Motivation somewhat was low for this Friday and i casually was about to let go this show. On a 2nd thought i was thinking about a mate who thoroughly loves Gimp Fist and decided that i need to support him supporting Gimp Fist.
And ran into many friends, including people travelling from far to enjoy not only one blast of Punk Rock but also next days show with Toxoplasma (since 1983 an very ill-fated relationship for me, so i sure would pass that one).
Support was U.E.D.L. and ever since i saw them on the Blanker Hohn 40th anniversary bash at the Stellwerk i knew that i could be up for a surprise. By the looks they have a new bass player and by the setlist they seemed to have a couple of new songs too. It was a wee bit longer than the 9 songs they had down at the Stellwerk.
It pretty much turned out a mixed bag for me: Some songs, specifically those where Arne but all of his (actually real) working class self in had something, others – for my ears – just where not of the same quality. The style is still hard rocking Oi! and reception was largely positive.
Next The Spartanics from sunny Leipzig, self-proclaimed Streetpunk with 77 vibes. As much as i distrust labels that bands stick on them i was surprised that it was 100% correct.
I missed them when they played the 2nd day of MOi!n It’s Hamburg #8 two years ago due to another commitment and wow, they surprised me big time now.
The Spartanics (Monkeys, Hamburg, 02.05.2025) (c) gehkacken.de 2025
3 guys, simple setup and a wow amount of melodies and an even wowowow amount of vocal harmonies: Their main asset is that all 3 sing and use their vocal capabilities to create a relatively unique sound.
Plus they got most of the female audience up-front and dancing – for me that is always a positive indication of a bands quality.
The Spartanics (Monkeys, Hamburg, 02.05.2025) (c) gehkacken.de 2025
On top they came across well rehearsed and hand-in-glove, though not too much talkative. But their sound and their songs had something, as such my urge to buy some vinyl kicked in. Later i realized that they had a 10″ (the best format in the world) on sale, so after the show i had to score that one.
And yes, they got plenty of cheers and – my guess – convinced many in the audience. I am pretty sure that i will make an effort to see them again, they are worth it!
Gimp Fist next and by now it was full in front of the stage, though the Monkeys was not sold out. They are a busy band, many shows and almost every other year a new record. And they are utmost friendly, utmost humble and utmost … all around nice guys.
As ever when they play Hamburg they don’t have to do a lot to take the audience by storm and get it to sing-a-long. They just have to start playing, smiling and singing and the lot will chime in. Sometimes louder than the band itself.
For my mu-sick-al mind they most likely are the best transformation of ingredients taking references from Clash, SLF and others into something modern. I won’t even stick a label on it, if i had to it would read Gimp Fist.
Great band, great show and plenty of energy flowing back/forth between on stage and off stage. And that is the way it should be. Can’t wait to have them back as having them in the house is a safe bet for an entertaining evening.
As The Spartanics convinced me live i had to score. And as format matters there was no question about what to score:
The Spartanics had a 10″ on sale (and a Best-Of CD thrown in), so that was a must to take home.
I was not the only one to take that beauty home and right so! If you want to check it out for yerself go here:
Thankfully i got a ride home by a mate, so it was late but not too late (as there was a decisive home game on Saturday for FCSP).
And me mate who loves Gimp Fist? He was a happy one, knowing that his love is actually echoed.
Because Gimp Fist do take good care of their supporters!
It feels quite odd if the singer of a band points at you during the set to thank you for attending though “... he listens to other music normally“. It happened to me thanks to Oile from Blanker Hohn. Indeed the amount of “Deutsch Punk” in my collection (warning, #recordcollectorsarepretentiousarseholes incomming: 4.956 this morning according to Discogs) is neglecteable tiny and i tend to not go to shows showcasing it.
But Blanker Hohn, longest running Punk Band from Harburg (south of the mighty river Elbe), did throw a 40th Anniversary Bash at the Stellwerk so i gave it a chance.
For a start they were clever with their choice of support from north of the mighty river: The Razors paid tribute plus a cool addition from way back in U.E.D.L. as a real surprise.
Their split tape with Spiel 77, recorded down at their local youth center, was one of the mid 80s items done by mates because all their friends where in bands and they wanted one too.
U.E.D.L. Split-Tape with Spiel 77 from 1985 … that is all what remained!
It did not create a lot of success but as friends they largely stayed around, continued to play low key every once in a while and never went anywhere. But they where contemporaries of Blanker Hohn and as such a fitting support.
For me it was the 2nd time to see them, if my memory serves me well i saw them back then at either a Youth Center or a School thingy in Bunny Hill or Bramfeld/Barmbek and … it was not a highlight as far as i recall.
Fast forward more than 40 years and to the Stellwerk. Fast forward to a show where a friend of Arne endured a 600 KM drive to actually see them. Fast forward to one of the situations where your expectations are lowest and …
… you get the surprise you never expected.
U.E.D.L. had a setlist of just 9 songs, played old ones at the start and got some lukewarm response. Then they got in new ones and with that me and me mates stopped chit-chatting and actually focused the attention to the stage.
They more they played the more they both got into the groove, got self-assurance and actually had some tunes that fully worked: Deeply ground in a hard rocking sound (as on the positive side of hard rock), leaning toward what some dub nowadays “Working Class Rock” or “Street Rock“, there where some cool melodies, hooks and breaks.
Plus Arne delivering a fitting singing. Even on this single cover song it worked:
Wow – i really did not expect this one. No clue if this incarnation of U.E.D.L. will go anywhere but on this night, on this occasion – they simply took (let’s say half of) the crowd by storm. I will definitely seek out a chance to see them again, i do hope they stick to it for a little bit longer.
Without a lot of changeover the mighty Razors took the stage, trimming their set down and ending it with a barrage of covers.
The Stellwerk was crowded by this time, not sure if sold out but i guess 200+ folks being there. And the Razors had the lot from the first chord, a solid machine that delivered hits with ease.
What did strike me on this occasion was that i actually was looking out with joy to a single song:
An obscure 1979 Power Pop song from Scotland, of all places. Way ahead of times when it comes to guitar pop up North. And turned by the Razors into what i what call by now their signature song (bypassing Tommys Gang, that i always thought of as something like their signature tune).
Enjoy:
Whereas The Headboys only ever got it to #45 in the UK Charts in 1979 i’d say that the Razors get the song to a new high.
A critic on the original has it all:
60’s inspired late 70’s jangly guitar pop with catchy tunes, irresistible rhythms & punchy chanted choruses from this great Scottish skinny-tie power-pop/new wave band that should’ve been big(ger).
Once i will win in the lottery and make my plan for a “1976 to 2026 in Songs” Double LP with gate fold cover a reality i will have this song re-recorded and produced by … let’s see. Let’s aim for the Blasting Room as a start.
Alike the Razors blasted through their set, only Sven needed to take a minute out, his drumming corner was not only way too hot but also sans oxygen, as windows had to be kept shut as for noise protection. Great set by Hamburgs finest. Not more, not less.
With that it was time for the birthday boys (though they wisely choose not to play in their birthday suits), with Janny doing some tongue-in-check introductions. He apparently saw them as a 13 year old kid at a long defunct youth club in Harburg and went on to blame them that he got stuck on Punk.
Next to Youth Of Altona he should look out for a 2nd career – he is a funny entertainer!
Blanker Hohn, for this special occasion, did resort to an old trick currently being used by many old bands – playing entire albums in sequence of the record. So Set 1 was going to be their 2023 effort:
That record is – according to my navigation chart – actually one of the better ones when it comes to “Deutsch Punk“. Starting with the cover (and the series that goes with it) and all the way to surprisingly crisp songs like this 11 Minute killer:
Blanker Hohn had a lot of family and friends in the audience and plenty of sing-a-long and dancing in front of the stage. On the not-so-positive side i wold recon that most of their fans still are from south of the river, only few from up north joined in.
For my ears most of the new songs worked quite well, you can sense that their song writing and recording abilities improved by a long shot ever since they recorded their 1984 Long Player.
They have been around 1983 to 1986, topping it with support for Die Toten Hosen at the local Harburg youth center FZ Nöldekestraße in April 1984. A show that i saw and where my memory of Blanker Hohn is … mhhhh … let’s say “not impressed”.
Blanker Hohn burned like a small candle and burned out pretty fast, by 1986 they went on with their lives. They enjoyed a brief return from 2001 to 2004 but it took to 2018 to really get them back touring and recording.
Even the almighty AI (ChatGPT) has some doubts on brightness of that candle (AI, my ass):
Their 2nd Set was their 1984 LP, which stands out for one of the worst covers ever being put to print. And not really for the mu-sick if you ask me. But hindsight is always easy, what they did play and what they did record was fitting the days back then.
Here is one of these songs, in the stereo-typical western style that many added to their rooster back then under the moniker “Fun Punk“:
The No Fun part though is that this documents also the drunken loonie sitting on stage – few songs later he either collapsed or head crashed on the dance floor. As his situation looked not good the show was stopped, an ambulance was called and he was lifted out of the venue towards hospital. I hope he is well, asking around i was not able to establish that though.
Sad end to actually a neat show at the best location south of the river. Lets hope that Blanker Hohn can capitalize on their current record, they deserve it.
And because it is such a stark contrast – here are the two records side-by-side:
Blanker Hohn – Worst Cover 1984 vs. Inteligent Cover 2023
Rhetoric Question: Which would you choose? And more detailed record collector question: What what you choose from the used records bin“?
With that i took home on public transport, easy from the location – not so easy if you miss the train by seconds and got to wait 20 minutes on the platform with intoxicated youth heading for PAAARTY in the area you actually take residence in.
nb: There where fully happy consumers like Frank and Yvonne…
… and somewhat happy consumers like Andre and Thomas
Somewhat happy? ( (c) gehkacken.de 2023)
nbb: Getting Die Toten Hosen to support them did not work out, the only thing they got was the poster design – well done!
