some additional and welcome strength – maybe an idea that can be extend further?

    They got loads of applause and had many smiling faces in front of the stage, though further back the Indra felt a wee bit empty.

    But good to see that local bands still get locals out and that it does not always have to be a support slot. Around midnight it was over and thus time for gentle stroll home, as #nineinarow was waiting around noon on Saturday.

    Great entertainment surrounded by friends. Perfect setting and another show where i stayed away from booze – works!