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  • …3 bands with 9 artists meet 14 consumers – that’s SCI-FI math to work out!

    …3 bands with 9 artists meet 14 consumers – that’s SCI-FI math to work out!

    First off, i hope it wasn’t me! I sincerely hope that me was not the jinx, as i have been pestering me mate at the Knust for ages to put more Surf onto the rooster and i specifically named The Razorblades as a great addition for such an event. I am sure though that i also asked also for some other highlights, if my memory serves me well it was like Phantom Surfers, Huevos RancherosSatan’s Pilgrims, The Vulcanos and sure Man or Astro-Man? that i was suggesting.

    So much to my fright i was hit with a particular empty Knust on a cold Friday evening and right away i had the feeling this will be an empty show. When i paid i think i was paying guest number four.

    ... it felt empty early on at the Knust!
    … it felt empty early on at the Knust!

    And it stayed like that, the Knust has a capacity of 450 if it stretches and i think barely 14 people paid and at max there where like 30something people in front of the big stage. So it was for Los Apollos from Berlin to kick it off against a large nothing.

    Los Apollos (Knust, Hamburg, 17.11.2017 (c) gehkacken.de 2017)
    Los Apollos (Knust, Hamburg, 17.11.2017 (c) gehkacken.de 2017)

    They do traditional Surf i’d say (and i am far from an expert) and at times the guitar sound reminded me of Mark Broadie & The Beaver Patrol. They where relaxed and grooved themselves into it, despite the empty void in front of them.

    Yes, i did dig them but in that large setting on that large stage it sure just did not work out. The one fun thing though was that the empty hall (paired with the excellent PA) created a perfect echo chamber for the guitar reverb to gain on. So something bad turned into a bonus – you always got to see the positive things in life!

    Next on The Splashdowns from Hamburg and they where easy to make out: They are Sci-Fi Astro-Surf. And that not only because they had the story of the flight to the moon on the backdrop behind the stage as a mix of animation and real movie snipets but they also gave away some great astro infos between the songs.

    The Splashdowns (Knust, Hamburg, 17.11.2017 (c) gehkacken.de 2017)
    The Splashdowns (Knust, Hamburg, 17.11.2017 (c) gehkacken.de 2017)

    They had a wee bit more twang and they had a different kind of charm in their songs. And they had a guitar player who kept standing on his heels and moving around on them – with a strange grin on the face. And, as all other bands of the evening, they had a stage uniform, something that i forever dig.

    They had by far the most people in front of the stage, sure thing as they are local plus mathematically it will always work out like that if you play in the middle. The most though is an euphemism, as it was still less than 10% of the capacity. Bugger.

    And that finally got us The Razorblades and they kicked off like that (following a short intro song):

    I am actually sold on them, especially when they venture into “hard & fast” territory and i have to admit that i am blown away by the sounds that Rob Razorblade get’s out of his guitar. And the speed by which he moves from one sound to the other – just stunning.

    The Razorblades (knust, Hamburg, 17.11.2017) (c) gehkacken.de)

    They had to face a declining audience and they had to play every entertainment trick to get remaining people further to the front. Still, whilst all the effort, they did not get a front row together for the set. But i think they loved the big stage for being able to move around a lot and they did also benefit from the empty hall in terms of the acoustics. Loose some, win some – eh?

    And they finished their set with speed and a nod off to where the sun is warm, the water is cold and the surf is up:

    And in the end i think they even sold a T-Shirt and a record, poor fellas. I’d love to see them as support for say Descendents. Or play the Hafengeburtstag in bright sunshine. But never again lure them to Hamburg on a cold November Friday please!

    So something did not work out, if i created a share of that misery then i am so sorry – i was obviously completely wrong in assuming that Hamburg would be ready for some reverb and some surf.  Damn was i wrong!

    Something was not right with the audience count!
    Something was not right with the audience count!
  • Bücher, schnell gelesen: Teil 1.280

    Bücher, schnell gelesen: Teil 1.280

    David Gray - Kanakenblues (Pendragon Verlag, 2015)
    David Gray – Kanakenblues (Pendragon Verlag, 2015)

    Gelesen: 07. – 11.11.2017, netto 368 Seiten

    Noch mehr hard-boiled aber diesmal aus Deutschland und in Hamburg (home, sweet home) angesiedelt. Und zwar das Hamburg von 1999, das ist fast schon historisch zu nennen. Aber auch passend, denn das Buch macht ordentlich Tempo, laut Klappentext “24 Stunden im Sog der Gewalt“- und das passt nur in einer Zeit wo es noch keine Handys gab und Polizeiarbeit “vor Ort” durchgeführt werden musste. Und dazu das rumgurken in der Stadt gehörte.

    Zwei Handlungsfäden, einer so stark wie der andere: 4 Jungs haben ein junges Mädchen missbraucht und der Vater exekutiert die Rache – ohne zu wissen wen er da erledigt. Einer der Jungs ist aber der Sohn des Polizeipräsidenten und das bringt das ganze Gleichgewicht zwischen Politik, Polizei und den lokalen Gangstern durcheinander. Dazwischen der schwarze Kommissar Boyle, der nicht nur seinen Kollegen auf den Sack geht sondern auch selber kleine Schwingungen im Gleichgewicht zum Aufstieg (und eigenem Vorteil) nutzt.

    Desillusionierend wie die Wirklichkeit und ein knallharter Parforceritt in Sachen Rache und persönlicher Vorteil. Und so knallen am Ende alle aufeinander – mit einem nicht ganz vorhersehbaren Ende. Sprachlich nicht ganz perfekt und mit einigen Schlenkern zuviel aber ansonsten richtig gut. Ließt sich wie ein perfektes Drehbuch für Nachtschicht mit Armin Rohde!

    Soundtrack dazu: Abwärts, was sonst?

    PS: Der Autor sieht sein Buch so …

  • Record Collectors Are Pretentious Arseholes – 40 years in still true!

    Record Collectors Are Pretentious Arseholes – 40 years in still true!

    I guess i am a record collector but actually i tend to see myself somehow outside the norm: I am not searching for eg. completing a collection, i do not go to record fairs and i do not sell records (and rarely swap). But i do love to buy records (and that in my head is still vinyl) and most of my records i buy from bands after shows nowadays in contrast to records shops like Michelle, Konneckschen  resp. Unterm Durchschnitt and Drugstore in the past.

    I do know that i have some records considered rare, most by virtue of early enough birth, as i started buying records when i was 12 (my first ones where the blue and red Beatles Double-LPs) and never stopped. Only when i got myself into punk fucking rock in 1979 i swapped out all of the rock records (some i regret by now).

    Nevertheless, every once in a while i get surprised. This time round a discussion on the Internet (damn internet, never forgets) zoomed in on “40 years of Never Mind The Bollocks” and on how rare the first 1.000 pressed in the UK are (11 songs only, no song listing on the back cover etc). So out of curiosity i went to my lovely record rack and checked my version.

    And got surprised. Big time. I have one of the first 1.000 and i have one in a rare A1/B3 pressing (that is marking on the run-out matrix). Wow – how the hell got that over to Hamburg? I bought it in 1979 in a local chain store called Membran and back then just did not bother (though some friends later noted that it misses one song and the back cover did not have any track listing).

    The Internet (damn internet, never forgets) tells me (and you, and if you are into it knee deep than you gotta dig Phil’s page!):

    What to know about the Blank Back Version?
    
    Even a simple event like the official release date is not simple with Never Mind The Bollocks: Officially scheduled as the 4th November '77, Virgin Records needed to advance the release by one week, to 28th October '77, because an unexpected French Barclay pressing softly flooded the UK market without warning in the middle of October.
    
    Between the end of August '77 & September '77, members of the Sex Pistols could not decide if the record was going to be released with or without 'Submission'. To speed up the band Richard Branson decided to press an 11 track version without 'Submission', and non-featuring - on purpose - a back cover without any titles. 
    
    1000 copies were pressed but the band changed their mind and finally decided to include the song on the record. 
    
    Rather than send the whole batch to the bin, Branson decided to recycle the copies exclusively on the promotional circuit, but the Barclay release caused him to change his masterplan again and Virgin Records sent most of the copies to France in order to counter attack Barclay on its own playground, although some copies were also sold in the UK, Sweden and USA, and possibly others countries as a single album without any single or poster bonus. 
    
    ©2000 - 2012 Phil Singleton / www.sex-pistols.net
    

    And here is my beauty thus, for €1.978 it could be yours if you are daft enough to send that amount of cash over.

    Sex Pistols - Never Mind The Bollocks - Front Cover (Virgin Records, 1977)
    Sex Pistols – Never Mind The Bollocks – Front Cover (Virgin Records, 1977)
    Sex Pistols - Never Mind The Bollocks - Back Cover (Virgin Records, 1977)
    Sex Pistols – Never Mind The Bollocks – Back Cover (Virgin Records, 1977)

    And it does look like this on the inside:

    Sex Pistols - Never Mind The Bollocks - Side One (Virgin Records, 1977)
    Sex Pistols – Never Mind The Bollocks – Side One (Virgin Records, 1977)
    Sex Pistols - Never Mind The Bollocks - Side Two (Virgin Records, 1977)
    Sex Pistols – Never Mind The Bollocks – Side Two (Virgin Records, 1977)

    And the little secret is hidden here:

    Sex Pistols - Never Mind The Bollocks - Run Out Groove Side A (Virgin Records, 1977)
    Sex Pistols – Never Mind The Bollocks – Run Out Groove Side A (Virgin Records, 1977)
    Sex Pistols - Never Mind The Bollocks - Run Out Groove Side B (Virgin Records, 1977)
    Sex Pistols – Never Mind The Bollocks – Run Out Groove Side B (Virgin Records, 1977)

    And some useless collectors data points:

    Sex Pistols - Never Mind The Bollocks - Dust Cover (Virgin Records, 1977)
    Sex Pistols – Never Mind The Bollocks – Dust Cover (Virgin Records, 1977)

    See – it’s a special beauty but it ain’t one of me loveliest records!