Tag: Komet

  • … the worlds best band with the worlds tiniest record release party: The Haermorrhoids (time to make it big)!

    … the worlds best band with the worlds tiniest record release party: The Haermorrhoids (time to make it big)!

    The worlds best band (at least according to me mate Luke, who is someone i would blindly trust as he is a lawyer by trade) seems also the worlds most unorganized lot, be it timing the record release party for the evening when all of St. Pauli is being pillaged by Schlager Fans (or is being annoyed, pissed upon, vomited into – choose your chore) during the annual Schlager Move. Bad timing.

    Equally bad was setting the start of the procedure via a Facebook announcement to 1900 (where the Komet almost would have been unreachable by anyone with a sane mind).

    From where i sit also having this at the Komet would be underselling the abilities of The Harmorrhoids but on that day i guess it was not even sold out. Many of the regular supports where already en-route to Bergamo for Punk Rock Raduno #6, where this record release party would have been a worthy addition (as me and other locals desperately want this band to break big internationally).

    As support they had invited Neon Bone from Münster, like minded when it come to #ramonescore. They are around in the genre a wee bit longer and have plenty of releases out. They kicked off around 22:30 and graced the Komet with medium tempo and sugar coated #ramonescore.

    Neon Bone (Komet, Hamburg, 08.07.2023 (c) gehkacken.de 2023)

    What they do get done quite neat is multi-vocal harmonies and they center many songs alongside that ability. And that sugar coated thingy most of the time delivers a love song (at least as far i was able to pick up the lyrics) and i would guess it is generally in the category of enjoyable mu-sick (without getting me registered as a fan).

    Here is one of these:

    I guess they where a fitting (and to the extend they musically rounded off the evening) partner in crime for them Haermorrhoids. Once they were done with their rather short & crisp set they grabbed a towel and lined up in front of the stage to praise the worlds best band.

    The Haermorrhoids not only premiered their new record, they also premiered their new Bass player Martin to me (as i missed an earlier show in April), who joined after the recording of the record was completed (as Jan moved to focus on his other band).

    And brave as brave could be – or better bold as bold must be (for the best band of the world) they choose to play the new record (just leaving poor Captain Isolation out) in full first thing:

    The Haermorrhoids – Setlist (Komet, Hamburg, 08.07.2023)

    And this is how they kicked into their set (after some setup problems as Yannik had to be both drummer and sound man (as he is resident sound man at the Komet)):

    Bang! Off it went into a perfect and fast set of these soon-to-be classics. The sound though was never perfect, but down in that tiny cellar below the Komet Bar it rarely is anyway. What they won over though immediately was the audience, plenty of happy folks singing and dancing away.

    The Haermorrhoids (Komet, Hamburg, 08.07.2023 (c) gehkacken.de 2023)

    And what fueled the lot? It is timeless beauties like “Timewarp Incest“, the so far untold alternative story line within “Back To The Future”. Sure some expert moaners will moan sounds like … Riverdales, Queers, Screeching Weasel or what the fuck else – but that won’t change the position of The Haermorrhoids being at level with those. And better.

    Go – here is “Timewarp Incest”:

    What was a feel during the show turned out to be true by validating numbers at home:

    Where the first LP clocked in with 20 Songs at 00:32:52 the new one pushed the boundary to 16 Songs at 00:28:20 – thus moving the songs from average 1:38 to 1:46, all still within (and much nearer) to the magic “around the 2:00 mark” as set by experts like Undertones and Ramones.

    The songs are a wee bit longer, a wee bit more complex and … a wee bit better without loosing punch.

    The Haermorrhoids (Komet, Hamburg, 08.07.2023 (c) gehkacken.de 2023)

    What also was fun to see is that somehow the new LP reads like a concept album, both song rooster, cover (expert design by Patt Whelan at Thrillhaus!) and lyrics – pretty much themed into one direction. As a concept i do like it, if all of that is really purpose (more than coincidence) than hats off to the lot for making that silly but grand idea real. That would make the record an extra gem!

    The Haermorrhoids (Komet, Hamburg, 08.07.2023 (c) gehkacken.de 2023)

    Fun also to see the old bass player upfront in the audience to party along to the tracks he used to play (and recorded) and cheering up the band (and the new bass player) along the way.

    And as on every occasion they finished their set with my personal favorite – so here is “Overdose” yet again:

    Great set, shitty light, no oxygen, loads of sweat, not really perfect sound, too small stage and hopefully loads of records sold. But whatever – the record release show simply confirmed that Hamburg has nurtured a mighty force ready to take on #ramonescore anywhere on #planetramone – can someone please hook them into a successful tour of the US, followed by more shows in Japan and say … Italy.

    #worldtouragesponsor anyone?

    Me mate Luke for the remainder of the evening was unstoppable (as long as had a Jever in his hand – and i rarely see him without) to point out that they are the best band of the world. I have to admit that they are currently the most non-German band around in Hamburg and at par with classic #ramonescore bands from the US and Italy, say.

    As ever when a band convinces me live i take home vinyl (or other merch), at the Koment i actually took in the new LP even ahead of the show, as some few where around of the red vinyl version (100 pressed?), so my greedy #recordcollecorsarepretentiousarseholes self was very very satisfied.

    The Haermorrhoids - At The Earth's Core (released 08.07.2023)

    The stroll home though was a pain – still to many Schlager fans pissing, vomiting and littering in our path. So me and me mate Thomas more or less ran the beauties home in record time to Altona-Altstadt, where it was a little less filthy and loud (but still annoying).

    Get your own version via Monster Zero Records, Mom’s Basement Records or directly form the band. It is fucking worth it!

  • … enchanting feedback: All Girl Power Pop with Alvilda!

    … enchanting feedback: All Girl Power Pop with Alvilda!

    That is was going to be the lead in into a long show weekend was pretty much a given, that the cozy cellar downstairs at the Komet was half filled with people that looked like being around for MOi!n It’s Hamburg 7 was a bit of a surprise.

    As much as a surprise that the support slot was with the Heartliners, as they turned out to be far off from Power Pop but firmly rooted into 1990’s sunny California Pop Punk.

    It was only their 2nd show but it was far off from being amateurish … all of the musicians seemed to be very professional with their instruments and all songs where faultless.

    Heartliners (Komet, Hamburg, 29.09.2022 (c) gehkacken.de 2022)

    How did it sound? It sounded a wee bit fallen out of time – whilst i really did dig into this 30 years back (as it sounded new), it now sounds “old” to me. Funny feeling.

    But hey, who am i to complain? It was a tight, fast and upbeat set and by no means it was boring. I guess they will make their way and i will come across them soon again.

    Next Alvilda, traded by some as a really hot band. To be honest, i fell for them too last year and got their really sweet EP in August 2021 (from Alien Snatch!). And ever since was thinking who the hell will be able to lure them over? Wild Wax did and and put them on a short run from Hamburg to Dresden and then Berlin. Learning German in 3 days i guess.

    Alvilda kicked off like this:

    They where not really happy with the sound, specifically with the feedback from the main mike (as they choose to slip down from the tiny stage the mike technically was in front of the PA speakers – inviting feedback). Once the main singer move back on stage that got corrected and it sound a wee bit better.

    They play exactly like on the EP, enchanting Power Pop presented by always smiling and singing ladies. And much better than some of the girly Schrammel Pop that was en-vogue in the 90s.

    Alvilda (Komet, Hamburg, 29.09.2022 (c) gehkacken.de 2022)

    Whilst it was indeed enchanting it was also a wee bit amateurish, sometimes that added on the positive side, sometimes it actually destroyed the nice and cozy pop feeling.

    What it sure was was authentic and real. And that by far outweighs any shortcomings. And whilst their songs are brief and their set is no longer than 12 songs they still please the ear (and, let’s be frank, the eye).

    They did not play too long, smiled away all mishaps and got a good share of applause from the audience. I would love to see them on a bigger stage, with better sound, knowing that they would charm the audience anyway.

    Alvilda – Setlist (Komet, Hamburg, 29.09.2022)

    It was worth to note that they also lured Giuda into the Komet, who where already in town to headline Friday at the MOi!n It’s Hamburg 7 over at the Monkeys.

    For me it was nice to now be able again to have short strolls to shows and it was a perfect start into the weekend already on Thursday. It was with best companionship, uplifting mu-sick and thus a good evening.

    Fun fact: “alvilda” is danish and means “forever”. I guess i should have approach the band asking a question in danish…how would they have responded?

  • Late Thursday: L.A.’s finest!

    Late Thursday: L.A.’s finest!

    Ever since Maniac impressed me big time at the Get!Lost!Fest! III i followed them closely and took and effort to get their output on vinyl. As such a date in Hamburg was a must, also for some of my fellow connoisseurs.

    Some of them even did an effort to travel to Fuzzville in Benidorm and came back with lines like “Maniac – greatest thing on stage“. Unfortunately they did not get the big stage (and turnout in Hamburg), they rather got the cozy  cellar of the Komet and thus some 50 good people. In parallel C³I did grace the Hafenbahnhof, that opportunity i needed to let go in favour of L.A.’s finest.

    Their support was from Berlin, The Roxies, and they came with super diverse stage personas: A towering slim girl on Bass, a bald guitar and a drummer straight from the 60ties. And an – by my guess – English singer that preferred to be in front of the stage and playing a dwarf.

    The Roxies (Komet, Hamburg, 28.03.2019 (c) gehkacken.de)

    They play upbeat garage punk with a distinct voice – not really my thingy. But absolutely listenable live (and live is how music must be experienced). I would not buy a record from them but hey make yer own judgement mate:

    Quick set and what did stay with me was the guitar – some nice and hard chords. And i think they played an unexpected extra too.

    They passed the helm to Maniac who very efficiently set themselves up, leaving the tiny stage to drums and rhythm guitar, with Zache and Justin roaming and singing in front of the stage. And it started like this:

    If there is one thing that stands out it is the near perfect mu-sick-al experience: Great sound, great gifted musicians. That paired with great sing-a-long/hum-a-long songs with hooks and breaks at the right place, twin guitar perfection and a sturdy back line. And on top pace. Decent pace. Without loosing it in speed.

    Maniac (Komet, Hamburg, 28.03.2019 (c) gehkacken.de)

    I was sold on them anyway but this little beauty of a set convinced me that there are one of the top 10 hidden gems out there. In my book of great music they own a chapter, also because they are super friendly, with the right humor and because they get songs done with a great deal of street credibility:

    Sing-a-long:

    I saw the white coats walking by 
    penetrating empty gaze 
    Midnight Kino's dirty light 
    failed to complete the exchange 
    
    What have I done 
    Lost it all on the Reeperbahn 
    
    When Van Gogh cried out for mercy 
    all the people stared amazed
    daughter of joy or a lady boy 
    failed to complete the exchange
    
    What have I done 
    Lost it all on the Reeperbahn  
    
    What have I done 
    Lost it all on the Reeperbahn 
    Pajas por el Reeperbahn
    Pajas por el Reeperbahn
    Pajas por el Reeperbahn
    Pajas por el Reeperbahn
    Pajas por el Reeperbahn
    Pajas por el Reeperbahn
    Pajas por el Reeperbahn
    
    (c) 2016 Maniac
    

    Come on lads, that is a perfect pop song (and that great finish with the guitar mimicking the sound of a Hamburg Police car? Priceless).

    Perfect show, though late and down in that tiny cellar. Can we please give Maniac a bigger stage and 400 good people attending? And a 90 minute slot? I wasted no time to buy the 300 limited tour edition in blue vinyl (continued note to self: record collectors are pretentious arseholes) and enjoyed further stories of Zache discovering footie in L.A.

    Thanks Maniac, you made my (and some of the mates) Thursday!

    Thanks to Wild Wax Shows for making this one happen!
    Thanks to Wild Wax Shows for making this one happen!