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  • Bücher, schnell gelesen: 1.614

    Bücher, schnell gelesen: 1.614

    John Vercher – Wintersturm (Polar Verlag, 2022)

    Gelesen: 08. – 13.11.2022 (netto 230 Seiten plus Nachwort von William Boyle)

    Aus dem Amerikanischen von Sven Koch.

    Der Polar Verlag ist offensichtlich ein echtes Trüffelschwein: Dieser Erstling von John Vercher ist aber sowas von Großartig – kein anderes Buch 2022 hat mein Kopfkino so gezündet.

    Und das, obwohl es eine recht einfache Geschichte ist. Eine einfache Geschichte allerdings, die dem Leser Rassismus und Gewalt ganz nahe bringt. Greifbar macht.

    John sagt in einem Interview zur Entstehung:

    Um dieselbe Zeit habe ich den Film American History X gesehen (falls es nicht sowieso klar ist: Ich bin ein großer Fan von Kino und Fernsehen) und hatte den Einfall zu einer Figur, deren Leben umgekehrt verläuft – das heißt, was wäre, wenn jemand wie der von Edward Norton dargestellte Protagonist im Film durch die Gefängniserfahrung kein besserer, sondern ein schlechterer Mensch würde?

    Bobby ist hat einen schwarzen Vater und eine weiße Mutter. Und hat früh als Kind instinktiv entschieden das er als Weißer besser durchs Leben kommt – und kommt dank seines Aussehens auch als Weißer durch. Sein Geheimnis behält er für sich, seine Mutter gibt den Vater als verstorben aus.

    Sein bester Freund Aaron, aus privilegierten weißen Verhältnissen, begibt sich allerdings auf einen kriminellen Pfad und landet im Knast. Will keinen Besuch.

    Bobby kämpft mit seiner Alkoholkranken Mutter um das Geld die Miete zu zahlen, hat nichts außer seinem Willen. Über den bricht nach 3 Jahren Knast dann aber Aaron her, der im Knast zum aufgepumpten White Supremacist wurde. Und am Abend ihres Wiedersehens erstmal einen jungen Schwarzen mehr oder weniger ohne Grund erschlägt.

    Während Aaron easy damit klarkommt (und ganz offensichtlich elegant auf einer Abwärtsspirale fährt) ist Bobby durch den Wind. Und das Schicksal meint es alles andere als gut, den seine Mutter erkennt den Vater von Bobby in ihrer Stammkneipe. Und bringt Bobby mit seinem Vater zusammen.

    Und Bobby möchte jetzt alles richtig machen – und hat überhaupt nicht im Blick das er bei Aaron auf dem Beifahrersitz in die Hölle sitzt.

    Spannender Aufbau und einer ganz hervorragendes negatives Finale. Arschloch tot. Held tot. Vater und Mutter – könnten sich eigentlich auch gleich umbringen.

    Wow! Aber so was von Wow!

    Ach ja, zuerst war das Buch ein – nicht erfolgreicher – Drehbuch Versuch. Dann die Masterarbeit von John im Literaturstudium. Der Spannungsbogen und das Ende sind 100% Filmreif, daher hat mein Kopfkino auch voll gezündet.

    Lesen!

    Soundtrack dazu: Smogtown -Bobby Brickface, was sonst?

    PS: Im englischen Original ist der Titel “Three-Fiths”, eine Referenz an die Historie des durch- und durch rassistisch geprägten Wahlsystems in den US of fucking A. Stichwort Gerrymandering.

    PPS: Und John Vercher so?

  • … UK82 reloaded: Mess, all the way on Intercity from Guadalajara!

    … UK82 reloaded: Mess, all the way on Intercity from Guadalajara!

    Another great Monday evening at the Hafenklang was waiting for me and me mates, MESS all the way from Guadalajara, Mexico, would be in town. Plenty of folks got attracted by their sound, many where eager to grab their vinyl and one even made the effort to see them in Berlin a day earlier.

    Support was local and fitting, the RED⚒BRICKS where providing the warm-up. I have noted their record and i took note of their struggles from the need to replace the singer like the day prior their record release show – but i was yet to see them live.

    I guess thanks to them it was already well filled upstairs at the Hafenklang when they kicked off. Their sound is pretty dense, neither fast nor harsh, and they not fall victim of the trap of putting themselves into an obvious Oi! or Skinhead cupboard.

    RED⚒BRICKS (Hafenklang, Hamburg, 14.11.2022 (c) gehkacken.de 2022)

    Controlled speed, loads of melodies and as an asset a pretty decent signature bass play, sometime carrying the songs that bit further that makes it worthwhile to listen. I am not sure if the singer resp. the vocals is a full fit, but that is just me and me mu-sick-al preferences – i would prefer it harsher and a bit more … dangerous maybe? Adventurous?

    Good tight set, excellent sound and some applause but actually they did not get people dancing.

    With a quick changeover MESS took the stage and took it into a different territory: Much more basic, much more stripped down and – with a positive spin – amateurish. Or simply: Authentic. Whilst many refer to them as “ah, the Mexican Blitz” i don’t think that default provides them justice.

    MESS (Hafenklang, Hamburg, 14.11.2022 (c) gehkacken.de 2022)

    Sure some of the guitar at moments has that Blitz sound but by and large they are a very basic, very energetic and pretty much non-nonsense band that takes inspiration from UK82 (to use their own reference).

    At times they indeed sounded like lads just picking up instruments back in 1982 and screaming it out to friends, at other times they actually proofed that they are close, tight and able to create a sing-a-long wall of sound.

    Just like here with “Street Boys”:

    A great sing-a-long by the way:

    We have been challenged
    To hate the whole world
    Stand firm, stand proud
    
    We have walked
    The streets for hours
    Searching for a way out
    
    We are street boys ! X 4
    
    We are different
    And we will fight for ours
    Struggle while growing old
    
    We are tough guys
    And we don't need your lies
    Never say why, never say die
    
    We are street boys ! X 4
    

    I liked it, many of me mates liked it (just one found them too lightweight) and the well packed audience at the Hafenklang liked them too, even beyond the novelty bonus of an Oi! Band from Mexico. I would definitely see them again, they are worth it.

    Worthy was also the shopping experience, being alerted of low quantities of records already ahead of the show i broke my own rules and purchased the vinyl prior to the band convincing me live. And i was lucky to score all i wanted, including the MESS / The Chisel split EP in colored vinyl. Lucky greedy bastard me!

    In case you need it this shit too – which is not only great songs but also great packaging – try local at Sounds Of Subterrania!

    Best shopping for a #recordcollectorbeingapretentiousarsehole

    It is these shows that actually make my day, specifically when that day was spoiled on the work front. Best club, best booking, best companions (many life long by now) and great new music. Luv it, love you (you know who you are).

    PS: Thanks to Beno for the video, i was too busy enjoying the band to shoot one myself.

  • … Proto-Punk reloaded: Dion Lunadon!

    … Proto-Punk reloaded: Dion Lunadon!

    This was indeed a show i was looking for, as i recently did figure out Dion’s solo efforts (2017 to 2022) and found some real gems in there. To most Dion Lunadon seems to be know from his stint in A Place To Bury Strangers, a quite know Noise-Rock band from NYC (and that Noise-Rock linkage fended at least one friend off).

    Support was from Hamburg, a band called Billy Zach. Once they entered the stage i thought they got all their friends in the audience, as the ~20 people upstairs at the Hafenklang all chatted with members of the band prior to the show.

    Billy Zach (Hafenklang, Hamburg, 09.11.2022 (c) gehkacken.de 2022)

    They had like zero stage presence, almost shy. Their sound at good moments was like a movie soundtrack, at bad moments over-engineered post-something indie rock. Some of their guitar soundscapes over the very present bass where good, most of the rest was just not my mu-sick-al cupboard. If you like depressive dance music go check them out.

    Next Dion Lunadon and they kicked off like this:

    And stormed into this next:

    Now that had so much more drive and the kick-ass Proto-Punk i was expecting, though the light show, carefully constructed by Dion and run from this mobile made it a very dark and foggy exercise.

    I have no clue where his backing band came from, the bass player i believe is from Italy and provided, once some electrical problems where overcome, quite a groovy bass. The guy on guitar looked non-descriptive but was able to push some great power out of his guitar. And the drummer was just perfectly sturdy.

    Dion Lunadon (Hafenklang, Hamburg, 09.11.2022 (c) gehkacken.de 2022)

    All three basically stood back and left Dion both the center of the stage and the attraction. And he lived up to it, dressed for the occasion and playing both with his guitar and his voice (through effects strapped to the mike stand). He was also not shy to put some Rock Show elements in, be it self strangle on a chain or ripping all strings from his guitar on the last song.

    I liked it and the approximately 50 folks now in attendance liked it too. But for the quality of both songs, mu-sick and show (sans light and smoke though) it was a way too low turn out. A packed Goldener Salon should have been their fate rather.

    As always when a band convinces me live i picked up a record, unfortunately the Double-A-Side single with “Com/Broke” and “1976” from 2016 is no more, but the re-release of the first solo album is an equal good catch.

    Good show, though really not enough of the Hamburg lot present.

    PS: Also their videos are worth it if you ask me, here are me favorite songs #1 and #2 (and the double A-Side single from 2016 in all glory)

    #1

    #2