Tag: Komet

  • … like in a Nashville smokehouse: Tan LeRacoon & Racoonery with The Sleeveens!

    … like in a Nashville smokehouse: Tan LeRacoon & Racoonery with The Sleeveens!

    Now thats a fun coincidence: I finished the mu-sick-al year with Tanju and his Racoonery and a wee bit late in February i got a kick-start into shows yet again with them.

    From set to set they seem to become more glued together, more defined and – in my head – more energetic.

    Down in the cellar of the Komet and for the support slot of The Sleeveens they choose a crisp, uptempo and to-the-point set.

    Tan LeRacoon & Racoonery (Komet, Hamburg, 21.01.2025 (c) gehkacken.de 2025)

    What they do might not be 100% down my mu-sick-all alley but their songs are full of little references, nuggets and just neat chords and harmonies. On top of a solid back line of drums, bass and guitar Tanju is giventhe ability to front, wander around with guitar and vocals.

    I got to admit though that this condensed form somewhat works best for me, for the surprisingly rather low number of folks on this friday around me it seemed to work too:

    Plenty of applause!

    Next The Sleeveens from Nashville, Tennessee. They got a critically acclaimed debut out on Dirtnap Records in 2024 and sport “77 dublin nashville punk rock & roll garage pop pub rock punk rock n roll milwaukee” in their references resp. stickers on their cupboard.

    Check it out here:

    Fun fact: The Sleeveens had dancing girls at the front (but did not give them regards).

    And this is how they kicked off:

    First impression:

    Very Unamerican (in terms of musical style). This is mainly fueled by the accent of Stef Murphy and i guess his own upbringing as a musician in Dublin (eg. with his Power Pop outfit The Subsoncis around 2000).

    Seeing an interview with Stef on the Internet (damn Internet, never forgets) it looks like he is also very self-aware and has a solid reflection on being a touring musician:

    It all sounds very glamorous, but the reality of
    being a touring musician – and Murphy and his band
    tour a considerable amount to stay financially afloat – is what
    he called “15 per cent glamorous and 85 per cent extremely hard work.” 

    It puts a terrible strain on your family,” he says, nodding somberly.
    My family are terribly supportive, but it’s very tough on
    your own mental health, and I find that particularly hard.

    Irish Post 2015

    The Sleeveens (Komet, Hamburg, 21.01.2025 (c) gehkacken.de 2025)

    Their sound indeed varies between Power Pop, Pub Rock and early Punk and next to Stef’s voice (and vocals) it was the Bass (DeeDee Ramone style through and through, including downstroke galore) and the Drums (very precise and hard hitting behind a wall of hair) that made an impression.

    They rounded their set, about an hour long, off with two covers, one not very surprisingly from the mighty Undertones:

    Get Over You is sure thing a safe bet. Much better and surprisingly was the 2nd cover as an extra – a long forgotten 1980 gem by the Jim Carroll Band:

    Into that one specifically Stef put a lot of energy in – that was indeed a good selection and great cover version.

    Did i buy a record? No, i did not. But it was nevertheless an entertaining set and The Sleeveens are worth a listen.

    Is solid the word i am looking for?

    Besides that i was surrounded by friends, had chats and a beer or two and was a wee bit surprised that the smokehouse below the Komet was not full.

    It was Friday, what else do the kids need to come out?

    nb: Following the short stroll home the love of me live indeed complained that i smelled full of smoke – it is probably a Rock’n’Roll coolness thingy that the cellar under the Komet is a heavily used … smokehouse.

  • … surprised down in the cellar: 4×4 and The Unknowns!

    … surprised down in the cellar: 4×4 and The Unknowns!

    Still suffering from the sadness of having loved ones in Hospital i choose again to get my head blown free, this time down in the cellar of the Komet. Where The Haermorrhoids were sure a receipt for success, The Unknowns … indeed the unknown in the formula. Too much hype around them sharing members with The Chats and – for my liking – too much of an Australian annotation if that makes any sense.

    But as ever, in order to form an own view you got to see a band live.

    The Haermorrhoids kicked off late, as it is more or less normal custom down at the Komet. They had shrunk their setlist for the support slot and arranged it into a near perfect 4×4 run.

    Pity though that a fan favorite like Overdose did drop out!

    The Haermorrhoids – Setlist (Komet, Hamburg, 18.10.2024)

    On the positive side: The 4×4 gave the lot Degenerator, a new song!

    As most of the times at the Komet the light was shite and the sound varied from where you stood. But sure thing that did not stop the 4 Haermorrhoids the slightest – full on #ramonescore delivered to an almost full house.

    The Haermorrhoids (Komet, Hamburg, 18.10.2024 (c) gehkacken.de 2024)

    A very crisp set, little talking on stage (though news were shared that there soon will be another dad in the band) and simply delivering a well rehearsed set. The have come a long way by now and i sincerely hope that their way will be so much longer and further uphill! Next stops i believe are Flensburg (23.11.) and Berlin (20.12.), followed by a short tour with no good intentions next year.

    Go and see them!

    After a short (and from the outside a wee bit chaotic) changeover The Unknowns took the stage and surprised me big time, from the start.

    In an interview Josh (Singer, Guitar) confirmed the references that they triggered in mu-sick-al mind:

    Q: I love that you write love songs. That’s a big reason I love Eddy Current Suppression Ring too. A lot of power pop is about love also.
    
    A: That’s the thing. I didn’t even know the actual genre term of power pop until, to be honest, a lot later because people started calling it that. It was a bit ditzy of me [laughs]. I just thought they were the best rock and roll bands. Look at the Beatles and the Kinks, all the British Invasion,  they brought back the whole resurgence in rock n roll and got kids listening to that stuff again. A lot of those songs were love songs.
    
    From: Gimmie Zine
    
    Great drive, heavy guitar work and all around great singing by all on top. From the start they were together, tight and pushed forward like well rehearsed and stage-hardened unit.

    Which i guess they are, as they exists since 2014 and all seems to play in a multitude of bands.

    In front of the stage they had by now an almost overcrowded room, loads of dancing and (wild bet: drunk) Swedish Turbojugend party crashers (that either fell into/onto the tiny stage or tried to to use the bass drum as jump point for stage diving).

    They also had female fans up front that acted like … screaming 70s rock fans. Or groupies.

    The Unknowns (Komet, Hamburg, 18.10.2024 (c) gehkacken.de 2024)

    I feared the worse (that would have been boring Australian Indie stuff) and i got the best (and that is powerful Australian Pub Rock and Power Pop, in a near perfect mix). To that extend i can only urge that you check out their stuff but trust me – live, on stage (even in a tiny, dark cellar with too much smoke) you will get the best of them.

    Here is their stuff, go figure!

    Happiness for me, forgetting the pain of loved ones in Hospital, and surrounded by Friends, who equally enjoyed them. That is how it should be, period.

    And speaking to them after the show and congratulating them on surprising me … gave me the opportunity to also learn that they are very humble and very friendly people.

    I want them back, on a bigger stage!

  • … weggeblazen door aanstekelijke punk rock uit Amsterdamned: The Covids!

    … weggeblazen door aanstekelijke punk rock uit Amsterdamned: The Covids!

    Football Euro Championship opening game with Germany, 50.000 on the Heiligengeistfeld plus many in pubs all across the Reeperbahn – all of no interest for the few that made their way to the Komet. Still, the almost empty streets gave the stroll over to the Komet an unreal feeling for a Friday evening.

    I was keen to enter the cellar (that i more dislike for shows than like) not only because my last Spitfire Stevens show was a long time ago but even more because the hottest shit from Dutchistan was to grace Hamburg.

    These two created enough pull for me, pity though that the turnout was far from packed, specifically the energetic show of The Covids should have had a packed house (or rightaway a packed bigger house and stage).

    A somewhat negative surprise awaited us, at least that was the initial feel, in the simple message that a US 3-piece had bragged it’s way onto the stage as support for the support. And no, it wasn’t Green Day.

    When we finally got down from the bar into the cellar that unspecified band had already started, 2 guys on strings, a girl on drums. And loaded with negative energy it sounded initially like an open rehearsal. Though quickly i had the feeling that my brain was about to betray me.

    Nauseaters (Komet, Hamburg, 14.06.2024 (c) gehkacken.de 2024)

    After the set, lasting about 30 minutes, the negative feeling though had turned. Because they had a cool (and tricky) name as in Nauseaters and they had a wee bit a Power Pop undercurrent of the better side.

    Undercurrent as much as the guitar tended towards the heavier side (Flying V model, most likely can not be played non-heavy) but still you could make out the sugar coating somewhat.

    After their set we got to understand what got them onto the stage – they had a free slot within a a DIY trip across central Europe and had taken residence in Hamburg.

    It was not fully up my alley but it had enough pop nuggets scattered across to keep me entertained. If you come across them – go and check them out.

    Next Hamburgs own and only Spitpunk band and Spitfire Stevens set out to give the lot (including family and friends) the following classics and newbies:

    Spitfire Stevens – Setlist (Komet, Hamburg, 14.06.2024 (c) gehkacken.de)

    As ever the band was well dressed, uniformly (always a bonus), and well behaved. But from the start there were sound problems, Luke was barley audible. And frank, the guitars were way too loud, giving even some of the more mellow songs a very rough edge.

    Spitfire Stevens (Komet, Hamburg, 14.06.2024 (c) gehkacken.de 2024)

    Yannick, of Haermorrhoids fame, who does sound at the Komet tried to persuade both guitars to reduce volume but somewhat that felt between the cracks or on already deaf ears – it only ever improved slightly.

    Luckily a large portion of the audience knew the songs and thus was able to lip-snyc with Luke, who neither could hear himself nor see the audience (as he was standing exactly where an LED sport was soaking colorful light onto the stage).

    Spitfire Stevens (Komet, Hamburg, 14.06.2024 (c) gehkacken.de 2024)

    Strange set somewhat, it was far from the balanced sound they normally are able to get across. A mate noted that it felt to him like a totally roughed up set and thus a unique positive experience. I definitely missed the softer, more mellow sound structures and i was not alone with the feel that it was not their most stellar delivery.

    That said, i bet you they come back from this unharmed and their next show … will be their best. Have faith, fans!

    The Covids next and this is how they took residence on the tiny stage of the Komet:

    Bang! And proof that the sound can be good, if everything is set in concert.

    What do we get here? A hard hitting girl on drums that holds them together and adds vocals, a sturdy bass that secretly sings along to every song, a guitar that finds the right balance between too hard and too soft plus a singer that roams the audience and is a real front man.

    Cudos, Covids – you got a very fitting and very modern mixture here!

    The Covids (Komet, Hamburg, 14.06.2024 (c) gehkacken.de 2024)

    What surprised my even more was that the three in the back managed to keep their position on the tiny stage and specifically them strings not falling into the trap of moving (and either falling off and/or hitting their head).

    The Covids (Komet, Hamburg, 14.06.2024 (c) gehkacken.de 2024)

    The music they play is full of drive, energetic and borrows a lot: Their self proclaimed references include ’77 punk, punk, garage punk, glam, proto-punk, punk rock and rhythm & blues and that is not far off from reality.

    The tiny stage though felt like an artificial limitation, they should be allowed to roam around, thus i hope their next visit to Hamburg gives them a larger audience and a bigger stage.

    When it came to encore, i was lucky, as they started with my loveliest Covids song: Light A Match (Farmboy) from their really cool LP. Go and check it out loud:

    That is indeed a real cool banger that has it all, near to perfection. Whouah!

    Luckily for the lot they did not stop there and added a couple of more songs, almost enthusiastically received and people danced along with the singer.

    The Covids (Komet, Hamburg, 14.06.2024 (c) gehkacken.de 2024)

    Perfect show by The Covids and i guess indeed they are currently the hottest shit from Dutchistan. Can i have a whish? Make it like Nauseaters, brag you way into a support the support slot at the Knust on 26.07.2024, supporting The Briefs and The Spits.

    Alsjeblieft! Bedankt!

    As ever when a band convinces me live i score vinyl, here we go with the LP and the “Banned from the USA” single. Go and click on the pic, it gets you to Wap Shoo Wap Records were you can order it rightaway!

    The Covids on Wap Shoo Wap Records (from Amsterdamned)

    Because of the 3 bands the evening turned out longer than expected but surrounded by like minded connoisseurs i could finish it off with a cold beer.

    Nice one.