Category: Shows

  • … 1 and 2,3,4 – another goodbye in a packed Hafenklang: CJ Ramone farewell!

    … 1 and 2,3,4 – another goodbye in a packed Hafenklang: CJ Ramone farewell!

    Hamburg is melting under the heatwave, so it was a rather tough outlook to get down to a packed club and enjoy approx. 250 warm bodies on- and off-stage around me. But it was the DeeCracks from Austria and CJ Ramone on something like a farewell thingy – so most likely a great ramonescore night.

    My short stroll down to the Hafenklang always takes me past the good old Kneipe zum Flohmarkt aka Krawall 2000. For a short time at the end of the 70s and the beginning 80s it was the home of Hamburg punk.

    ex-Kneipe zum Flohmark / ex-Krawall 2000 - up for rent again!
    ex-Kneipe zum Flohmark / ex-Krawall 2000 – up for rent again!

    I think there were 2 or even 3 incarnations of it, the final one giving in on pressure from around (and sure above) i believe around 1984. This evening i noted that a “for rent” sign is put up, so anyone with spare money and good nerves could rent it now and create, as me mate Dirk noted, the Krawall 2020! Anyone in for it?

    It was quite surprising to see the audience in front of the almost (just a single number of tickets remained i guess) sold out Hafenklang: Sure loads of regulars (and the Hamburg Raduno contingent that had the luxury of seeing both in Bergamo) but also a distinct different type of Ramones-aficionados from far and older people for sure in for CJ only.

    Kick off was for the DeeCracks and … somehow it came to a funny standstill. And a guitar being AWOL. Once all of that was sorted they gave the typical 3-piece ramonescore view: Feet wide, guitar low and a madman behind the drums.

    DeeCracks (Hafenklang, Hamburg, 24.07.2019 (c) gehkacken.de)

    For me they have a great spread of hard&fast and slower stuff and also they do have some songs i consider killer hits. On this occasion though the sound was, at least for my ears, rather lackluster and at least towards me the energy did not connect fully.

    Some around me found it a wee bit odd that a Austrian-German speaking band gave English announcements but that was the least issue for me as i struggled with the sound in the first place. They gave a perfect warm-up for more ramonescore to come and they got not only their own fan base cheering but also others.

    For myself i would have loved more off the hard&fast and specifically my loveliest song by them:

    After some much needed fresh air it was time to get back into the sauna. The last time i saw CJ Ramone on a stage was actually way back in 1996, 16th or March in the River State Stadium in Buenos Aires. After the Ramones disbanded i still followed some their individual output, for CJ for example Los Gusanos or Bad Chopper but avoided to see either Marky Ramone, Richie Ramone or CJ Ramone live.

    But it is never to late to change and what i head recently and what folks traded to me persuaded me to say goodbye to CJ. With him he got half of the Street Dogs, when i saw Lenny coming up the stage i was already positively surprise but then i also recognized the drummer, who was wearing a St. Pauli Kit, as the Street Dogs drummer. On top CJ had enlisted a young gun as the 2nd guitar.

    CJ Ramone (Hafenklang, Hamburg, 24.07.2019 (c) gehkacken.de)

    And what did i get? I actually got a wide mix of Ramones songs paired with his own stuff. At times it felt odd for me, at times it was actually great fun. It is a fine line to be a cover band of (partially) your own band. What was visible though was that large parts of the audience where only in it for the Ramones bit and i guess that is the reason why i stayed away from the three survivors.

    That said, a killer songs like Wart Hog (a Dee Dee song from Too Tough To Die) can still send me shivers down the spine:

    You don’t get the song? Here you are, try to sing-a-long:

    Wart, wart hog
    Wart, wart hog
    Wart, wart hog
    Wart, wart hog
    
    I take some dope, I feel so sick
    It's a sick world, sick, sick, sick
    Doomsday visions of junkies and fags
    Artificial phonies, I hate it, hate it
    
    Death, death, death it's the price I pay
    It's a sick world, what can I say?
    No such thing as an even break
    It's stealing and cheating, take, take, take
    
    Wart, wart hog
    Wart, wart hog
    Wart, wart hog
    Wart, wart hog
    
    I wanna puke, I can't sit still
    Just took some dope and I feel ill
    It's a sick world, sick, sick, sick
    It's a hopeless life, I hate it, hate it
    
    It's a joke, it's a lie, it's a rip-off, man
    It's an outlaw life, we're a renegade band
    Doomsday visions of commies and queers
    Artificial phonies, I hate it, hate it
    
    Wart, wart hog
    Wart, wart hog
    Wart, wart hog
    Wart, wart hog
    
    Wart, wart hog
    Wart, wart hog
    Wart, wart hog
    Wart, wart hog
    
    (c) DeeDee Ramone - 1984 Taco Tunes ASCAP
    

    Yep, that was nice. And frank, the mix of own songs with Ramones songs worked nice too and they got it all nice’n’fast. And that made them really really sweaty, great that they managed to play what felt like 30 songs.

    Hidden in there was also this beauty:

    That’s from his current record and i guess i will have to buy that one. It also worked absolutely perfect live – i am sold! They played until like 23:00 and then said goodbye with some smiles on their faces. Thanks indeed and thanks CJ for all the years!

    I took me another hour of chatting and having another non-alcohol drink until i finally went home sweaty, happy and not wasted.

  • … a killer debut, a solid farewell and a triumphant return: The best show 2019, so far?

    … a killer debut, a solid farewell and a triumphant return: The best show 2019, so far?

    It took the Descendents and the Mighty Mighty BossTones 21 fucking years to come  back to Hamburg … and it took the mighty D.I. 25 years to be back at Hamburg shores, a place that in the end of the 80s and beginning of the 90s was full of D.I. devotees.

    So when the news came around that they hit Europe the Hafenklang was sold out quickly: It was a Friday evening in Summer, they paired with Poison Idea on their farewell stint and had with Yard Bomb the hardest and corest local support that you could wish for. People came from far and also near – the Hamburg lot was in full contingent and even Bremen showed up in force.

    The unpleasant support the support slot was for Causes from Hanover, they had to lure 200+ people drinking and chatting outside the Hafenklang into the main room and in front of the stage.

    Causes (Hafenklang, Hamburg, 19.07.2019 (c) gehkacken.de)

    They did not succeed. I gave it a try, as i am always keen to see new bands. But they just did not touch my soul with their rather dark punk. They also looked a wee bit static on the stage, so i had to let go for another beer and another chat.  But by all means, make up your own mind and check them out.

    With a swift changeover it was time for Yard Bomb, currently for me the hottest hard core unit on the local circuit. And they kicked of like this:

    Their drummer was absent with leave, so their old drummer filled in after leaving 5 years ago to give them the opportunity to excel on the same stage as D.I. and Poison Idea.

    They had a rooster of 14 songs prepared and from the kick off it felt that they wanted to shove it up the audience ears with no fills and no frills: Net they clocked in at 21:05 for the 14 songs, that is a near perfect 80 seconds per song on average (and allowed for 10 seconds between songs).

    Yard Bomb - Setlist (Hafenklang, Hamburg, 19.07.2019)
    Yard Bomb – Setlist (Hafenklang, Hamburg, 19.07.2019)

    Their visual on stage is still a nice spread: Rolf yells, moans and groans and has every muscle full of relentless energy, Benny smiles and hammers the bass and Sven has his guitar strapped high and generates both knife sharp chords and a chaotic swirl. And all of that backed by solid drumming (though sometimes you could make out that they most likely did not have too many hours in rehearsal together).

    Yard Bomb (Hafenklang, Hamburg, 19.07.2019 (c) gehkacken.de)

    I loved the energy, i loved the mu-sick-al Blitzkrieg and the take no prisoners attitude. At times i even had the feeling they would overtake themselves but i saw a couple of smiles on the stage so they looked all happy with the effort.

    Yard Bomb (Hafenklang, Hamburg, 19.07.2019 (c) gehkacken.de)

    They have a veritable hit (one of my top 10 songs by a Hamburg band) and that one sounded in a speed up trash’n’burn version like this:

    Sing-a-long to this beauty:

    Milhouse will be a better man
    Next 40 years from now
    Don't smoke
    Don't drink
    Don't fuck around
    Everything is turning up 
    On Milhouse right now
    
    Will be a better man
    The next 40 years
    Will be a better man
    Don't smoke
    Don't drink
    Don't fuck
    Don't curse
    
    Milhouse!
    

    If you ask me for my humble opinion (and that comes with 40 years of listening to that genre called widely Punk or Hardcore Punk or even Hardcore) that is perfect song that you would think came out of California or Washington DC say 1983 – but not out of Hamburg, in the year 2014 resp. 2019. Kudos Yard Bomb – you got me!

    That Poison Idea finally say farewell in contrast was less than a surprise. Too many in’s and out’s, too many health and other problems. And sure losses like the passing of Pig Champion  But Jerry kept things together like on this final tour, where a last minute change had to be done to guitars.

    Poison Idea (Hafenklang, Hamburg, 19.07.2019 (c) gehkacken.de)

    What the audience got was nevertheless a great showcase of the wide variety of the Poison Idea output (that actually stretches from 1983 to 2016 and still puts #recordcollectorsarepretentiousarseholes to a stunning test in getting a complete collection).

    And how did it sound? It sounded quite well:

    The strength of the set to me was that for more than half of the songs the audience carried the band forward with all the singing, dancing and energy – one final time both Poison Idea and Hamburg where indeed united in their loved for hard & cheap.

    Poison Idea (Hafenklang, Hamburg, 19.07.2019 (c) gehkacken.de)

    Jerry smiled a couple of times and thanked people for coming out. I’d like to reply that this was the minimum to do, they have been around for me almost all the time (and stock 18 record in my collection) and some of their output is definitely stuff that i will carry into the elderly home (once the rest of the collection is auctioned off to pay the fees).

    Thanks Jerry for all the years of effort!

    By now it was quite late (10 minutes to midnight) and there was still the headliner to come back on us after 25 years.

    And this is how D.I. came back:

    They came back as a 4 piece (though i heard rumors they would come with two guitars, did not get to check out more detail) and with a lineup that has been together now since 2003 (so for a while, though it is Casey who has been around ever since and that is since 1981).

    D.I. (Hafenklang, Hamburg, 19.07.2019 (c) gehkacken.de)

    Their strength sure is their early output until 1988 – for us over here the stuff was just like honey: Sweet. Sticky. And of quality. Little did we know over here about the many line up changes, there must have been like 20 different line-ups with Casey being the only constant.

    But what it always had was a quality O.C. Hardcore sound. That cool blend of various bits of Rock, Punk, Surf and all of that neatly given some speed (in both senses).

    D.I. (Hafenklang, Hamburg, 19.07.2019 (c) gehkacken.de)

    Those with an eye for the more historic side of Punk Rock sure know that Casey was the original drummer for the Adolescents and as such he took great pleasure in the design of both the Yard Bomb debut 12″ and the matching T-Shirt. He even took it on stage and used it to deliver praise for the late Steve Soto (and that was echoed from the audience with some For Steve! returns).

    And his old Adolescents classic (actually, again for those versatile in Punk Rock History, a Detours song by Messrs Royer and Agnew) was his own ode to his old mate Steve – here is Amoeba, 2019 Version by D.I.:

    To no surprise the audience went ape shit. Loads of dancing, loads of singing and across the board very bright smiles not only in front of the stage but also to the back of a fully packed Hafenklang.

    The most smiles actually came from the stage: Joey Tatar on drums not only does every trick in the drummer book with his sticks (and then some more not in any book), he also pulls faces left, right and center. Once you fixed your eyes on him you could not let go – it was utmost fun!

    D.I. - The Drummer (utmost fun and pulling faces galor (c) gehkacken.de 2019)
    D.I. – The Drummer (utmost fun and pulling faces galor (c) gehkacken.de 2019)

    They came back more than once and they gave the audience everything and a wee bit more. As one of me mates noted it is not custom for US bands to come back for an encore – but coming back three times and late into the night, that is just class.

    D.I. (Hafenklang, Hamburg, 19.07.2019 (c) gehkacken.de)

    With all that fun, all that joy there where also toned down moments, moments where Casey (a heroin victim himself) praised those who made a step away from drugs (and never returned to them) and he was also careful enough to explain that “Richard hung himself” is actually not a fun song but a hard truth. As such he urged people to take care of those around him. Well done Casey, well done.

    Casey’s own issues with drugs have been in the news, up to and including not so fun family moments that made the press. His advise offered in an interview was simple: “My advice… hard drugs will ruin you and your music, unless you live in Amsterdam. Then you will write good music, but die young.”

    They played until 01:00 and they left behind a still full, fully sweaty and extraordinary happy Hafenklang. On top they also had class manners, thanking each audience member that came forward for a chat.

    I resorted back to the bar for beer, to the merch for two Yard Bomb 12″ (that i have to picture below in color … because of the cover, sure thing) and a Poison Idea T-Shirt for me love. And more beer. And more chats.

    I can only urge you to get this beauty upon real release (that’ll be 27.09.2019) or attend the record release party at the Hafenklang on 02.10. (with the mighty Razors and Suck). Make sure you buy like me an extra one to make it a gift. Try to convince someone outside of Hamburg of Yard Bomb! Mine will go south and i am looking forward for the feedback…

    …  and with a broad smile i finally took off home, yet again through empty streets on my short stroll uphill and home.

    Whilst i was on the way to bed, the docks yonder still kept working on the cruise ship – i wonder when that finally will be done with the makeover.

    Thanks for Hafenklang for setting this up and thanks to lot and the bands for making it a very worthwhile entertainment. Farewell to Poison Idea, hello to Yard Bomb and dear D.I. – be back soon!

  • … yesterday Punk Rock Raduno, today Hamburg!

    … yesterday Punk Rock Raduno, today Hamburg!

    “All my friends went to Punk Rock Raduno and all i ever got was … Kepi Ghoulie and The Copyrights.” On a boat. In Hamburg. But better than nothing. Actually quite good.

    One of the Hamburg Punk Rock Raduno travelers was already back and joined me, the rest took easy flights home and were to be back in Hamburg later. And one of those who stayed on actually put an extra effort in to get me something more than nuthin’ back from Bergamo.

    ... my PRR Golden Tickets thanks to Nicole, though without luck!
    … my PRR Golden Tickets thanks to Nicole, though without luck!

    What was at stake was something super cool, something handcrafted (and something i would have me love to accept in front of our door):

    Milo Doormat (limited edition #1/1)
    Milo Doormat (limited edition #1/1)

    Ticket #55 did win this beauty, with #58 on me this was near but unlucky. And damn to learn later that the beauty was won by Marien Jonkers of the beloved Windowsills from Rotterdamn. I think i now must consider to burn all of their records in my collection. Whilst i was without luck, that one Punk Rock Raduno traveler that came home early had a lucky ticket and won … a guitar. Lucky you Uli!

    The well filled but not packed MS Hedi was to set sail early, for two round trips through the harbor. First on Kepi with an acoustic followed by The Copyrights with their own set. After a quick changeover dockside for replenishment of booze it would be then a 2nd trip, this time with Kepi Ghoulie + The Copyrights = Groovie Ghoulies.

    Kepi Ghoulie (MS Hedi, Hamburg, 15.07.2019 (c) gehkacken.de)

    Kepi first and the ever charming guy. Armed with his acoustic guitar and his harmonica as a secondary weapon he provided us with some gentle songs from his vast output. I am not a particular fan of “acoustic” as i prefer amplified strings. It may have worked better with some warm weather and sunshine but that Monday evening Hamburg was rather cloudy and cold.

    Next The Copyrights, from Carbondale, Illinois in the US of A. From the school of Mass Giorgini as i like to refer this high energy pop-punk to. The internet (damn internet, never forgets) provides a much worse linkage: “Both the sloppy, slacker pop-punk of, say, early Green Day with the slightly more polished sheen of Teenage Bottlerocket or recent Bouncing Souls“.

    I think i will never get used to people needing a navigation chart to make out music. It is to experienced live and it either speaks to you or not. It can be digested on vinyl (or other formats) and either speaks to you or not. If a band speaks both live and on record to you they most likely touch your heart, your soul and your brain. And you will enjoy.

    The Copyrights (MS Hedi, Hamburg, 15.07.2019 (c) gehkacken.de)

    And that’s what i did for the Copyrights own set – perfect pop (remember, it comes from popular) songs in best 1:23 tradition with loads of chorus, breaks and … little chance to make out lyrics given the tiny PA for vocals on the boat. But they have everything for getting a great live experience across. And they had a visible female support in the audience, actually not a surprise!

    Bonus: Both guitars did not move the necks, hence non-one of the audience (standing in close combat distance) was hurt.

    After a quick docking and a few more crates of beer being dragged on board the MS Hedi took off again into the sunset … almost. Kepi & The Copyrights took the floor and they kicked in like this:

    It was to be a great mixture of Groovie Ghoulies songs either prepared or requested by the audience. Given the Copyrights energy and speed they where mostly uptempo and indeed they where fun.

    Kepi Ghoulie and The Copyrights (MS Hedi, Hamburg, 15.07.2019 (c) gehkacken.de)

    For both it was the first time (as Kepi did not play bass for Chixdiggit when they graced the MS Hedi two years ago) playing on a small vessel and they had surprisingly steady feet (and stomachs) – nobody got seasick. They where lucky maybe, as there was little traffic in the harbor (ie. less waves from passing ships) and little wind.

    An enjoyable evening with great music for me, my ear was also pleased by some sirens singing songs of “come to Punk Rock Raduno“. I think if i ever do a multi-day festival than it sure won’t be Rebellion and it can’t be Punk Rock Bowling. I guess then it must be Punk Rock Raduno. Let’s see what the 2020 schedule offers…