Tag: Knust

  • Family. Here to stay.

    Family. Here to stay.

    It ain’t all honky-dory all the time, for myself i was confined away from shows for some weeks due to an operation on the leg but that ain’t nuthin compared to the fate that the Molotow awaits.

    It’s now 10 years that they had to evacuate their old place below the so called Esso-Building (as the owner let it rot to the point that tenants, business and the name-giving petrol station had to be evicted as an emergency) and now they single-handedly got their lease for their current place terminated by mid-2024.

    It will be torn down and another new Hotel will rise.

    It actually does not matter at all that club itself ain’t a favorite of mine, the simple fact that yet again all of the praise of the cultural work of places like the Molotow (coming through once the City can suck up Press and Mu-sick Industry praise for something like the Reeperbahn Festival) is void and nothing if it comes to hard business that makes the City tick.

    Another deal with another property developer. Fuck it.

    The Molotow asked for solidarity and that is what they got – approximately 3.000 people took the Reeperbahn and made a stance.

    Molotow Must Stay! (Reeperbahn, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    Team Scheisse was supposed to play but generator problems hampered the start but then they set sail, up the Reeperbahn and down the Ost-West-Strasse to finish in front of another Hotel of that chain.

    What really sucks is that the fate of the Molotow (being bend over and raped three times directly or indirectly by property owners) is the custom fate of the smaller & underground clubs. The City of Hamburg is only ever paying lip service when it comes to support towards more underground and/or independent culture and for sure all is void when it comes to making money from or supporting money being made from property deals.

    Regardless if the investor meets his promises (like the one that was supposed to re-build the former Esso-Building complex).

    A really sad start into a long evening with good music, family and friends but it was also good to see so many faces i know from shows (on and off stage) taking the street – it means a heck within the given limits and it generated at least a peak of noise in the local press.

    Will it help? I doubt. Damn.

    Still, as long as we can, we gotta take our side of the story into the world – and the annual We’ll Burn The Baum Down (now as edition 16.0) is exactly part of the storyline: Next to Staatsoper, Elbphilharmonie and Ohnsorg Theater there are tight and striving communities and they stick together, against all odds. But it is getting harder.

    This year the Razors went all local, providing stage time for their Rebellion companions Harbour Rebels and … big surprise … providing a comeback opportunity: The Rubbermaids came back out of (almost) nowhere.

    The Harbour Rebels had the hardship of starting early (as in 20:00) but the Knust was already well filled (as many where taking the street for the Molotow and just strolled over from there).

    As much as when they supported the Razors for the Rebellion warm-up earlier in the year they are a mixed bag for me. They got the right messages, they even get some dance-a-long Ska-stuff in their set but somewhere in the back of my single-minded mu-sick-al brain always opens the cupboard “Deutsch-Rock“.

    Harbour Rebels (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    And as ever my deduction of received mu-sick might not be all right, so check them out for yourself. They do their thing, with dedication, and such do deserve the spot up there. And deserved the share of applause and support they got.

    Next from the ashes of the Rubbermaids … the Rubbermaids. And this is how they kicked off:

    They had a more of less secret gig in March 2023 at the Indra for a Birthday Bash and now, with apparently only a few rehearsals, took the big stage of the Knust. I guess that this surprise return also up’ed the numbers of tickets sold, they did draw plenty of additional people.

    And from the start they where back together as if they never disbanded in 1994. I saw them a couple of times in the late 80s and the beginning of the 90s and always thought they would make it big, but somehow they never got off the independent label circuit and signed by the industry. They biggest shows where support slots in Hamburg and Bremen for the Toten Hosen on their 1992 Learning English Tour.

    Rubbermaids (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    They sure looked different than back then, where they took the look of the time all in: Hair (extra hair), non-punk conformity clothing, ribbed and thorn jeans and sneakers. Very 90s. Very American.

    And being able to pen matching hits like this one (and the video definitely sports the look of those days):

    And how did it look and sound today? It sure looked different but sounded still great. And their main asset – lightweight songs with drive paired with multi-vocal harmonies still comes through almost puuurrrfect on That Rings A Bell:

    I was not the only one more than positively surprised. And taken back in time by say 30 years. Wow. As much as myself plenty of folks of the now packed main room of the Knust had either their jaws dropped or moving in sing-a-long.

    They did not do a lot of chatting, rather kept the flow and nodding toward many old fellows in the audience. And receiving loads of applause.

    Rubbermaids (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    Near perfect set, only few misses in chords or rhythm. Perfect drumming, perfect bass and fast forward dual guitar play. And their biggest asset in perfection: Near perfect vocals and multi-vocal harmonies. From where i sit one of the biggest mu-sick-al surprises in 2023, i honestly did not expect this.

    Will they do this again or more regular? No clue, as they all have family, work and other musical adventures. In different places.

    It did set the bar high for the Razors though, trust me! And the Razors kicked of like this:

    Bang! As in a literal and visual Bang!

    And from there they took the lot through an extended set – old old stuff and new old stuff. Favorites and outtakes. Covers and originals.

    Razors (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    And sure thing within that the one cover (from a long forgotten Scottish Power-Pop band) that i now regard as their signature song:

    Oh oh oh oh the shape of things to come
    Oh oh oh oh the shape of things to come
    

    The well oiled machine almost never stopped to take a breath: Christiane on the wild side, Stoffel shredding it (in a great shirt, Bärchen was in attendance of the show actually) and Sven hammering it home.

    Razors (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    And Klaus, towering the center of the stage, smiling, singing and encouraging the lot to sing-a-long.

    Razors (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    Little did i know when i thought for myself that the Razors would have a hard time after the energetic show of the Rubbermaids, i was proven so wrong.

    The Razors simply took the lot by storm and the lot (sans one intoxicated individual that got a helping hand leaving the room) returned the favor.

    Prior to the encore they even took the opportunity to side with the lot.

    Razors - Hanx!(Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    It was almost midnight when the encore culminated into the all family hands on deck sing-a-long mix of “Because You’re Young” and “YNWA” and the whole place sung the last song together with Klaus.

    Razors & Family (Knust, Hamburg, 30.12.2023 (c) gehkacken.de 2023

    The perfect finish to 2023, a year that as said was not all honky-dory but as most of the years the traditional Razors show was an uplifting one. Plenty of people to bump into, to speak with or to just say Hi to. And great mu-sick.

    And as every year it draw people from Hamburg and far. My friend Nico from Rotterdamn did return after being my guest last year and walking him home to his hotel after the show i realized that he is now ready to sign up for the Razors Fan-Club (he liked the sing-a-long attitude of the set).

    Due to the post-Op situation of my leg i did not stay for the dancing procedures in the pub of the Knust but rather went home – all sober – early with my guest. Big thanks to the Razors and the Knust for making this possible, year on year. We love you!

    PS: As an extra, as Sven is most of the time hidden behind the drums and those who can roam around the stage without the baggage of a drum set (and thanks to the virtue of long cables) – here is the god of drums:

    Sven “Gott” Gotfredsen (Knust, Hamburg, 30.12.2023 (c) gehkacken.de)

    As as form of appreciation here three downloads you can print on high gloss photographic paper if you dare (or in any other form). For me they sum-up the evening and have a lot of individual details (go searching!) that make me simply … smile! Go klick on ’em!

    Rubbermaids

    Razors

    Razors Family

  • … næsten alene blandt rockere: Hola Ghosts tilbagevenden!

    … næsten alene blandt rockere: Hola Ghosts tilbagevenden!

    Whilst the Punk Rock Hamburg community is a mainstay, it is not the only genre with such a community. There is also King Rockers Hamburg serving that other genre that – in contrast to 1979 – at least has some overlap (and not just slaps).

    That community had it’s gathering at the Knust and as it added Hola Ghost to the rooster it was a must for me. But i was almost alone, at the end i had a count of 4 people i knew and 4 more i knew from seeing. The rest was about 150 aging rockers, as such this community shares another thing with Punk Rock Hamburg – getting older and older, with little to none young people joining ranks and being driven by the urge of live mu-sick.

    Dukes Of Tijuana kicked it off and i guess what they do is authentic Rock-a-Billy (and i have to admit that i have no clue of the cupboards in that genre). They main asset for me was definitely the Gretsch (and the guy who perfectly handled it).

    Here is a prime example:

    Rather mid tempo and a near perfect guitar play using both the low (twang!) and high (ping!) tones of the spectrum. Wild guess – he can also play a near perfect surf guitar.

    Dukes Of Tijuana (Knust, Hamburg, 04.11.2023 (c) gehkacken.de 2023)

    Paired with the upright bass, light-weight drumming and vocals supported by a wee bit of reverb it made for a pleasant though for my untrained ears a sounds to much alike listening.

    Here is an up-tempo one, a Tainted Love cover (genre typical i guess):

    They also switched instruments, a nice Johnny Cash cover with the guitar singing and the singer mastering the upright bass. They came across quite joyful, loads of smiles on stage and tried to encourage the audience. But as often, the audience was holding back, including leaving an empty space in front of the stage.

    Dukes Of Tijuana (Knust, Hamburg, 04.11.2023 (c) gehkacken.de 2023)

    Not bad these Dukes, the only reference i could find was sometimes into Tiger Army direction, but as said – this ain’t my genre and i have an even lesser clue than in my accustomed one. At least they got some friendly and supporting applause.

    For Hola Ghost it was the 2nd time in Hamburg, returning after 4 years. Last time they graced the Monkeys, this time they took residence like this (after a lengthy instrumental intro):

    Thats Chupacabra, most likely their signature song. Tempo variations, great build up of chorus and the horns from hell thrown into it in perfect support of the sound.

    It is anyway one of their biggest capabilities: They are able to create soundscapes, songs where the sound is left hanging in the air without the songs ending in nowhere land. Sure that tends to drive up song length but hey, a price worth to pay.

    Hola Ghost (Knust, Hamburg, 04.11.2023 (c) gehkacken.de 2023)

    If they cut short, then it is something special. Like this old Misfits stomper turned Mariachicore:

    And it still stretches out the original from 1:47 to 2:34 but has everything they are good at condensed into it. Perfect, ain’t it?

    And where Dukes Of Tijuana faced a bit of a void in front of the stage Hola Ghost had everybody in the room and all front rows nicely filled. They even got some few people dancing and some old fellas to throw their fists into the air.

    Hola Ghost (Knust, Hamburg, 04.11.2023 (c) gehkacken.de 2023)

    They had plenty of audience interaction, though most through Peter who grew up just north of the German/Danish border and thus is bilingual. And they had fans from across Europe dropping into Hamburg – from home in Denkmark, from sunny Finland, from that island yonder that wanted to get away and from Belgium.

    I guess it was more of an inside joke that Peter commented on the absence of the Swedish contingent, though more people and a packed main hall of the Knust would have been a bonus (for the band, for the guys who set it up and for the Knust itself).

    Hola Ghost (Knust, Hamburg, 04.11.2023 (c) gehkacken.de 2023)

    Hola Ghost got plenty of cheers, plenty of applause and delivered a little bit more than an hour of non-stop fun, non-stop Mariachicore, both in high speed and temper mode.

    And they included their nod towards Lemmy, Mariachicore in Motörhead style:

    Just perfect. On all fronts. Once they finished they made true on the promise to see people at the bar and where great folks to chat with. Both myself and me mate Frank more than once reminded them that they must come back earlier than later, we both demand that that they significantly reduce their time between gigs in Hamburg.

    And as ever when a band convinces me live i took something home, this time a new Hola Ghost shirt for the me love (who could not attend due to Covid, still raging!) and i was finally able to score the Fight (Lemmy Tribute) 7″ (for a bargin price, hüstel).

    Hola Ghost – Fight (Lemmy Tribute Version, Hola Pete Records, 2018)

    I was home late, only had a minor number of beers and happy as a fuck. Now my dream still is that Hola Ghost play a sizable audience in Hamburg and take say 400 people by storm.

    En god drøm at beholde.