Arne with a little story about his first bass and how that bass did meet Old Erwin:
Rudi (Guitar, Vocals), Meng (Drums), Votzer (Vocals), Arne (Bass)
The song „Aggressivität und 220 Volt“ was the first ever song „Old Erwin“ did write for his first band Kotzbrocken, somewhere in 1978. Needles to say that they played it without rehearsing a single minute.
C³I (Knust, Hamburg, 24.08.2019 (c) gehkacken.de)
Rudi (Guitar), Jens (Drums), Arne (Bass, Guitar)
„Old Erwin“ – Last ever song of the Phantastix:
Unreleased video of a song by Erwin intended for the never completed Schwabe tribute LP.
Intro banner for Erwin that was shown at the last St. Pauli home game.
Whilst i did get to see the record earlier, the formal record release party for the Nasser Hund debut album sure thing was the day where i was going to buy it. No matter what! The date was long awaited and thus the elderly Punk Rock connoisseurs from Hamburg did pack the Hafenklang upstairs. Yet again one of the „i know everyone in the audience“ evenings.
Fun moment on my short stroll down to the Hafenklang was bumping into the Adolescents, who used the band apartment to stay over before continuing on to their first EU date in Denmark. I tried to encourage them to show up later for Nasser Hund but i think they ran for food and did not make it (at least i did not note them later on).
To warm (and charm) people up Sixteen Again took the support slot. Sixteen Again? What is that? A kiddy band? Nope – Sixteen Again are a long contemplated idea by Helge (of Jam Today fame) to only play … Buzzcocks. And since the sad passing of Pete Shelley this is even more a very valid tribute.
I guess that one was true for many in the audience, i would be bang right back in 1980 when Stiff Little Fingers played the Markthalle for my 16th birthday.
Sixteen Again (Hafenklang, Hamburg, 14.06.2019 (c) gehkacken.de)
And that is Nic, Helge, Ingo and Koshi and they devote themselves to the times of perfect Power-Pop, when love songs did matter for young punk rockers. From the vast œuvre of the Buzzcocks they made a short but fine selection for their first live appearance.
You could sense some nervousness on stage and within the audience at the start but with the 3rd song already they had convinced the audience (and themselves). Promises is indeed not an easy song by Messrs Diggle & Shelley to master but here it comes in all beauty (and remember it dates back to 1978):
If you, like myself, have the urge to sing-a-long, here is your chance:
Deal! And with every song that followed the audience took more and more over the singing, up to the point where Helge noted that he got a line wrong (and the audience right). Perfect entertainment! Let’s hope that this set gives them the confidence to do more – i’d love to see more, i’d love to see them even more outgoing!
For Nasser Hund it left an enthusiastic audience, eager to get them and the songs from their record. And this is how they kicked off:
In my book this is down as a near perfect pop song: Drive, great lyrics with a near perfect rhyme (take „Sie haben ihren Eltern nie verziehen, sie lächeln nur auf Fotografien„) , some great surprising chords and … 2 minutes long. If that ain’t get them radio play, what else would?
And for sure they have more of that quality, like this one on friendship:
Great stuff, hard hitting and every chord, every beat and every hook by the bass in it’s place. You can see that Jan, Kay and Arne all made their peace with mu-sick: They just write and play because they love it. And that emits from both the stage and the record.
But it is not only short and crisp songs they do, they can also do more complex and longer stuff, just like this one: Nasser Hund play Nasser Hund for you:
They got like 20 songs done with great applause from the audience, who more and more got into the groove, singing and dancing. And generally being joyful (though one attendant choose to be an outsider).
And after the 20 songs came encores and a repeat. And as the audience was still not fully satisfied it Arne decided to throw in a song from one of this other ventures (and that gives a full circle back to Sixteen Again, the desire to find love and the start of the evening):
Power-Pop sing-a-long yet again. Class.
I can only urge you dear reader to now go out (or online) to get this record. A great DIY debut LP, perfectly styled and available now!
I guess the lot had more fun at the Hafenklang, i had to sneak out and meet some old work mates from London for some chatting and some serious alcohol at my favorite (local) bar. I was home at 03:00 and well loaded but with a broad smile on my face. And by now the record has spun twice on my player (and the 2nd copy i bought is in the mail as a gift to a person outside Hamburg).
Punkrock Hamburg has been a theme for many years for the Blackpool-Pilgrims to show off force and localism at Rebellion. In the last years it also has turned into a little FB community that allows people to share, participate and promote.
And in January 2019 it has also turned into a venture that hosts a first – the first ever Punkrock Hamburg Festival (aptly named „1st Punkrock Hamburg Festival in the world“ in a bit of a loudmouth attitude (that actually pissed off some who saw the Adverts in 1978 and where present at the first Punk shows in Hamburg)).
And ahead of time it was actually sold out, though if you followed it on FB you could make out the gamble many venues and promoters are facing today:
At the ease of a finger move people are interested but in reality only few make an effort to get a ticket. Here it worked, also because it was a special location: The Stellwerk in the Harburg train station, south of the river Elbe – a rather grand room in the old station building.
Kick off was early and with Youth Of Altona and they do something special: They play only ever the Wipers songs they like, not the ones the audience would like to hear. From where i stand that is a very valid setting and if that is paired with mu-sick-al capability and some form of charm than it is valuable addition to entertainment.
Youth Of Altona (Stellwerk, Harburg, 09.02.2019 (c) gehkacken.de)
The most daring thing though was the guitar player, who played with some form of exoskeleton as he had a broken elbow. And that on the arm that moves the fingers up and down the length of the neck. Stunning that he was able to produce a clean guitar sound (as clean as it’s shiny acrylic glass body).
Great stuff but little movement on the rather small stage. But they got it right and they got the key item right: Wipers where not about speed and thus for some they played slow. I’ll say they played right.
Next local heroes Blanker Hohn. An outfit i believe i have seen only ever once in the early 80s, together with the then still small Toten Hosen at the FZ Nöldekestraße. I never tracked them, so missed their disbanding, re-union etc – but it seems they want to play again. How do they sound today? Check it out:
By and large they are to my ears rather painful and that is mainly because my ears never got to adjust themselves to what people refer to as Deutschpunk, specifically the class of 1984.
It just does not speak to me. What i did like though was the guitar, the guy could shred out some good chords. Still, local heroes with some songs on local themes though the words today just don’t work anymore (as all of them seem grown up men, fathers and lovers). I think they would benefit from creating something new. But who am i, their marketing director? Nope, just a listener!
The contrast to the next band on stage could not be bigger: Projekt Kotelett amassed 2 guitars, 2 singers, one bass and one drummer on the now really crammed stage. And they had one item that i always dig: They dressed for the occasion.
Projekt Kotelett (Stellwerk, Harburg, 09.02.2019 (c) gehkacken.de)
All clad in some form of Deutsch and seeming to represent the unnamed Wutbürger. And with them came action, fun and loads of beer. On the musical side they blend in everything but ground themselves in fast rock (with scents of Glam, Punk and whatever).
Their advantage sure is the solid back line and the two singers, who allow for some versatile back-and-forth within a song and for at least some form of aggression. And putting the danger back into Punk it at least something many (including my humble self) appreciate.
They got applause and they got some dancing. And they drowned some beer. And more. An even more.
And that gave way to another stark contrast – where Projekt Kotelett where like Cabaret it was now for Nasser Hund to take the matters much more serious. As i missed their previous shows i was really keen to finally get to see – so i took at good look at the details to come.
And did they meet my rather high expectation? Oh yes, they did. No frills, no fills and no nonsense down to the bone music and great, heartwarming and to-the-point German lyrics. To find a comparison is actually tricky and any comparison would actually fall back onto those who are on stage and their history in so many bands.
That’s Kai on drums, Arne on bass and Jan on guitar. Whist i could brag about in how many different settings i saw them individually i have to admit that in this setting it works stunningly great. And it also works that they let speak the music and the words rather then meeting my other fetish – stage uniforms.
I loved them, many of the attendees loved them and they got a good level of appreciation (and even some drunken nutty dancing). If you ask me they are a force to come and you should definitely check them out. They even did throw in an encore – so listen up youth:
With that i am now super eager to get the news that they finally found someone who releases their fully recorded record on vinyl. It would be a pity if that takes the fate of the yet to be released Platzangst record (which turns into a myth every year it stays unreleased).
What beauties you can expect? For example this hard knocking A1 material:
„Sie haben ihren Eltern niemals verziehen, sie lächeln nur auf Fotographien“ – absolute great line and rhyme. If they go for crowdfunding i am in. Worth the effort!
Speaking of effort: Just check out the great backdrop the friendly people running this show created. It was actually funded by you and me (when buying Hamburg Punk Rock City T-Shirts from them) and we gotta be thankful to them!
If you need such a shirt then seek them out on FB!
And after a long evening, plenty of beer and plenty of chats with friends it was time for the mighty Razors. And they kicked off like this:
There is not a lot to add to that: They pretty much enjoyed the evening (and the other bands) and they where eager to close out the evening with the same level of joy.
The new set list by now is in shape, mixing new songs with classics and obvious highlights like Heroes.
They almost rushed through their set, had everybody smiling and dancing and delivered the solid performance you would expect. And that, after all these years, as one of us in front of the stage.
Those who read here on a permanent basis most likely know that i am somewhat biased with them, still they simply deliver towards that agenda that get’s me out to shows and see bands live. And for that i love them.
Kick off at 19:30, final whistle after midnight, home in bed with a nice hangover and the best was to get the poor away game of FCSP on Friday out of me head. Mission accomplished.
Mission also accomplished for the good people that put this up: Sold out, all bands got their share and nobody was hurt and nothing was destroyed. I am not sure if they are in for a replay but i will sure lobby for it. Just the name for that little festival will need to be a bit less loudmouth.