Category: Shows

  • … when friends from near and far meet : Razors and Demolitions Girls in We’ll Burn The Baum Down 18.0!

    … when friends from near and far meet : Razors and Demolitions Girls in We’ll Burn The Baum Down 18.0!

    In Germany the age of 18 is the transition from growing up to being “fully licensed” – you have successfully grown up.

    The Razors and their post-Christmas and ahead of New Year tradition has achieved just that – the 18th edition, grown up and it does not feel like the end of the story yet, despite all odds over the years.

    Post-Christmas sure means we can burn down the Christmas tree aka Baum (in German), though we better take these precious Christmas baubles off.

    And the handbrakes, please.

    When hitting the Knust it was immediately a cozy feel, friends from near and far, other connoisseurs of Punk Rock that i did not know but may get to know and the full extend of the Punk Rock Hamburg family.

    The only salt was that Dirt Box Disco had to pull out: First they had to cancel a UK show and then the flight to Hamburg as their drummer Maff Fazzo was sick and not fit to fly (let alone to drum). Damn, it had been a while since i got to see them.

    Demolition Girls kicked it off and it sounded like this:

    From where i stood i was ready, also the audience was ready though it was not (yet) packed in front of the stage. But those in the know knew that it would be uptempo, energetic, using the full space of the stage and all topped by the mighty voice of Barbro.

    And turning all of these hit’s and gem’s into punktastic versions.

    Demolition Girls (Knust, Hamburg, 30.12.2025)
    (c) gehkacken.de 2025

    They surprised me big time with a song of one of my favorite bands ever (so much, that i struggled to set my phone to camera fast enough) – here we are with a near perfect ALL cover.

    And those with eagle eyes can see Christiane from the Razors (Descendents/ALL fan extraordinaire) singing and smiling along in the backstage area.

    By this time it was much more full in front of the stage and people already had their dancing shoes polished and made good use of them.

    Demolition Girls (Knust, Hamburg, 30.12.2025)
    (c) gehkacken.de 2025

    They slightly adjusted their set towards the end and finished off with a big nod to Richard Blum. Also known as Handsome Dick Manitoba. Of Dictators fame.


    Thats a way back nod to 1978 and the great Bloodbrothers album of the Dictators.

    Boy, where Demotions Girls good: In sync when needed, some hick ups when warranted and driving absolute great positive energy down from the stage into willing ears.

    Here is their plan – not executed towards the end but hey-ho, who are we to complain (though, up north in Kiel, a little complained was filled about dropping “Kids” altogether).

    Demolition Girls – Setlist (Knust, Hamburg, 30.12.2025 (c) gehkacken.de)

    Give them a large stage, give them a perfect sound and give them a support slot – Demolitions Girls will get the crowd going, guaranteed.

    Next Razors took the stage and they kicked off with traditional grandness:

    Bäng! And specifically bäng as this was like the first full show with Sven drumming with his new shoulder (and still hitting hard).

    From the start the Razors where in brilliant form, not even a broken tuning device could stop them (and later also not the replacement device going awol).

    Razors (Knust, Hamburg, 30.12.2025)
    (c) gehkacken.de 2025

    From start to effectively finish they provided so much positive energy, joy and fun to the willing audience that quickly everyone upfront was dancing (or, sure, jumping).

    That song though triggered some dark clouds, it is one that was co-written by Witte during his 10 year stint in the band. His sudden passing in October 2025 was a huge shock to many, as he made a lasting impact on this little circuit. Be it as musician, as song writer, as producer or as one who provided many bands recording options in his studio.

    Razors (Knust, Hamburg, 30.12.2025)
    (c) gehkacken.de 2025

    More than a gesture thus was thus this song, written by Witte and never properly finished by him and the Razors:

    The have now finished the song and i guess it will stay in the set list as a deep bow.

    There was already a little private farewell for Witte at the Pretty Vacant HQ and next there is a full tribute night for him at the Hafenklang.

    If you can, give it a go. Thanks.

    It went on hit-by-hit, almost all songs sing-a-longs for large parts of the audience. And it was quite fun to see how individuals reacted when their favorite song came about: Broad smile and immediate movement.

    Stoffel kept shredding, Klaus kept towering, Christian kept smiling and Sven kept hammering. And all together kept the beat, and then some!

    Razors (Knust, Hamburg, 30.12.2025)
    (c) gehkacken.de 2025

    As Dirt Box Disco had to pull out due to illness short notice and the Razors knew that many of the lot where looking forward to their return to Hamburg they did the next best thing:

    Rehearse a Dirt Box Disco song and sign up a Spunk Volcano stand-in:

    Boy, that was fun and the lot went almost apeshit.

    Could it go better?

    Sure it could and it would – as ever when the Baum has been burned down it is time to invite family & friends onto the stage and celebrate a huge sing-a-long to their mashup of Forever Young and Walk On.

    Razors (Knust, Hamburg, 30.12.2025)
    (c) gehkacken.de 2025

    I am not a stage person (i rather have stage fright) but it was absolute fun to see the controlled chaos erupt. Have a lock through the pictures, they have so many small nuggets in them (and plenty of Kiel).

    I missed last years proceedings due to the urge to retreat to the quiet of the north with me love. This year, which on many fronts was both fucked (too many losses) and somewhat great, i thoroughly enjoyed being part.

    It was a real feel of being among friends from near and far and the rest of the audience also being … great.

    The night finished very late for some, frantically dancing away to the sounds of DJ Schaub, for me a wee bit earlier as i was genuinely tired.

    I guess this shoot sums it up nicely:

    Klick! for downloading the high-res version (opens in new window) and as ever pick your king (i picked mine already).

    Thanks Demolition Girls, thanks Knust and big hug to the mighty Razors for keep on keeping on (and staying relevant, ever since).

    Happy 2026 everyone, looking forward for Burn Down The Baum 19.0 and … Dirt Box Disco joining it!

  • … harmony intro to a beatdown!

    … harmony intro to a beatdown!

    There are many things i dig but there is a much bigger amount of things i don’t dig. In this little niche i savor i tend to listen to recorded and live mu-sick to, the amount of likes tends to be bigger but there also sore thorns i just can’t fathom.

    As one of me mates put it: “There ain’t nuthin stupider in the H/C genre than the invention of beatdown dancing“. And he is quite right. But often the brutal and brisk onslaught onto me ears in the same sub-genre is actually pleasant.

    That was the conflict for this show and the urge to get a good blast because of an annoying work week so far was bigger than the pain of … ah, toss it.

    Kick off was from Norway, Oh See Demons hail from rainy Bergen and must have felt home in the Hamburg weather.

    They sure where the outlier, as their very American, very modern approach to H/C did not necessarily match the sound of the other two bands.

    Oh See Demons (Hafenklang, Hamburg, 20.11.2025)
    (c) gehkacken.de 2025

    At good time i sensed a scent of Prophagandhi, at bad times it had a metalic undercurrent. Main asset was the near-perfect multi-vocal harmonies when singing, all in a much higher than grunt pitch.

    Oh See Demons – Setlist (Hafenklang, Hamburg, 20.11.2025)
    (c) gehkacken.de

    I guess they were largely wasted on the audience, i found them entertaining though only little audience interaction.

    Would i buy a record? I guess not but the one or the other song are actually more than OK. As always, check them out for yourself.

    Next Ingrown, hailing from la rivière boisée (aka Boise, Idaho). Famous for the Basque Block. And surprisingly with a long mu-sick-al history. And Ingrown, hailed as a band that is a lightspeed tour through crushing power violence, towering riffs, and titanic breakdowns (to quote the internet. Damn internet, never forgets).

    Ingrown (Hafenklang, Hamburg, 20.11.2025)
    (c) gehkacken.de 2025

    And exactly that is what the lot got in i guess a set of max of 20 minutes. And it got those beatdown dancers beating down. They are an onslaugt indeed and it was great to feel their pressure in my stomach.

    Just the grunts that serve as vocals don’t make my day.

    Check them out, i am a wee bit inclined to maybe score the Idaho LP at one point in time.

    Next GAG and all turned hunkydory: Everything i may have missed with Ingrown came across here. First and foremost a roaming singer with dual guitars giving both a wider sound and something eyecatching.

    GAG (Hafenklang, Hamburg, 20.11.2025)
    (c) gehkacken.de 2025

    Their songs are equally short but somewhat less simple, less hard without missing the aggressive touch needed. They hail from Olympia, Washington, incubator for sub-genres like Riot Girrrl and Grunge.

    Within that context it is worth to note that GAG are not just a replay on say 80s US H/C but have something fresh going.

    It felt like this:

    Fast, hard and short. And within, strange enough, i had references kicking out of the blue into my head that i did not expect: No Trend. Or No Means No. Though these where only ever like a blink, not constant.

    GAG (Hafenklang, Hamburg, 20.11.2025)
    (c) gehkacken.de 2025

    They kept their set also short (albeit longer than Ingrown) and they had a wee bit of consumer interaction. And that was to extend of “come closer or fuck right off” and “if you ask for an encore i’m gonna kick you”. I guess you get the fun.

    On record they sound … i take you have checked it out above. I will give it some listen online and then decide later if i am gonna buy one. But live, they are a convincing band.

    And did the dance style annoy? It did, but hey-ho it ain’t for old fart to wage a war on this. Everybody to do what she likes unless it harms others.

    Neat evening, quick sets, able to make a mate happy by paying for his entry and early finish, so not too late out home in the green of the woods.

  • … a blistering shop performance, a bouncy start and a raunchy finish: 35 years of Gerd!

    … a blistering shop performance, a bouncy start and a raunchy finish: 35 years of Gerd!

    It has been a while. Not so much seeing Gerd (that has been last year) but seeing two shows on the same evening. I have friends who do place hoping as an urge (to see everything) but that ain’t my thingy. But this Saturday a perfect opportunity arose and i had to take it.

    En route to the Knust i could catch an early performance by Poolhead at the FC St. Pauli Fanshop on the Reeperbahn and from there it would be a short hop to the Knust (where proceedings would start around 20:00).

    Poolhead played as part of the Fanshop Kultur series (already going for 10+ years, Gerd graced the cobble stones in 2015) and as part of the 100th occasion.

    Poolhead (FSK100, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    I fell for Poolhead when they played the Punk Rock Hamburg Summer Fest in 2024 and ever since was eager to see them. Unfortunately previous dates where they played home shores did not match my schedule, hence it took more than a year.

    They played with least setup time and managed to sound quite well from the go.

    The beauty of the setup in the shop, on the Reeperbahn, is that the audience is a fun mix of fans & friends, store customers and walkers by (who hear the sound and enter the store). By the looks for some live music as such was a big surprise, including some small kids who most likely had not seen anything like that prior.

    Poolhead (FSK100, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    I am still sold on them and in absence of Man or Astro-man? they are the best to see live from that little genre largely sans vocals and full of analog spring reverb.

    They finished off with what is their self-proclaimed signature song… here we go with Il Bagnino:

    Blistering! Perfect! They even got forced to encore after this and gave Miserlou (their only cover) to the enchanted audience.

    As they where running late i scooted off across the Heiligengeistfeld to the Knust as i wanted to catch the support there too.

    On the way to the Knust i noted that a UK Cover Band wanted to steal the audience away from Gerd, luring people into the Congress Center. Damned you are Suzy, rather you should have come to worship the origins of Glam!

    Over at the Knust it somewhat felt like Suzy had been successful, or it was the early start of “Doors 1900” that still is alien to the elderly (though perfect for an early nap).

    As support Gerd had enlisted The Changingmen. I had not seen them before but knew they had a support slot for The Undertones recently. Plus the faces felt familiar, 3/4th of them played with Helge (still missing him) in Sixteen Again.

    The Changingmen (Knust, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    Their sound ventures on the Rock side, in good moments it is very UK Power Pop. Not particularly my world but all of them are good musicians so it did not sound odd or off.

    It sounded like this:

    Sound wise they definitely fitted the support slot for Gerd but net only half of the audience made an effort to see them.

    … but they only ever lured half of the audience from the bar

    Kudos to the Bad Job Boys, they appeared in full force! Still, as said, a valid warm-up for Gerd.

    The Changingmen – Setlist (Knust, Hamburg, 15.11.2025 (c) gehkacken.de)

    And they had all originals, just like Gerd.

    Next and with all the grandeur of accumulated hundreds of years of stage experience Gerd took ownership of the Knust:

    Action! Top 15 in July 1975 in the UK. And bittersweet revenge on the mu-sick-industry (and thus 100% in Gerd territory).

    It sounded rough (if not bumpy) and as a listener i had the feel that Gerd needed a couple of songs to be fully glued together.

    The Changingmen (Knust, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    But once the train started rolling more and more it worked hand-in-glove and to the excitement of the audience (though, as said, the Knust felt a wee bit empty).

    By the time they arrived at the end of the setlist they had it all: Energy, wit, togetherness, humor and the audience.

    Thus it was time for one of their signature songs:

    More than one person after the show noted that Nessi should be lending his great voice more professionaly to a band – it is one of these voices that can glue a listener, just like here. Una bella compangnia!

    The Changingmen (Knust, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    And in extra time aka encore they topped it all and had the lot singing and dancing as there would not be any stoppage, up to and including firing on all cylinders for Billstedt (Twilight Zone):

    Little fun fact: That is 1:17 of pure beauty and when Lemmy and Da Bruders covered this on 06.08.1996 at The Palace in Los Angeles it clocked in at … exactly 1:17.

    Gerd, the unstoppable machine that other bands cover 1:1.

    The Changingmen (Knust, Hamburg, 15.11.2025)
    (c) gehkacken.de 2025

    Once the encore was done Gerd retreated but the lot did not have enough. It wanted more. It demanded more. And Thodde, Gerds drummer, wanted to give more and lured the rest back on stage.

    Not rehearsed in 30 years but hey-ho, once we get over the first bump it’ll work, eh? And boy, it did!

    Gerd – Setlist (Knust, Hamburg, 15.11.2025 (c) gehkacken.de)

    30 odd songs, crème de la crème of Gerds oeuvre.

    Once they finally had left the stage Hollyholetsgo and Nickelodeon lured the lot onto the dancefloor at the bar. Their expert sing-a-long and dance-a-long DJ selections kept the fun & energy high, fueling the lust for liquid replenishment.

    2 locations, 3 bands and surrounded by largely friends. And enjoying the music. To that extent a huge thanks to Gerd for enabling it and already thanks in advance for the upcomming 40 year party at the Elbphilharmonie.

    And (blush) for seeing my Gerd pic from the 2024 show blown up in front of the Knust and on their monthly flyer.