Tag: Monkeys Music Club

  • … back on the map: MOi!n It’s Hamburg, Edition 7

    … back on the map: MOi!n It’s Hamburg, Edition 7

    After the 5th and 6th Edition being bogged down by Covid it was time again for the Monkeys to throw a proper MOi!n It’s Hamburg for the lot from near and far. And as ever i was eager to be there, as there are often hidden (and overlooked) gems to to be found – like on the last full 2 Day event in 2019 with Kaleko Urdangak.

    Kick off on Friday was with Strikt from sunny Stockholm. Young lads and already fully in sync with rule #1: A band should dress for the occasion. All white, dark trousers – tick! Despite the Monkeys being more empty than full they where able to lure folks from the bar towards the stage.

    Strikt (Monkeys Music Club, Hamburg, 30.09.2022 (c) gehkacken.de 2022)

    I would not count them strictly into Oi! territory, they rather have a nice balance of sing-a-long, slower stuff and more old Swedish Punk annotations. The singer sported a nice KSMB tattoo – can’t be a coincidence. They did not have their brand new record yet but in best DIY did some self burned CD’s with the songs (a highly limited edition you #recordcollectorsarepretentiousarseholes). How did it sound? Check out their ode to their hometown: Stockholm.

    Next The Bois, originally from Singapore. They date back to 2001 but if i understood correctly they are now a slightly different band, with members from SG, UK and DE. With them it was more traditional Oi! with a proud and clear SHARP message.

    The Bois (Monkeys Music Club, Hamburg, 30.09.2022 (c) gehkacken.de 2022)

    The songs are sometimes musically heavy and loaded (with complexity) but still carry simple messages (like in Till I Die). They sure had the Hamburg lot in front of the stage, singing along and dancing. Not particularly my cup of tea but by all means check out their stuff. Their old stuff is available here as a nice compilation.

    The Analogs where on next and for them it was a return to the Monkeys following their support slot in 2018 for Bonecrusher. The have a long history but i take technically they are no longer that band from the 90s.

    The Analogs (Monkeys Music Club, Hamburg, 30.09.2022 (c) gehkacken.de 2022)

    They play Punk Rock with an emphasis on Rock and have a shitload mu-sick-al complexity in their songs. And seeing them on stage you note that they all seem to be experts with their instruments, specifically the drummer has a very unique style. The only think that was strange was the language – my ears are just not accustomed to hear lyrics in Polish, it all sound very harsh to me. But hey, it’s their mother tongue, so sure ok.

    I liked them, to a certain extend also because they are indeed different (and great musicians).

    Headliner for Friday was Giuda and i have not seen them live for quite a while, mainly because i had the feeling they where on the way to hit big. Not sure if they did, though i saw a couple of praises in the mainstream mu-sick press.

    Sam as been giving them one of the first opportunities in Germany, dating back to 2014 with a stunning show at the Indra. They sure have grown beyond that, i was told they now employ professional management and a team for touring. In front of the stage you could note it by the simple fact that they now have a stage entry sound being played.

    Giuda (Monkeys Music Club, Hamburg, 30.09.2022 (c) gehkacken.de 2022)

    I was not sure if i still like them but from the first chord the songs, the stomping and the smiles of the singer got me into it, again. Not sure if the feeling was right but i took they concentrated on the older stuff more – sing-a-long galore for the lot. They also employ some orchestrated stage movement (and the bass player got some strong looks for being out of sync and too wild).

    8 years after seeing them for the first time i have to admit that they did dig themselves a unique niche, filled it with old tube amps and great 70s glam rock sound (with stomping rock being key) and just do that very professional.

    The audience loved it and it was a great finish for the first day, way after midnight (though Giuda did not play overly long).

    Day 2 started early (with attending a Brunch thrown by a mate that just passed 60ty), lead on to the decisions to pass the St. Pauli home game (that oddly was timed for 20:30 kick off) and be at the Monkeys rather.

    And it was a good choice to be early has the hidden gem was right there as the start of Day 2: Complete Loss hail from Dülmen in North Rhine-Westphalia and they hit my mu-sick-al nerve from the first chord.

    Almost on the total opposite of the MOi!n spectrum they play very modern Skinhead Hardcore in an American style. Hard hitting, fast paced. Just right up my alley. On top the singer cultivates a “grabbing my ass” style whilst singing right out of the Milo Auckerman playbook (and thus hitting another nerve).

    Complete Loss (Monkeys Music Club, Hamburg, 01.10.2022 (c) gehkacken.de 2022)

    I was quickly sold on them and was so engulfed that i did not take note how many more people actually took them in (it felt open in front of the stage though). You got to check out their first vinyl that just has seen the light: It carries for example hit’s like Needle Park. I am now looking forward to see them again, maybe in a more hardcore setting at the Hafenklang?

    After that high came … not a low but something that i could not get into that much on this evening. Bull Brigade from Turino play just another sound, a wide mixture of sing-a-long Oi! mixed with modern US styles from H/C. Loads of rhythm and tempo changes, loads of chants.

    Bull Brigade (Monkeys Music Club, Hamburg, 01.10.2022 (c) gehkacken.de 2022)

    As far as i could make out there was footie in the mix too and the singer had like 3 faces & gesture that he mixed throughout the set, for me and some around that was a wee bit … posing? Boring? Nevermind, they do their thing and they seem to do it good – plenty of applause actually.

    And whilst i was still mentally moaning i got hit by a 2 miles long fright train full of Canadian wheat heading for the US of A. Say hello to Reckless Upstarts (not Americans, as they pointed out) from Windsor, Ontario. It is the southernmost city of Canada, just opposite of Detroit. It’s called the City of Roses and what a beautiful mu-sick-al rose these Upstarts are!

    Reckless Upstarts (Monkeys Music Club, Hamburg, 01.10.2022 (c) gehkacken.de 2022)

    16 strings with great guitar work to the front, all singing, and a heavy hitting drummer in the background. Their main asset is “being tight” and indeed they pushed forward like as a joint force. Their songs are about work, working class and about grinding down fascists. Check out Dying For A Living Wage or all of their output. Good Stuff, delivered perfectly live.

    Next on Brutal Bravo from sunny Friburg im Brisgau and i never saw them live prior but based on their output i was keen to. They have some really cool bare to the bone songs out there and with “Brutal Bravo Über Alles” they have a tongue-in-check scene hit with pointed lyrics:

    We corrupt morals and vitiate the air
    And we are the resurrection of your saviour
    We speak truth and we demand surrender
    You`re ours for now and you will be forever.
    
    You`re the lambs, we`re the birds of prey
    We make the rules and you are forced to play
    If you wanna make us happy, get down on your knees
    This reign is unjust and we don`t kill to eat
    
    It is pretty simple. a law of nature
    If you don`t obey your master, you`ll be treated as a traitor
    There are no more options, no more possibilities
    God has no need for diplomacy.
    
    We created evil and we created good
    Brutal Bravo Brutal Bravo Über Alles
    We bring the drought and we bring the flood
    Brutal Bravo Brutal Bravo Über Alles
    We turn day into night and night into day.
    Brutal Bravo Brutal Bravo Über Alles
    We are the mightiest and we rule - okay!
    Brutal Bravo Brutal Bravo Über Alles
    
    Brutal Bravo (Monkeys Music Club, Hamburg, 01.10.2022 (c) gehkacken.de 2022)

    I guess next to me many more where eager to see them, just like with Giuda it was packed, though less dancing but more physical in front of the stage. And whilst, when playing, it was really great hard hitting stuff there was a feel of discomfort with me. And soon i had the impression that somehow they are a dysfunctional band, at least this evening.

    Debates about what (and how to play), raised eyebrows across the stage and a singer that either forgot the lyrics or was too intoxicated to call them from memory. And whilst resorting to printed lyrics he threw them around on stage and was soon unable to locate the right sheet.

    And when it looked to go sour they somehow choose to play “Brutal Bravo Über Alles” to please the audience. Not once, not twice but three times. From where i stand no surprise that the band just a couple of days prior announced the end of the venture, i guess one more show and that’s it. Mhhhhhh, not what i expected.

    With Gimp Fist at least the final headliner was far away from dysfunctional, to me they seem the friendliest people on earth and a well oiled machine. And this is what they set out for the lot:

    Gimp Fist – Setlist (Monkeys Music Club, Hamburg, 01.10.2022)

    And on most of these songs the audience did sing-a-long almost louder than the band and both in front of the stage and on the stage there where plenty of smiles. My smile was big when they played my current favorite song – the starting one of their Isolation LP is a versatile hit, packed into 1:32 and still offering a cinematic intro. Check out Ambition and sing-a-long: Well i don’t give a fuck!

    Gimp Fist (Monkeys Music Club, Hamburg, 01.10.2022 (c) gehkacken.de 2022)

    Where Giuda as headliner threw a professional headlining show on Friday it was Gimp Fist as the headliner for Saturday to thoroughly break down the barrier between on and off stage and united everyone in the Monkeys. Simply by being unpretentious, honest and open – and with a message. They are the essence of humble and thus i had not even a slightly raised eyebrow for a mate who sported a Gimp Fist T-Shirt (that takes us back to rule #2: Never wear a shirt of the band that plays). Still loving you mate!

    And much faster than anticipated it was over, two great days at the Monkey, two new discoveries, one disappointment, a St. Pauli home draw that turned out not to be that bad (though we simply need to score, more) and still a long weekend to recover as Monday would be a public holiday in Germany.

    I had no hangover, as i stayed off booze both days and that indeed was a refreshing feeling. And frank, seeing some folks in various stages of drunkenness on Saturday it felt right.

    Big Thanks again to Sam & the Monkeys crew for making this possible, much appreciated. Count me in in 2023 too!

    MOi!n It’s Hamburg #7 2022
  • … sauna clubbing ctd: Cockney Rejects and a lovely audience!

    … sauna clubbing ctd: Cockney Rejects and a lovely audience!

    Actually i do not know where to start nor to finish. Whilst many of me mates where in Blackpool the other week they brought home only good stories about Jeff (doing a spoken word performance) and Cockney Rejects (doing a great show). For me as a regular Blackpool absentee it did not matter too much, i was just keen to see them again (having had to miss the 2019 edition of the Sauna event).

    Just like 2019 they where paired with This Means War from Belgium, who technically took the stage 2nd, as there was a short Book presentation in the pub for starters. I preferred to stay outside, enjoying plenty of chats with people from near and far, watching them brothers Nickel applying liquid drugs through the eyeballs on Matthias and trying to stay out of the sauna – it was damn hot in Hamburg.

    This Means War kicked off to an already well filled Monkeys and they play Oi! with a definite scent of Hard Rock, though not leaning too far into that territory.

    This Means War (Monkey Music Club, Hamburg, 13.08.2022 (c) gehkacken.de 2022)

    For me it was a mixed bag, i sometimes felt a wee bit offended by them trying to bond with the audience. Not sure what did offend me, because i guess they just tried to be friendly and with the audience, rather than fronting the audience.

    Within their rooster they do have one or the other quite melodic song with sing-a-long qualities, overall most of them without “speeding”. They played for about 30 minutes i take and they got some cheers (and even some folks singing along).

    This Means War (Monkey Music Club, Hamburg, 13.08.2022 (c) gehkacken.de 2022)

    For me there was one ill-fated choice though, but again it may just be stubborn and selfish me: If i would do support for Cockney Rejects i would not cover Cock Sparrer in my set and if i cover Cock Sparrer then definitely not “Suicide Girls”. Period.

    With a quick changeover it was all ready for the Rejects and by now the Monkeys was well filed (though i believe not sold out). And what was awaiting the lot? A mixture of old and new, classic Oi! anthems and selected songs from their later efforts.

    Cockney Rejects – Set List (Monkeys Music Club, Hamburg, 13.08.2022)

    They took the stage totally unpretentious and stormed into their set as a well oiled engine. And the engine got some new extra horsepower, the young lad on drums was pushing them forward a wee bit more than in the past (at least it felt like that).

    Cockney Rejects (Monkey Music Club, Hamburg, 13.08.2022 (c) gehkacken.de 2022)

    As always Jeff was the engagement manager and due to the smaller stage he could not do as much sparing as he does on bigger ones. He was having a little chat here, a little smile there and consistent messaging: We are the Cockney Rejects and we do what we like to do. Period.

    The lot from start to finish went with the band, and then a bit more and then over the top. And it was mostly fun in front of the stage, thanks largely to the absence of the football faction. Even more, there was a large female contingent front row and one individual specifically with non-stop dancing, not bothered by male bodies throwing themselves around.

    Great view that pit, great view.

    Cockney Rejects (Monkey Music Club, Hamburg, 13.08.2022 (c) gehkacken.de 2022)

    They gave 75 minutes i guess, came back for some encore and in all honesty thanked the club and the lot for having them. As someone noted it may just be that Bridgehouse feeling that they need from time to time.

    For me the best ever Cockney Rejects show in Hamburg and a total teardown as we say in German. And the best is that them Brothers Geggus are still consistent with their 1981 attitude.

    Snippet from Melody Maker, August 22nd 1981

    It is worth to add that they only ever flew in & out for this club show, so big thanks from the Hamburg lot for that effort (in times of travel disruptions left, right and center – as many of the Blackpool Pilgrims experienced on their way home). I also heard some folks saying that most likely they will not do this small stints anymore and instead will concentrate on bigger festival like appearances, if only.

    What is definitely true is that their last ever album, Power Grab, is about to come in September. Whatever route they choose will be right for them, i am damn sure. For what they have injected both into Punk (and that little niche Oi!) and into Hamburg at the Monkeys i am forever grateful.

    If this was the end, it was a perfect ending.

  • … Heidi ain’t no headcase, Heidi loves them horses!

    … Heidi ain’t no headcase, Heidi loves them horses!

    Alex Wonk loves them firsts … last year he was just about the first visiting foreign musician with an acoustic set for the Solidary Punk Rock Days at the Knust. This time round Wonk Unit must have been just about the first touring band from the UK hitting Hamburg under the revised post-Brexit scheme recently published.

    So Alex and his revised band hit the road, the ferry … and had their first breakdown in Belgium. One Van down, and barely making it to Cologne for the first show. Next day they set sail to Hamburg, only to break down again around Osnabrück. Two vans down they left two Wonkies back there and Alex and the Bass Player took the train to Hamburg … arriving just in time for this rather intimate show at the Monkeys in Exile, aka the beer garden of the Indra Club.

    They where quite done after too much travel and way too much hassle and for a start they took it mellow, soft and with not too much stretch on Alex vocal chords.

    That’s “Horses“, sure an all time favorite and a specific favorite of Heidi. You don’t know Heidi? Spare that question for later.

    The longer it got, the better the two grooved in, the more chatty Alex got and the more he started to actually stress his vocals chords. And from then on it was a perfect set: The rather low-fi acoustic (though electrified through a small P.A.) music was paired with harsh, angry and sometime screaming vocals. A near perfect clash, a near perfect contrast.

    The about 50 good folks where happy, enjoyed the banter and hopefully took note when Alex did divert the story line to rather serious items: Be it his deep dive into drugs or be it his recent struggles around is small daughter. That part was actual really hard and chatting to him after the show i realized how hard the ordeal around it has hit and continues to hit him.

    Wonk Unit Acoustic (Monkeys in Exile, Hamburg, 19.08.2021 (c) gehkacken.de 2021)

    As ever, they have friends in Hamburg and these friends gave them and Alex specifically an uplift. It felt just like a bit of a living room show with friends all around. I was actually happy that i did let go Arrested Denial and Berlin Blackouts a couple of 100 meters down the road at the Molotow for this lovely evening the intimate setting was much better.

    After the show Riebe revealed to Alex that his daughter Heidi actually wanted to sing “Horses” with him but being too young she was not allowed out and into the club. Hearing this and having a big heart for little girls Alex immediately did a special redemption for Heidi:

    I bet you Heidi was the happiest girl in Eidelstedt next morning!

    Looking at Alex you can actually see that they where done, so quickly they hit off into the Monkeys band apartment to hit a long sleep and to prepare for next day travel, via Osnabrück to pick up the rest of the troupe and  all the way to Karlsruhe. Erratic tour planning anyone? At least i could see from the internet (damn internet, never forgets) that they arrived in full and took the stage as 4 piece. Perfect.

    And, if not mistaken, the show was recorded in quality and Alex was also quite happy with how it went – so it may be put to Vinyl as a Wonk Unit Acoustic Album. 

    Let’s see and let’s pray that soon we get a conscious decision from our local government about revised Covid rules for Clubs and indoor shows and we can enjoy such fun more packed, much closer and without masks. I am all in for 2G to make that happen and i am all in for Wonk Unit as a full band to come back to Hamburg for a big raunchy party.

    Hit the road Alex, hit the road!

    PS; You don’t know Heidi the headcase? Listen up youth…

    Heidi is a headcase, a rebel and a rouser
    Cranks up her Rickenbacker
    Blasts away for hours
    What’s she doin’ now on the escalator
    Snorting up some speed on the picture of or Stiv Bators
     
     
    What ‘cha doin’?
     
    When I look into her big brown eyes
    I’m so glad to know she’s mine
    My little headcase, yeah
    Ooh, ooh, yeah, my little headcase, yeah
    Ooh, ooh, yeah