Tag: vinyl

  • Time maschine please!

    Time maschine please!

    Buzzcocks - Ever fallen in love with someone you shouldn't've? (UA Blegium, 1978)
    Buzzcocks – Ever fallen in love with someone you shouldn’t’ve? (UA Blegium, 1978)

    Nope, i fell in love with my wife and it’s the girl i shall have fallen in love with! Lucky me!

  • my loveliest vinyl, part 34

    my loveliest vinyl, part 34

    Thorazine - Vicious Cycle (Hell Yeah HELL 45, 1998)
    Thorazine – Vicious Cycle (Hell Yeah HELL 45, 1998)

    Philly Punk – now that is unique: I can not really recall many bands from there – “Flag of Democrazy” and “Ink&Dagger” are two i have on record, but else? But, that does not count, as Thorazine are a heavy hitting slab of Punk fucking Rock – they are from Philly so Philly has something! They actualy spend only a short life, 2 Records and a couple of tours but this record summs it all up neatly!

    The verdict:

    1977 – indeed, this is Punk Rock with a captial R!
    published by a cool lable – Hell Yeah, part of the Dionysus Empire – sure thing!
    found in a cool shop – Drugstore!
    catching sound – without any fucking doubt – driving, good hooks, great stops/breaks and cool female vocals – i do not need more!
    The lyrics – Truth or dare i’d say, fucking cool, fucking unpunk!.

    Thorazine is a Nazi punk’s most confusing nightmare. Fronted by a woman and backed by a Jewish bass player, Thorazine’s brand of melodic early hardcore leans toward a harder, faster Ramones with frenetic hints of Motorhead. Their hyper-kinetic punk is a tribute to the stripped-down, furious, two-minute anthems. Not unlike the anti-psychotic drug that is their namesake, the result is therapy for the angst-ridden.” (Geeta Dalal in Philadelphia City Paper 07/97)

    We’re not “the beautiful people” from Melrose Place” or something. You’re looking at real, everyday people when you stare into these faces. Most adults 25 years and up look at us and remember when bands looked like us all the time. We were “the look.” Now that everybody looks like non-threatening skinny wimps still wet behind the ears, WE SCARE THE SHIT outta most kids that show expecting another band that looks like Offspring. We were called “greasy, sleazy, sweaty people who play nasty music” in one article. This is generally how kids see us. We must be threatening in some way, shape or form, because we’ve never been stiffed on our money. Even in clubs notorious for it. There was one night here in Philly where the management had to tell us that we generated no cash and when I was being filled in, they called the bouncer over. He was shuffling his feet and rubbing the back of his neck nervously instead of me!” (Dallas, the drummer, in an interview)

    Why the quotes? Because beauty and real gems speak for themselves!

    My favorite songs has it all and has a simple message with respect to being happy:

    Work at my job
    do what I do
    A little chore
    makin money
    it'S not such a bad life now
    payin my dues
    no time to bitch
    no time to whine
    countin' my dough
    biding my time
    Soon I'll have a day off
    To do what i want
    
    Chrous:
    I'm happy
    Got a good life
    No complaints
    Get out of my face
    
    Got a big old house
    live with the band
    rehearsin at home
    don't have it too bad
    Shakin t' walls playin tunes
    In pajamas
    Like where i live
    Roomates too
    Dog is runin around
    sinks got dishes too
    gonna kik back Sunday Afternoon
    order take out food
    
    Chorus
    
    I love my man
    always by my side
    we like to laught
    we try to spend time
    when we det down ohhh myy
    he's real fine
    when we get some time
    we like to go online
    surfin' around 
    playin some games
    trade picture of porn queens
    it's quite a time
    
    Chorus
    
    I got me a bike
    Speeding along
    Got me some friends
    Where do we go
    care less, got a tank full of gas
    Havin a ball
    Warm wether
    Seems so far away
    When spring strikes
    I'll be on my bike
    wish all days were sunny and nice
    I'd ride all the time
    
    Chorus
    
    (c) 1998 Way Cool Music BMI

    Now listen up – this is live in 1997 in North Carolina:

    And a “professional video” done by Hell Yeah for the record:

    So, what happened to them? At least the 2 are a happy married couple and you can read @punkymama.com about them! Realy dig them mate!

     

  • my loveliest vinyl, part 34

    my loveliest vinyl, part 34

    The Jabbers - Is, Was, And Allways Shall Be (Blitz Records, 1983)
    The Jabbers – Is, Was, And Allways Shall Be (Blitz Records, 1983)

    Now this is another funny one: Everybody has this down as GG Allins first LP but in fact it is The Jabbers, to which GG Allin (in real: Kevin Michael Jesus Allin) was the front man. But, self-proclaimed star that he was, he changed the front cover for a “star shot” of him humble self and made it “GG Allin”…neat! Little did i know when i got  the record in 1983 thanks to Uli @ Konneckschen that i was to be involved directly with GG Allin in later years (the Artless/GG Allin split LP was co-released by Mike Just’s Starving Missile Records and the little vinyl lable i did run in these days). As much as GG Allin later did not only ruin his health go “full speed” on drugs this is full speed punk rock in the best sense.

    Whilst his later output focused on his show (and his singular sense of words), this actualy is a tight band with all sorts of good songwriting beneath!

    The verdict:

    1977 – indeed, this is Punk Rock with both a P and an R!
    published by a cool lable – I guess nope, a swedish re-issue on Blitz Records – a local distributor with at least a questionable portfolio – back then and today!
    found in a cool shop – Konnekschen!
    catching sound – solid string work, good tempo and ruthless singer – works for me but some better production and a smaller ego would have worked better, eh?
    The lyrics – true GG to-be can be seen through, direct, insulting – love it!.

    My favorite one (due to the great background vocals repeating “Automatic”):

    Everything you do is the same
    SAME, SAME! 
    Over and over it's like a game
    GAME, GAME! 
    Think you're Miss High Society
    WOWEE! 
    Fuckin' all the rockstars that you meet
    FUCK ME!
    
    It makes no sense the things you do or say girl(automatic)
    Cause everything you say comes back to me (automatic)
    Don't go play with me emotionally (automatic) 
    Or I will make you bleed internally (automatic)
    
    Think you are mister know it all
    KNOW ALL!
    Standards high but you value small
    SMALL, SMALL
    Class-A assholes telling you what to do
    WHAT TO DO! 
    If you're from Boston you gotta be cool
    FUCK YOU!
    
    It makes no sense the things you do or say girl(automatic)
    Cause everything you say comes back to me (automatic)
    Don't go play with me emotionally (automatic) 
    Or I will make you bleed internally (automatic)
    
    It makes no sense the things you do or say girl(automatic)
    Cause everything you say comes back to me (automatic)
    Don't go play with me emotionally (automatic) 
    Or I will make you bleed internally (automatic)
    
    (c) 1980 GG Allin/John Fortin

    Listen up:

    And here they are in a “live in the Studio” setting, with GG Allin being an Iggy Pop clone:

    And more from this session:





    “Then, screaming “Fuck you, you pussies!” the band went into the most useless convulsions I’d ever seen. GG was a horror show. His face went blank, his mouth hung agape. He began crawling around on the floor like some parasitic reptile just out of its lightless cavern. If he got near the crowd they pushed him, spit on him, dragged him around like a piece of meat. And through it all he seemed oblivious. Behind him, the band fired off high tension noise — fast, distorted, dangerous. GG screamed a few inaudible lines, broke the mike, and let the band finish up the number while he dove onto tables, only to get savagely dragged down again.” — The Times (Durham, NH) circa 1982

    “The album was kinda half-assed, we just wanted to get something on vinyl, just to have something out that we could work off of.” —GG Allin in Conflict Fanzine #43, Jan/Feb 1987

    … he made even Homer posing as GG Allin: