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  • … K-Town Warm-up, a mangy beauty returns!

    … K-Town Warm-up, a mangy beauty returns!

    Oh boy, a long wait was finally over. The return of the K-Town Warm-up in Hamburg did actually happen in 2022 and the K-Town Hardcore Fest would also happen to happen on the weekend. It was set small and upstairs at the Hafenklang, but it was not a small feat. Sold-out and people actually travelling from far to see the bands (and then on to K-Town for the main event).

    Kick off was with Miley Silence from Hamburg, self proclaimed cuddly hardcore punk. But they where neither cute nor cuddly, they are real DIY Punk and they most likely do not give a flying fuck that against later bands on the show they sounded rather slow.

    Miley Silence (Hafenklang, Hamburg, 23.06.2022 (c) gehkacken.de 2022)

    Their stance is strong and their position is – at least as i could make out – to challenge. And in that context they also have veritable hits like “So, Which Band Is Your Boyfriend In?“:

    It would be totally superfluous to mention that sure take a stance on the feminine side, for me it is just great to see the old 7 Seconds song coming to life: No Just Boys Fun. Make sure you give them a chance, check out their current release here.

    Next Seein’ Red from sunny Amersfoort, home of Johan Marius Nicolaas Heesters. By the way as much relevant as a comment i overheard that went like “… they are just LÄRM without the singer“. I guess the person making the comment wanted to show off that he is in the know of dutch punk history. Yes, Seein’ Red are from the ashes of Lärm but by now they have 30+ year under their belt, so it ain’t of any relevance.

    Seein' Red (Hafenklang, Hamburg, 23.06.2022 (c) gehkacken.de 2022)

    They play short and crisp hardcore, take on breakneck speed and they have clear standpoints and messages (and all of them of the better side of life advise). And yes, they are old, i guess bring at it relentlessly with 60+ gives you some credit to give advise.

    What i like most is that they concentrate on message, you do not need to stretch a song into intro-break-chorus-outro, you can get the message across in less than a minute. And that is what they do at their best. Luv it! 2nd best thing was the drummer, who ended every song with a high speed final hit, precise to the the point.

    And whilst at it, also check out their other incarnation as the Marxbros.

    Public Acid from North Carolina (in the US of A) where a complete blank for me. Never came across. And once they where setting up their gear on stage that void was filled with … lets say characters. And the spread of characters, most notably the 80’s Metalhead with the V-Axe, gave no hint at what was comming.

    Once finally the singer was added, a rather thin and non-descriptive figure lacking any style, the question mark only got bigger. And then we got hit by a 200 cars freight train at 300 miles per hours.

    Holy Moses! A wall of sound and growled vocals. Jackpot! One of the reasons why the rooster of the K-Town Hardcore Fest should always be like a checklist, it carries many surprises and frequent beauties like this one.

    It was actually both the mu-sick that engulfed me (and the rest in front of the stage, with many already going apeshit) and seeing the characters on stage that took me into complete fixation. Checking over the shoulder i could see me mates equally being surprised and Fab from the Hafenklang (who books these great shows) gave me a knowing told-you-so smile across the room.

    Public Acid (Hafenklang, Hamburg, 23.06.2022 (c) gehkacken.de 2022)

    It felt like an hour but actually they took only 20, max 25, minutes to completely and utterly blast the audience away. People where resorting en masse backwards to the merch table rather then getting a drink at the bar, happy people even got their latest EP. You can check all of their stuff here, but live they are even better. Much better. So much better.

    Finally time for Warthog (a hardcore band from Brooklyn NYC) and by now the Hafenklang was fully packed in front of the stage. Tales of them conquering Berlin at the SO36 the day before had made it to Hamburg, for myself that meant being aware that the next freight train, loaded with steel and downhill, would come at me.

    Thanks Warthog, you did not let Hamburg down. Blasting energy paired with mu-sick-al perfection. And whilst their songs have evolved to carry a bit more length, a bit more guitar sounding metalic it is still most likely the damn simple receipt of throwing Motorhead and Ramones into a smoothie blender at 20.000 rpm and topping the outcome with a floater of Poison Idea (65% proof). Taste it!

    Warthog (Hafenklang, Hamburg, 23.06.2022 (c) gehkacken.de 2022)

    Basically Warthog took the baton from Public Acid, beat everybody up with it within 30 minutes and left behind exhausted, sweaty and bruised people. It has been quite some time that i saw so many people upstairs at the Hafenklang either flying around or marching through the pit. And all but one (me mate Beno, who had to leave early due to the need to catch the very last train connection home) had a fucking bright smile on their face.

    Fun fact: When Warthog asked if they can play another song (as it was already past midnight) Fab just said “Play the whole set again”. That did not happen, but we got an extra anyway.

    Totally perfect night, best place with best friends, being bulldozed by music i love. Being played by bands that are authentic DIY. Personal bonus: With the outlook of two more evenings with live mu-sick i took no booze and despite being in bed very late i got up for work easily.

    … and those who made the pilgrimage to København would get to see the following mass of great bands, i stayed in Hamburg (as i anyway tend to dislike festivals) and went on to see selected bands from the Booze Cruise rooster.

    You want to know how it sounds? Check it out below Compilation …

  • Bücher, schnell gelesen: Teil 1.592

    Bücher, schnell gelesen: Teil 1.592

    Neal Stephenson – Termination Shock (William Morrow, 2021)

    Gelesen: 05. – 19.06.2022 (netto 705 Seiten, inEnglisch gelesen, noch nicht in Deutsch erschienen)

    Ich bin ja ein großer Neal Stephenson Fan und versuche alle seine Bücher direkt nach erscheinen aus den US of A zu bekommen, idealerweise #bookcollectorsarepretentiousarseholes als signed edition.

    Insofern war es ein schlechtes Omen das a) dieses Buch lange geliefert wurde und b) eine signierte Ausgabe außerhalb der US of A einfach nicht zu bestellen war.

    Irgendwas passte hier nicht. Und das sollte sich auch beim Lesen fortsetzen: Das Buch ist weder Fisch noch Fleisch, da es weder eine große und/oder überraschende Geschichte erzählt noch eine technisch spannende Sache durchkaut. Im besten Fall ist es eine leidlich spannende Geschichte, im schlechtesten Fall ist es eine schräge Proklamation nicht auf die Regierungen zu vertrauen wenn es um Global Warming und seine negativen Effekte geht.

    Das Buch spielt in einer nicht mehr so fernen Zukunft wo der Treibhauseffekt bereits voll zugeschlagen hat und in bestimmten Ecken der Erde es zu heiß ist, Stürme die Menschen bedrohen und der Anstieg des Meeresspiegels zum Beispiel die Niederlande extrem bedroht.

    Und hier nimmt ein Cowboy aus Texas, Reich ohne Ende, das Heft einfach in die Hand: Mit einer Schwefelkanone ballert er Schwefel in die Stratosphäre, wo es Sonnenlicht reflektiert und so die Erde abkühlt. Und was manchen hilft (Texas, NL, Venedig u.a.) macht andere wütend – im Punjab bleibt der Monsum aus.

    Ein paar schöne Details (Komantschen und ihre Art Krieg zu führen, Adler als Drohnenjäger, das Royal aus Royal Dutch oder auch Youtube/TikTok Heldentum), ein paar gute Ideen (China zündet eine Tsunami-Bombe vor der Niederländischen Küste um das Land auf Kurs Geoengineering zu bringen) und ein paar Einblicke in die Kunst der internationalen Politik.

    Aber irgendwie macht mein Kopfkino nie Klick. Schade.

    Eines seiner schwächeren Bücher, im Internet (damn Internet, never forgets) habe ich Mutmaßungen gelesen das es eventuell ein Folgebuch gibt. Das muss dann aber irgendwie Gas geben, sonst bleibt das irgendwie halbgar.

    Soundtrack dazu: Giant Eagles – Put One In The Chamber, was sonst?

    PS: An einer Stelle hat Neal sicher recht – wenn wir uns darauf verlassen das die Nationalstaaten dieses Problem lösen dann werden wir uns noch sehr wundern. Der Kampf um Bodenschätze, um Lebensmittel und um Wasser hat bereits begonnen – von denen kümmert sich keiner um den ganzen Planeten. Keiner.

    PPS: Und Neal?

  • … we do like Mondays with mangy Punk & H/C, we do!

    … we do like Mondays with mangy Punk & H/C, we do!

    That we are somehow en route to normal can be identified by many pointers: Bands come back on tour, also across the big pond and across borders, and the Hafenklang returning to the Monday evening fixture (“Punkerstammtisch mit Ping Pong, DJ und Schnaps“) with surprise bands.

    For this Monday it was a package from the West Coast of the US of A, i bet you on a showstring DIY tour. Whilst Lysol (put forward as sloppy Garage Punk from Seattle) where totally unknown at least Electric Chair (dubbed aptly as frantic 80’s style hardcore punk punk punk from Olympia) had crossed my mu-sick-al radar (though due to the lack of live experience had not made it into me greedy #recordcollectorsarepretentiousarseholes vinyl collection).

    Kick of was with Lysol, who did not say a lot for introduction but kicked off pretty harsh – no frills Garage Punk indeed.

    Lysol (Hafenklang, Hamburg, 13.06.2022 (c) gehkacken.de 2022)

    They did not play long, i guess less than 30 minutes, and from my single-minded mu-sick-al standpoint their main asset is their guitar, quite a nice job in combining hard riffs, grand pose and tempo. That is paired with a punching rhythm section and some mumbled singing. 

    It wasn’t right up my alley but it was also not bad. I guess you will need to resort to form your own view, check out their efforts now!

    Without too much fuzz Electric Chair took the stage in front of now say 50 odd people. Me and me mates first noted the shirt of the drummer (Gizmos, check), then the shirt of the bass player (Regulators, check check), then his bass (bare bone one, expert check) and then the guitar player (looking like Johnny Ramone when hair down).

    We missed the best part though.

    The singer, a John Belushi, Darby Crash and Jerry A. Lang mashup.  And he came on and did Handstand Rollovers for warm up. Me mate Riebe immediately christened him Jerry B. in order to set the tone. And we knew we where up for something special.

    And so it happened.

    Boy, what a power. A near perfect backline, fully synced and the engine (think a 426 Hemi with twin superchargers) at full throttle. And did i note it was all in sync? And yes, there was the singer too and he got all the best of the names dropped into the play: Smart and funny, exhaustive and taking no prisoners plus the needed amount of self-destruct.

    Electric Chair (Hafenklang, Hamburg, 13.06.2022 (c) gehkacken.de 2022)

    I did like it from the start and i saw a lot of smiling faces around me. The only complaint, which also came down from the stage, was the lack of dancing, the lack of pit and maybe the lack of feedback (other than applause). I guess everyone was simply blown away and thus could not to anything else than to watch in awe.

    Did i mention in sync earlier? Just note the first couple of seconds on this snippet: Bass and Drums syncing via eye contact and then the drummer turns into pounding with a bright smile. That is what i mean.

    By that point in time i had stopped counting handstand rollovers (Riebe claims 20+), the amount of time spend down in front of the stage or even taking time – Electric Chair engulfed me and the audience in a near perfect way.

    And, besides the mu-sick-al output, there was also a lot of eye catching visuals on stage, so count showmanship on top of the ability to handle the instruments. Cudos Electric Chair, cudos.

    Electric Chair (Hafenklang, Hamburg, 13.06.2022 (c) gehkacken.de 2022)

    Without a doubt i knew that this performance would lead up to only one result: I got to honor my commitment to buy vinyl off a band that has just convinced me live. A quick check with me mates gave me like minded feedback, this was something to take home.

    I guess they played a bit longer than Lysol and at they end they where thoroughly done, the singer just blanked out on the stage like Darby Crash on the cover of  the “The Decline Of The Western Civilization” soundtrack.

    Electric Chair (Hafenklang, Hamburg, 13.06.2022 (c) gehkacken.de 2022)
    … done too much handstand rollover. Electric Chair (Hafenklang, Hamburg, 13.06.2022 (c) gehkacken.de 2022)

    No holding back, i sure took their latest EP home (which was around thanks to Hamburgs Sound Of Subterrania). Whilst at it, check out #1 and #2 too.

    Get this beauty at Sounds Of Subterrania!

    It is a beautiful packaged record: Great cover design with silver engraving and included a large lyric sheet on high gloss paper with some nice poster effect on the reverse side. Worth a buy, worth a buy.

    Whilst DJ Fab was asking punks if they feel lucky i had a final beer with me mates, watched people playing ping-pong and selfishly applauded me for going out on a Monday evening to this fixture.

    Those who missed it, missed a surprise.