Tag: Knust

  • … a blistering shop performance, a bouncy start and a raunchy finish: 35 years of Gerd!

    … a blistering shop performance, a bouncy start and a raunchy finish: 35 years of Gerd!

    It has been a while. Not so much seeing Gerd (that has been last year) but seeing two shows on the same evening. I have friends who do place hoping as an urge (to see everything) but that ain’t my thingy. But this Saturday a perfect opportunity arose and i had to take it.

    En route to the Knust i could catch an early performance by Poolhead at the FC St. Pauli Fanshop on the Reeperbahn and from there it would be a short hop to the Knust (where proceedings would start around 20:00).

    Poolhead played as part of the Fanshop Kultur series (already going for 10+ years, Gerd graced the cobble stones in 2015) and as part of the 100th occasion.

    Poolhead (FSK100, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    I fell for Poolhead when they played the Punk Rock Hamburg Summer Fest in 2024 and ever since was eager to see them. Unfortunately previous dates where they played home shores did not match my schedule, hence it took more than a year.

    They played with least setup time and managed to sound quite well from the go.

    The beauty of the setup in the shop, on the Reeperbahn, is that the audience is a fun mix of fans & friends, store customers and walkers by (who hear the sound and enter the store). By the looks for some live music as such was a big surprise, including some small kids who most likely had not seen anything like that prior.

    Poolhead (FSK100, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    I am still sold on them and in absence of Man or Astro-man? they are the best to see live from that little genre largely sans vocals and full of analog spring reverb.

    They finished off with what is their self-proclaimed signature song… here we go with Il Bagnino:

    Blistering! Perfect! They even got forced to encore after this and gave Miserlou (their only cover) to the enchanted audience.

    As they where running late i scooted off across the Heiligengeistfeld to the Knust as i wanted to catch the support there too.

    On the way to the Knust i noted that a UK Cover Band wanted to steal the audience away from Gerd, luring people into the Congress Center. Damned you are Suzy, rather you should have come to worship the origins of Glam!

    Over at the Knust it somewhat felt like Suzy had been successful, or it was the early start of “Doors 1900” that still is alien to the elderly (though perfect for an early nap).

    As support Gerd had enlisted The Changingmen. I had not seen them before but knew they had a support slot for The Undertones recently. Plus the faces felt familiar, 3/4th of them played with Helge (still missing him) in Sixteen Again.

    The Changingmen (Knust, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    Their sound ventures on the Rock side, in good moments it is very UK Power Pop. Not particularly my world but all of them are good musicians so it did not sound odd or off.

    It sounded like this:

    Sound wise they definitely fitted the support slot for Gerd but net only half of the audience made an effort to see them.

    … but they only ever lured half of the audience from the bar

    Kudos to the Bad Job Boys, they appeared in full force! Still, as said, a valid warm-up for Gerd.

    The Changingmen – Setlist (Knust, Hamburg, 15.11.2025 (c) gehkacken.de)

    And they had all originals, just like Gerd.

    Next and with all the grandeur of accumulated hundreds of years of stage experience Gerd took ownership of the Knust:

    Action! Top 15 in July 1975 in the UK. And bittersweet revenge on the mu-sick-industry (and thus 100% in Gerd territory).

    It sounded rough (if not bumpy) and as a listener i had the feel that Gerd needed a couple of songs to be fully glued together.

    The Changingmen (Knust, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    But once the train started rolling more and more it worked hand-in-glove and to the excitement of the audience (though, as said, the Knust felt a wee bit empty).

    By the time they arrived at the end of the setlist they had it all: Energy, wit, togetherness, humor and the audience.

    Thus it was time for one of their signature songs:

    More than one person after the show noted that Nessi should be lending his great voice more professionaly to a band – it is one of these voices that can glue a listener, just like here. Una bella compangnia!

    The Changingmen (Knust, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    And in extra time aka encore they topped it all and had the lot singing and dancing as there would not be any stoppage, up to and including firing on all cylinders for Billstedt (Twilight Zone):

    Little fun fact: That is 1:17 of pure beauty and when Lemmy and Da Bruders covered this on 06.08.1996 at The Palace in Los Angeles it clocked in at … exactly 1:17.

    Gerd, the unstoppable machine that other bands cover 1:1.

    The Changingmen (Knust, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    Once the encore was done Gerd retreated but the lot did not have enough. It wanted more. It demanded more. And Thodde, Gerds drummer, wanted to give more and lured the rest back on stage.

    Not rehearsed in 30 years but hey-ho, once we get over the first bump it’ll work, eh? And boy, it did!

    Gerd – Setlist (Knust, Hamburg, 15.11.2025 (c) gehkacken.de)

    30 odd songs, crème de la crème of Gerds oeuvre.

    Once they finally had left the stage Hollyholetsgo and Nickelodeon lured the lot onto the dancefloor at the bar. Their expert sing-a-long and dance-a-long DJ selections kept the fun & energy high, fueling the lust for liquid replenishment.

    2 locations, 3 bands and surrounded by largely friends. And enjoying the music. To that extent a huge thanks to Gerd for enabling it and already thanks in advance for the upcomming 40 year party at the Elbphilharmonie.

    And (blush) for seeing my Gerd pic from the 2024 show blown up in front of the Knust and on their monthly flyer.

  • … there is always a first: FCSP discouraged, EA80  encouraging!

    … there is always a first: FCSP discouraged, EA80 encouraging!

    Somewhat it felt like a good idea: A late Saturday home game first, gentle stroll over to the Knust and some live mu-sick. But came fate, it is always fate that comes across any grand idea!

    The magical FCSP faced Bremen at home and most likely due to a joint enemy (the long time first league partner of Werder from the other part of town) the two fan groups are more friend then foe.

    This was shown in large prior to the game and in blistering fashion right after the half-time break (though not realizing that the December weather would turn the firework into thick fog – we lost complete sight of the green).

    FCSP vs. SVW (Millerntor, Hamburg, 14.12.2024 (c) gehkacken.de 2024)

    On the footie side it was really a bad game, FCSP very discouraged and more or less outdone by simple tactics and much more consistency (and striking ability). 3 shots on our goal, two goals. And never really fear on the Werder side that we would score.

    That paired with miserable weather led to much frustration, not the best ingredient for me and me mate (who sits next to me in the stadium) to enjoy EA80 (for both of us a first after all these years they existed).

    We were tempted to sell our tickets for this sold oput show whilst waiting outside the Knust but finally we decided to abandon the obvious and easy way out.

    Inside, much more dry, warm and cozy, it was True Moon from Malmö (in sunny Skåne, SE) who kicked off the show.

    Apparently they are from the ashes of Vånna Inget, who some dubbed as rightful continuation of the sound of Masshysteri (outta Umeå, capital of Västerbotten, SE).

    Already there Karolina Engdahl’s voice was like a signature thing (and i guess gained them a Granny nomination). In True Moon now she not only sings but also plays bass.

    True Moon (Knust, Hamburg, 14.12.2024 (c) gehkacken.de 2024)

    For my ears it was very much Siouxsie and not bad but not really my cup of tea. The internet (damn internet, never forgets) has some distinct notions on the sound:

    True Moon is truly a satisfying blend of goth rock and Fleetwood Mac. This Swedish dark alt-rock/post-punk band sounds a little like Stevie Nicks fronting Joy Division.

    Not sure if this actually holds true, the voice though carried a lot of the sound.

    They got more than friendly applause and those in the know assured me that EA80 tend to dig out future stars for support (like having the Sleaford Mods for 35rd Anniversary show supporting them in the sold out Markthalle – must have been 2014).

    On record True Moon sound like this:

    Next and with no fuzz on setting up the stage EA80 out of Mönchengladbach.

    For all these years (and i am seeing bands from the genre live since 1979, which is exactly when they started) i happily ignored them. Largely because they are German, sing in German and … uh, äh … i simply ignored them.

    On a side note that holds true for EA80 only, i have the first Ranola LP in my collection, Martin plays Bass on this one (also outta Mönchengladbach).

    My bad, as i already discovered that they have actually some good mu-sick and more so, that most likely they have been true to themselves for much more time than any other band that is still around.

    EA80 (Knust, Hamburg, 14.12.2024 (c) gehkacken.de 2024)

    Everything is DIY, all of their releases are low profile, they do not rehearse to perfection and they let out their energy as it suits them and where it suits them.

    Live they worked for me much better than on the few records it did listen into (though never bothered to buy one) and delivered a very real, very unpretentious “show” (there was no element of show anyway).

    They even had a couple of songs that i will need to dig into in more detail, sure the one with speed (short and hard) were the ones that appealed with my simple mu-sick-al mind more.

    They played quite long, until the fingers started to bleed on Martins battered guitar. He gave the guitar the plaster, not his finger. Style, very much street smart style.

    After the disappointment of the footie and surprising neat show to finish the day, i did not expect myself to stay to the end.

    But as ever, there is always a first and there is always a place with good music and good company.

  • … bäm, bämbäm: Perfect party bands fueling a dancing party!

    … bäm, bämbäm: Perfect party bands fueling a dancing party!

    Sometimes it is all about correlations. A band hitting a ready audience. A band hitting town on the wrong day. And evening with a thunderstorm, hail and rain. And thus now show on the audience side. And sometimes it is two great party bands for themselves, criss-crossing Europe and having a day to spare before descending down onto Back To The Future in Glaubitz.

    The brave folks of the Knust, Wild Wax Shows and Punk Rock Hamburg sized the opportunity and got both into Hamburg, though due to traffic The Spits where quite late in managing the 500 km between the Plan B in Malmö and the Knust in Hamburg, crossing through Denmark.

    The Briefs kicked off and an eagle eyed friend provided me with the set list whilst i was still outside and chatting. Here is what they set out to do:

    The Briefs – Set list (Knust, Hamburg, 26.07.2024 (c) gehkacken.de 2024)

    And this is how they stormed into the set with Static:

    Yep, that is Briefs territory: Speed, melody and energy. From where i sit the Glam-to-Punk connection from early UK Punk, deeply rooted in a more traditional rock fashion but with all the speed and umpf needed. Power Pop in the widest sense.

    Plus a great sing-a-long mentality attached to almost all songs.

    The Briefs (Knust, Hamburg, 26.07.2024 (c) gehkacken.de 2024)

    And, always a bonus, they dressed for the occasion, giving away individual stage personas (whilst not really interacting with the audience a lot). But as they have a lot of good music to give to the audience, that one was not a downside.

    They almost rushed through their almost 25 years of mu-sick, spanning also all the way back. Here is Stuck On You, which dates back to a 2005 7″:

    The audience loved it, already some dancing was going on but then the party was spoiled a wee bit: As much as i could make out a drink was spilled on stage, on the left side behind the PA and that somewhat not only created a little lake but took out part of the electricity on stage. Amps where off (thanks to the invention of circuit breakers).

    And off went the band, to give room for RCA.

    The Briefs (Knust, Hamburg, 26.07.2024 (c) gehkacken.de 2024)

    It took the technical folks of the Knust some minutes to identify the problem, isolate the offending circuit and get it all going again.

    The Briefs came back and went on just as if nuthin’ had happened. And also got some real fan favorites out, like Silver Bullet:

    This songs gets it condensed in it’s 1:00 and bit glory and this little rhyme from the songs pretty much goes all the way back to their 1976 connection i guess:

    When i think of you you know i think of rotten fruit
    The world would be a better place if you were born a mute
    

    Correlations. It is all about correlations.

    And now sing-a-long: Kill Bob Seger right now! Surprisingly Bob Seger is still alive when i last check (though not at best health).

    All-in-all a perfect show by The Briefs fueling the audience well and setting a high bar for the further proceedings.

    For The Spits it was a wee bit tougher, arriving late they had to do the sound check on the spot, after the stage was changed over for their definitely different setup. That tune in of sound, monitor sound and all the rest took a bit and was in full view of the audience but thanks to the expert sound people of the Knust it went faster than feared.

    And once they had changed into their stage uniforms and personas (a robot and three child molesters dressed in trench coats) they kicked off with Remote Control:

    And this took the baton offered by The Briefs up and onward. All the way from Power Pop to … actually a splendid mix of rough, dirty and sleazy Garage Punk mated with Synth Punk and, believe it or not, Dance Muzak.

    The Spits (Knust, Hamburg, 26.07.2024 (c) gehkacken.de 2024)

    And besides the mu-sick the stage setup indeed makes them stand-out: The robot on the keyboards stands up on the drum podium, the rest of bass, drum and guitar is lined up to the front of the stage. Lovely and welcome different view point for the audience.

    That said, the guitar putting down the trench coat triggered a friend next to me: “This is how a child molester looks, if he stops by on the street i will ruuuuuun” – and indeed she was right. He looked all the way evil with his old school glasses and the fishnet shirt.

    But the audience did not run away, in contrast, the short and dance-able bangers of The Spits did creep into large parts of the audience forming a wide sea in front of the stage that moved around, all the way back to the bar area.

    And the best was that they attracted all ages, all genders – it was far off from a stereo typical old punk show. Wow.

    And i can not even explain what secret ingredient they use to get that effect, in my simple mu-sick-al mind it is the combination of short songs, drum machine like drumming and … voila, the feeling of sing-a-long (whilst actually you can’t).

    The Spits (Knust, Hamburg, 26.07.2024 (c) gehkacken.de 2024)

    It got my feet moving, it got plenty of other feet moving, it got even more bodies moving and – by and large – all people smiling. And frank, it has been a while that i had that feeling (to be exact 3 days). No, honestly, it was a near perfect party soundtrack that converted the Knust – not full enough but ok filled – into a dance hall.

    And this is how they closed out the show, with their robot flying into the audience (an earlier and more uncontrolled attempt made him hit the dance floor hard):

    Stunning set, topping the already excellent one by The Briefs.

    And – frank – i was not aware that so many people in Hamburg actually dig The Spits.

    Or was it just coincidence? Very capable bands hitting a very willing audience on a Friday evening? Whatever it was, it was a show that with me qualifies for the short list of show of the year.

    Yes, it was that good, yes it was that sorta fun. A real party. Fueled by party bands.