Tag: Knust

  • … when friends from near and far meet : Razors and Demolitions Girls in We’ll Burn The Baum Down 18.0!

    … when friends from near and far meet : Razors and Demolitions Girls in We’ll Burn The Baum Down 18.0!

    In Germany the age of 18 is the transition from growing up to being “fully licensed” – you have successfully grown up.

    The Razors and their post-Christmas and ahead of New Year tradition has achieved just that – the 18th edition, grown up and it does not feel like the end of the story yet, despite all odds over the years.

    Post-Christmas sure means we can burn down the Christmas tree aka Baum (in German), though we better take these precious Christmas baubles off.

    And the handbrakes, please.

    When hitting the Knust it was immediately a cozy feel, friends from near and far, other connoisseurs of Punk Rock that i did not know but may get to know and the full extend of the Punk Rock Hamburg family.

    The only salt was that Dirt Box Disco had to pull out: First they had to cancel a UK show and then the flight to Hamburg as their drummer Maff Fazzo was sick and not fit to fly (let alone to drum). Damn, it had been a while since i got to see them.

    Demolition Girls kicked it off and it sounded like this:

    From where i stood i was ready, also the audience was ready though it was not (yet) packed in front of the stage. But those in the know knew that it would be uptempo, energetic, using the full space of the stage and all topped by the mighty voice of Barbro.

    And turning all of these hit’s and gem’s into punktastic versions.

    Demolition Girls (Knust, Hamburg, 30.12.2025)
    (c) gehkacken.de 2025

    They surprised me big time with a song of one of my favorite bands ever (so much, that i struggled to set my phone to camera fast enough) – here we are with a near perfect ALL cover.

    And those with eagle eyes can see Christiane from the Razors (Descendents/ALL fan extraordinaire) singing and smiling along in the backstage area.

    By this time it was much more full in front of the stage and people already had their dancing shoes polished and made good use of them.

    Demolition Girls (Knust, Hamburg, 30.12.2025)
    (c) gehkacken.de 2025

    They slightly adjusted their set towards the end and finished off with a big nod to Richard Blum. Also known as Handsome Dick Manitoba. Of Dictators fame.


    Thats a way back nod to 1978 and the great Bloodbrothers album of the Dictators.

    Boy, where Demotions Girls good: In sync when needed, some hick ups when warranted and driving absolute great positive energy down from the stage into willing ears.

    Here is their plan – not executed towards the end but hey-ho, who are we to complain (though, up north in Kiel, a little complained was filled about dropping “Kids” altogether).

    Demolition Girls – Setlist (Knust, Hamburg, 30.12.2025 (c) gehkacken.de)

    Give them a large stage, give them a perfect sound and give them a support slot – Demolitions Girls will get the crowd going, guaranteed.

    Next Razors took the stage and they kicked off with traditional grandness:

    Bäng! And specifically bäng as this was like the first full show with Sven drumming with his new shoulder (and still hitting hard).

    From the start the Razors where in brilliant form, not even a broken tuning device could stop them (and later also not the replacement device going awol).

    Razors (Knust, Hamburg, 30.12.2025)
    (c) gehkacken.de 2025

    From start to effectively finish they provided so much positive energy, joy and fun to the willing audience that quickly everyone upfront was dancing (or, sure, jumping).

    That song though triggered some dark clouds, it is one that was co-written by Witte during his 10 year stint in the band. His sudden passing in October 2025 was a huge shock to many, as he made a lasting impact on this little circuit. Be it as musician, as song writer, as producer or as one who provided many bands recording options in his studio.

    Razors (Knust, Hamburg, 30.12.2025)
    (c) gehkacken.de 2025

    More than a gesture thus was thus this song, written by Witte and never properly finished by him and the Razors:

    The have now finished the song and i guess it will stay in the set list as a deep bow.

    There was already a little private farewell for Witte at the Pretty Vacant HQ and next there is a full tribute night for him at the Hafenklang.

    If you can, give it a go. Thanks.

    It went on hit-by-hit, almost all songs sing-a-longs for large parts of the audience. And it was quite fun to see how individuals reacted when their favorite song came about: Broad smile and immediate movement.

    Stoffel kept shredding, Klaus kept towering, Christian kept smiling and Sven kept hammering. And all together kept the beat, and then some!

    Razors (Knust, Hamburg, 30.12.2025)
    (c) gehkacken.de 2025

    As Dirt Box Disco had to pull out due to illness short notice and the Razors knew that many of the lot where looking forward to their return to Hamburg they did the next best thing:

    Rehearse a Dirt Box Disco song and sign up a Spunk Volcano stand-in:

    Boy, that was fun and the lot went almost apeshit.

    Could it go better?

    Sure it could and it would – as ever when the Baum has been burned down it is time to invite family & friends onto the stage and celebrate a huge sing-a-long to their mashup of Forever Young and Walk On.

    Razors (Knust, Hamburg, 30.12.2025)
    (c) gehkacken.de 2025

    I am not a stage person (i rather have stage fright) but it was absolute fun to see the controlled chaos erupt. Have a lock through the pictures, they have so many small nuggets in them (and plenty of Kiel).

    I missed last years proceedings due to the urge to retreat to the quiet of the north with me love. This year, which on many fronts was both fucked (too many losses) and somewhat great, i thoroughly enjoyed being part.

    It was a real feel of being among friends from near and far and the rest of the audience also being … great.

    The night finished very late for some, frantically dancing away to the sounds of DJ Schaub, for me a wee bit earlier as i was genuinely tired.

    I guess this shoot sums it up nicely:

    Klick! for downloading the high-res version (opens in new window) and as ever pick your king (i picked mine already).

    Thanks Demolition Girls, thanks Knust and big hug to the mighty Razors for keep on keeping on (and staying relevant, ever since).

    Happy 2026 everyone, looking forward for Burn Down The Baum 19.0 and … Dirt Box Disco joining it!

  • … a blistering shop performance, a bouncy start and a raunchy finish: 35 years of Gerd!

    … a blistering shop performance, a bouncy start and a raunchy finish: 35 years of Gerd!

    It has been a while. Not so much seeing Gerd (that has been last year) but seeing two shows on the same evening. I have friends who do place hoping as an urge (to see everything) but that ain’t my thingy. But this Saturday a perfect opportunity arose and i had to take it.

    En route to the Knust i could catch an early performance by Poolhead at the FC St. Pauli Fanshop on the Reeperbahn and from there it would be a short hop to the Knust (where proceedings would start around 20:00).

    Poolhead played as part of the Fanshop Kultur series (already going for 10+ years, Gerd graced the cobble stones in 2015) and as part of the 100th occasion.

    Poolhead (FSK100, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    I fell for Poolhead when they played the Punk Rock Hamburg Summer Fest in 2024 and ever since was eager to see them. Unfortunately previous dates where they played home shores did not match my schedule, hence it took more than a year.

    They played with least setup time and managed to sound quite well from the go.

    The beauty of the setup in the shop, on the Reeperbahn, is that the audience is a fun mix of fans & friends, store customers and walkers by (who hear the sound and enter the store). By the looks for some live music as such was a big surprise, including some small kids who most likely had not seen anything like that prior.

    Poolhead (FSK100, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    I am still sold on them and in absence of Man or Astro-man? they are the best to see live from that little genre largely sans vocals and full of analog spring reverb.

    They finished off with what is their self-proclaimed signature song… here we go with Il Bagnino:

    Blistering! Perfect! They even got forced to encore after this and gave Miserlou (their only cover) to the enchanted audience.

    As they where running late i scooted off across the Heiligengeistfeld to the Knust as i wanted to catch the support there too.

    On the way to the Knust i noted that a UK Cover Band wanted to steal the audience away from Gerd, luring people into the Congress Center. Damned you are Suzy, rather you should have come to worship the origins of Glam!

    Over at the Knust it somewhat felt like Suzy had been successful, or it was the early start of “Doors 1900” that still is alien to the elderly (though perfect for an early nap).

    As support Gerd had enlisted The Changingmen. I had not seen them before but knew they had a support slot for The Undertones recently. Plus the faces felt familiar, 3/4th of them played with Helge (still missing him) in Sixteen Again.

    The Changingmen (Knust, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    Their sound ventures on the Rock side, in good moments it is very UK Power Pop. Not particularly my world but all of them are good musicians so it did not sound odd or off.

    It sounded like this:

    Sound wise they definitely fitted the support slot for Gerd but net only half of the audience made an effort to see them.

    … but they only ever lured half of the audience from the bar

    Kudos to the Bad Job Boys, they appeared in full force! Still, as said, a valid warm-up for Gerd.

    The Changingmen – Setlist (Knust, Hamburg, 15.11.2025 (c) gehkacken.de)

    And they had all originals, just like Gerd.

    Next and with all the grandeur of accumulated hundreds of years of stage experience Gerd took ownership of the Knust:

    Action! Top 15 in July 1975 in the UK. And bittersweet revenge on the mu-sick-industry (and thus 100% in Gerd territory).

    It sounded rough (if not bumpy) and as a listener i had the feel that Gerd needed a couple of songs to be fully glued together.

    The Changingmen (Knust, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    But once the train started rolling more and more it worked hand-in-glove and to the excitement of the audience (though, as said, the Knust felt a wee bit empty).

    By the time they arrived at the end of the setlist they had it all: Energy, wit, togetherness, humor and the audience.

    Thus it was time for one of their signature songs:

    More than one person after the show noted that Nessi should be lending his great voice more professionaly to a band – it is one of these voices that can glue a listener, just like here. Una bella compangnia!

    The Changingmen (Knust, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    And in extra time aka encore they topped it all and had the lot singing and dancing as there would not be any stoppage, up to and including firing on all cylinders for Billstedt (Twilight Zone):

    Little fun fact: That is 1:17 of pure beauty and when Lemmy and Da Bruders covered this on 06.08.1996 at The Palace in Los Angeles it clocked in at … exactly 1:17.

    Gerd, the unstoppable machine that other bands cover 1:1.

    The Changingmen (Knust, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    Once the encore was done Gerd retreated but the lot did not have enough. It wanted more. It demanded more. And Thodde, Gerds drummer, wanted to give more and lured the rest back on stage.

    Not rehearsed in 30 years but hey-ho, once we get over the first bump it’ll work, eh? And boy, it did!

    Gerd – Setlist (Knust, Hamburg, 15.11.2025 (c) gehkacken.de)

    30 odd songs, crème de la crème of Gerds oeuvre.

    Once they finally had left the stage Hollyholetsgo and Nickelodeon lured the lot onto the dancefloor at the bar. Their expert sing-a-long and dance-a-long DJ selections kept the fun & energy high, fueling the lust for liquid replenishment.

    2 locations, 3 bands and surrounded by largely friends. And enjoying the music. To that extent a huge thanks to Gerd for enabling it and already thanks in advance for the upcomming 40 year party at the Elbphilharmonie.

    And (blush) for seeing my Gerd pic from the 2024 show blown up in front of the Knust and on their monthly flyer.

  • … there is always a first: FCSP discouraged, EA80  encouraging!

    … there is always a first: FCSP discouraged, EA80 encouraging!

    Somewhat it felt like a good idea: A late Saturday home game first, gentle stroll over to the Knust and some live mu-sick. But came fate, it is always fate that comes across any grand idea!

    The magical FCSP faced Bremen at home and most likely due to a joint enemy (the long time first league partner of Werder from the other part of town) the two fan groups are more friend then foe.

    This was shown in large prior to the game and in blistering fashion right after the half-time break (though not realizing that the December weather would turn the firework into thick fog – we lost complete sight of the green).

    FCSP vs. SVW (Millerntor, Hamburg, 14.12.2024 (c) gehkacken.de 2024)

    On the footie side it was really a bad game, FCSP very discouraged and more or less outdone by simple tactics and much more consistency (and striking ability). 3 shots on our goal, two goals. And never really fear on the Werder side that we would score.

    That paired with miserable weather led to much frustration, not the best ingredient for me and me mate (who sits next to me in the stadium) to enjoy EA80 (for both of us a first after all these years they existed).

    We were tempted to sell our tickets for this sold oput show whilst waiting outside the Knust but finally we decided to abandon the obvious and easy way out.

    Inside, much more dry, warm and cozy, it was True Moon from Malmö (in sunny Skåne, SE) who kicked off the show.

    Apparently they are from the ashes of Vånna Inget, who some dubbed as rightful continuation of the sound of Masshysteri (outta Umeå, capital of Västerbotten, SE).

    Already there Karolina Engdahl’s voice was like a signature thing (and i guess gained them a Granny nomination). In True Moon now she not only sings but also plays bass.

    True Moon (Knust, Hamburg, 14.12.2024 (c) gehkacken.de 2024)

    For my ears it was very much Siouxsie and not bad but not really my cup of tea. The internet (damn internet, never forgets) has some distinct notions on the sound:

    True Moon is truly a satisfying blend of goth rock and Fleetwood Mac. This Swedish dark alt-rock/post-punk band sounds a little like Stevie Nicks fronting Joy Division.

    Not sure if this actually holds true, the voice though carried a lot of the sound.

    They got more than friendly applause and those in the know assured me that EA80 tend to dig out future stars for support (like having the Sleaford Mods for 35rd Anniversary show supporting them in the sold out Markthalle – must have been 2014).

    On record True Moon sound like this:

    Next and with no fuzz on setting up the stage EA80 out of Mönchengladbach.

    For all these years (and i am seeing bands from the genre live since 1979, which is exactly when they started) i happily ignored them. Largely because they are German, sing in German and … uh, äh … i simply ignored them.

    On a side note that holds true for EA80 only, i have the first Ranola LP in my collection, Martin plays Bass on this one (also outta Mönchengladbach).

    My bad, as i already discovered that they have actually some good mu-sick and more so, that most likely they have been true to themselves for much more time than any other band that is still around.

    EA80 (Knust, Hamburg, 14.12.2024 (c) gehkacken.de 2024)

    Everything is DIY, all of their releases are low profile, they do not rehearse to perfection and they let out their energy as it suits them and where it suits them.

    Live they worked for me much better than on the few records it did listen into (though never bothered to buy one) and delivered a very real, very unpretentious “show” (there was no element of show anyway).

    They even had a couple of songs that i will need to dig into in more detail, sure the one with speed (short and hard) were the ones that appealed with my simple mu-sick-al mind more.

    They played quite long, until the fingers started to bleed on Martins battered guitar. He gave the guitar the plaster, not his finger. Style, very much street smart style.

    After the disappointment of the footie and surprising neat show to finish the day, i did not expect myself to stay to the end.

    But as ever, there is always a first and there is always a place with good music and good company.