Tag: Monkeys Music Club

  • … of shit berliners &  gorge shitters!

    … of shit berliners & gorge shitters!

    Viennas mighty DeeCRACKS returning to Hamburg, for me that would have warranted at least 200 good people, including most of the Punk Rock Raduno pilgrims. Unfortunately next door Michael Schenker was celebrating 70’s guitar wanking to 1.200 old white males …

    … but did that really steal the audience? A mere 50 folks made an effort to get out and real, a pity. Both for the bands but also the club for sure.

    Support was from Berlin Neukölln, a band with the strange name Rong Kong Koma (though derived from a Walter Moers figure, so not too odd). German speaking. From Berlin. As such i feared the worst.

    And was somewhat surprised. Not so much how they looked like, more how they sounded.

    Rong Kong Koma (Monkeys, Hamburg, 10.04.2025)
    (c) gehkacken.de 2025

    In an interview the lead singer (and guitar player) Sebastian phrased his sound approach like this:

    For me, pop music has always been a big factor. In my opinion, pop has always been underrated. For example, think of the Pixies with their great melodies and harmonies.

    I come from a jazz guitar background and refuse to use standard chords. The punk, rock’n’roll or hardcore that resonates is simply part of our attitude to life.

    You just need the hardness to create beautiful harmonies so that they don’t become boring. That’s why when I write songs I try to bring both worlds together.

    Those in the audience looking for the ramonescore element enshrined in the DeeCRACKS one by one disappeared to the bar, the rest of the audience stayed on and – like me – gave it a try.

    How did it sound? It sounded partly like this, i believe that one finished off their set:

    Listening to them on Bandcamp prior to the show it sounded to me interesting (their 2020 album) or way to German (their 2022 album).

    Their dislike for their home turf they put down like this:

    Though all of them originate from outside Berlin and thus may have just created the pull that fueled the gentrification. As I never dug Berlin after 1989, i frankly do not care to an extend.

    Om stage they run a pretty fast and pretty tight ship. In good moments it has a heavy scent of Surf (from said guitar player with a Jazz background) and complicated but rather sweet harmonies.

    Overall they had many moments when it was quite a wall of sound. And because it was fast paced, it worked somewhat well for me.

    Rong Kong Koma (Monkeys, Hamburg, 10.04.2025)
    (c) gehkacken.de 2025

    Will i make an effort to see them again? Most likely not. Will i buy a record (at least their lable is Hamburg based)? I guess not.

    But i will not walk out on them, as long as they do not polish their guitars with their testicles skins.

    Next DeeCRACKS and this was the big stars main act professional setlist:

    DeeCRACKS – Setlist (Monkeys, Hamburg, 10.04.2025 (c) gehkacken.de)

    Still missing is my all time favorite Ritalin For Lunch, but i guess asking for that one continues to be water down the river Danube.

    It’s been a while since i saw them, i guess it was prior Covid and 2019 (when they supported CJ Ramone at the Hafenklang). They admitted freely to be Schluchtenscheisser, as they hail from the gorges of the Alps: two from Austria and one from Switzerland.

    And then they took it one-two-three-four from there.

    DeeCRACKS (Monkeys, Hamburg, 10.04.2025)
    (c) gehkacken.de 2025

    Where Rong Kong Koma had wall of sound the DeeCRACKS had ramonescore, guess what i was liking more so?

    Short, crisp, fast forward. And exactly up my mu-sick-al alley. And as ever with the DeeCRACKS with plenty of humor and an accurate reflection on themselves and the hardship of touring: Matt expressed the desire to resort to the bar quickest whilst thanking the few that made an effort come out.

    DeeCRACKS (Monkeys, Hamburg, 10.04.2025)
    (c) gehkacken.de 2025

    From their recent effort with Andreas Manges, the full Ramones LP cover of their 1989 effort Brain Drain, they included the lovely Pet Semetary into the set:

    (Note: The sound is muffled as i stood too much sideways)

    That record added nicely to the “Full Ramones LP Cover” series in my collection. Here it is, you can get it from Stripped Music too:

    They had more people in front of the stage and more people moving, up to and including the lovely couple in wheelies. But was definitely was lacking density in front of the stage, paired with movement aka dancing.

    DeeCRACKS (Monkeys, Hamburg, 10.04.2025)
    (c) gehkacken.de 2025

    Still, at least to my liking, a top notch set by the DeeCRACKS and i noted the few mates around me equally liking it. They went on to have another one with the band at the bar, i went to score the only missing item in my collection:

    A perfect product: 3×10″ – get it from Striped Music!

    For their 20th anniversary they had a retrospective done in the only format that matters: 10″. It always was on my shopping list but i never got around to order it. But now, together with the classic bag, it was a must.

    Whilst too many people where absent, though some with reasoning (get well A., get outta hospital fast F.), it was an entertaining evening. For me specifically as Rong Kong Koma somewhat surprised me.

    And surprise is always a good thing when it come savoring mu-sick for all these years.

    PS: Pic of the day, download high res with a swift click of the mouse…

  • … get out, get something new!

    … get out, get something new!

    As i am currently being swamped with other duties than enjoying shows i had to kick myself in the butt: Get out, get to see something new!

    The outlook was 2x new and 1x local and by the looks a wide spread of sounds, so give and take it should entertaining.

    And entertaining indeed it was!

    Early kick-off was with Starving Wolves from Austian, TX. Their promotional material makes some rather big reading:

    Starving Wolves embrace traditional punk elements like aggressive drumbeats and gruff vocals, while blending melodic guitars and singalong campfire choruses.

    To my big surprise they turned out as a well rehearsed, hand-in-glove unit that pushed relentlessly forward without sacrificing melody.

    Starving Wolves (Monkeys, Hamburg, 26.03.2025)
    (c) gehkacken.de 2025

    They got a lot going on on stage, had good messaging and a near perfect guitar sound (largely fueled by the guitar player sporting the neat Dayglo Abortions shirt).

    Starving Wolves (Monkeys, Hamburg, 26.03.2025)
    (c) gehkacken.de 2025

    No clue how they ended up on tonights show playing first, they could as well have filled the role of the headliner.

    The most cool albeit slower song was the one with the trumpet, which to no surprise is the A1 on their recent LP:

    I did not score a record but i guess i will checkout them out more now. Short and crisp set, great start.

    Next local heroes Bullshit Boy and with them it was not only by stage design and outfit a stark contrast but also a very different interpretation of Punk.

    But as ever, it is such contrast to help you to maintain a wide view (and acceptance).

    Bullshit Boy (Monkeys, Hamburg, 26.03.2025)
    (c) gehkacken.de 2025

    The set felt a wee bit long (and pushed some of the audience to the bar) but for me it was by and large a good one. And specifically because it included some fitting covers (eg. like a wonderful female redemption of Bodies).

    And that gave way for the headliner, here is how Split Dogs kicked it off:

    And this is what they set out for the lot (and i do like the unpretentious headline of the setlist):

    Split Dogs – Setlist (Monkeys, Hamburg, 26.05.2025 (c) gehkacken.de)

    And with them just another viewpoint on Punk hit the stage. In an interview they phrased it like this:

    “I think we appeal to people differently because we look so different on stage. Harry’s on stage in a sequin outfit, dancing like Tina Turner with a full-pelt rock’n’roll band behind they/them, and I don’t think you often see that in 2025, especially from a new band. It’s curiosity; not morbid curiosity though.” (laughs) – Mil.

    Someone else noted that they are an unholy stew of Punk and Rock’n’Roll mix of Tina Turner, Slade & Status Quo and boy that sentence has a lot in it.

    Status Quo? Yes, specifically Status Quo-like riffs i noted from the aptly chosen Flying-V Guitar strummed by Mil. And, yes, against all odds it worked like a charm!

    Split Dogs (Monkeys, Hamburg, 26.03.2025)
    (c) gehkacken.de 2025

    What stood out for me, next to the relentless energy of the band and the outgoing persona of singer Harry, was the sheer fact of 4 completely different personas bringing it together in a very unique way and sound.

    New. Fresh. Exiting (though thoroughly grounded in all the stuff i dig).

    They entertained the lot in the most positive sense you can appropriate to the word Entertaiment. And where Bullshit Boy felt a bit long, the Split Dog set felt a wee bit short (for a headliner).

    Here is how they finished up (though they came back for an extra extra):

    Wow, they did not fall short against all the praise i noticed upfront. 110% energy, 110% real. 110% entertaining.

    A very modern and almost both un-British and classic Brit Rock approach to Punk in the very same moment.

    Here is one more, both a great song with good lyrics and a great visual…

    I did not score a record at the show but i guess it is only a matter of time that i’ll add their stuff to my collection.

    I guess it was a bit less than half-full at the Monkeys on this Wednesday evening, specifically the Split Dogs would have warranted a bigger turnout.

    Will they be able to hit it big like eg. The Meffs or Amyl & The Sniffers? If that happens than i’d be happy for them, i think they have all the ingredients ready.

    Great show, perfect companions and a couple of drinks. Good that i choose to go out!

  • … a return of sorts: Claimed Choice, Mess and Lion’s Law!

    … a return of sorts: Claimed Choice, Mess and Lion’s Law!

    Back to the Monkeys, back to them beloved French (with a scent of Mēxihco). It was an early show, doors to open right after the ballot for the nationwide election closed. Too early for some, only some 50 people came “on time” whilst just about 300 tickets were sold upfront.

    The early start duty went to Claimed Choice, which for me was like seeing the headliner first. At least they would get a bigger turnout than 2023, where a mere 30 people made an effort to see them.

    The Monkeys adapted the schedule slightly backwards and Claimed Choice came on when it was more than half filled. And they took the audience by storm i guess.

    Claimed Choice (Monkeys, Hamburg, 23.02.2025 (c) gehkacken.de 2025)

    Partly it was down to the overall good mood present in the audience, i felt excitement all around for the package tonight despite the ballot results indicating … expected shite. And partly for sure it was driven by the uplifting sound of Claimed Choice.

    Here is their prime example, wandering way beyong the Oi! genre and with quite some capabilities when it comes to song writing, structure, harmonies … you name it!

    Another State Of Mind, un deux trois quatre!

    A short but really good set, already driving some dancing in front of the stage. And providing a little nugget as in a new record of them being right around the corner.

    Claimed Choice (Monkeys, Hamburg, 23.02.2025 (c) gehkacken.de 2025)

    I guess having played almost every day on this run with Lion’s Law and Mess across Europe over the last 3 weeks made them both well rehearsed and pretty tight.

    Next Mess, who made their debut in Hamburg at the Hafenklang in 2022. Back then i concluded:

    Much more basic, much more stripped down
    and – with a positive spin – amateurish. Or simply: Authentic.

    Three years later i got to admit that the A-word to be used now needs to be accomplished. I guess they have played a lot and have perfected their sound on the way.

    Much more than at the Hafenklang they came across tight and creating a forceful and pushy wall of sound, topped with multi-vocal chorus singing.

    With that they definitely got the lot in front of the stage moving much more than i expected.

    Mess (Monkeys, Hamburg, 23.01.2025 (c) gehkacken.de 2025)

    Somewhat it is great to see how far they have developed, how much they turned from their initial novelty status to a force to recon state. A definite force!

    Saying Claimed Choice had the best songs and Mess had the best force must result in saying that Lion’s Law had the audience. I guess even before they entered the stage.

    Here is how they kicked off, that is Crucified from their brand new 2025 album:

    From the kick-off they indeed owned the audience, with all elements that go with it: Sing-a-long, fist in the air and dancing, be it male or female. As much as they came as one down from the stage they took the audience as one with them and provided a feel of unity.

    Lion's Law (Monkeys, Hamburg, 23.02.2025 (c) gehkacken.de 2025)

    I have seen them a couple of times but not for the last 7 years, because in my ears there was a little growing scent of metal coming into their sound. And that i did not dig.

    Seeing them now in 2025 i guess that was somewhat a wrong judgement, they simply have a much more professional sound (and thus wider), a much more professional delivery mode.

    Not really my thingy today but the way they engage and get the crowd along is top notch entertainment. And frank, even if i do not buy a record of them anymore it ain’t a waste of time to see them.

    Lion's Law (Monkeys, Hamburg, 23.02.2025 (c) gehkacken.de 2025)

    And where me and me mates took that professional delivery with some distance (and still enjoyed it, do not get me wrong) the vast majority of the audience went apeshit and beyond, with broad smiles and all sweaty.

    Lion’s Law had them, big time.

    Early show, early end. Bands playing in order of my preference. A pint upfront and a Cuba Libre afterwards. And surrounded by happy people and mates. And bands delivering.

    Not a bad end for an election day.

    PS: Pity though that i learned after the show that at least one band member i supported on stage happily supports and shares the latest boycott campaign on the Hafenklang due to it’s stance wrt to the conflict in Palestina/Israel. Does not make me happy at all, it rather frustrates the hell out of me.

    Another shook me head moment came when a mate, coming back from a pee, reported that his pissing experience was impacted by band members in need of Colombian marching powder (and choosing the Monkeys toilet to consume).

    There ain’t no business like a traveling show, eh?