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  • …  packing a punch into 60 minutes: Good Riddance!

    … packing a punch into 60 minutes: Good Riddance!

    Summer is back in Hamburg and plenty of shows ahead, bands do like to tour in summer. On a warm and pleasant Sunday evening it was Good Riddance who finished their almost 3 week run through central Europe in Hamburg.

    Support was to be from Slaughterhouse but short notice they pulled out and thus caused confusion (as to who is going to play with GR).

    I was actually keen to see them and, greedy record collector scum that i am, i was keen to score their single-sided 12″ (with eachings).

    They got something and they sport a female contingent, always a positive thingy.

    I finally got to understand that Loaded would be the support and in my head it triggered “Duff McKagan’s Loaded” but not a German band. But that was far off, Loaded are from Mannheim, have 30 years under their belt, and …

    … a mate referenced “Ska” in their context. Not really a good trigger for me. As with many German bands i guess i happily ignored them over 30 years, so i was bit reluctant at first.

    In reality they turned out as a lovely 3 piece with their main asset being their always smiling, always laughing and hart hitting drummer Julia. The positive energy she emits, boy – it does make up for the occasional ska interlude.

    Loaded (Hafenklang, Hamburg, 29.06.2025)
    (c) gehkacken.de 2025

    I guess by and large they have morphed into something that is much more on the punk side, the guitar sounding more rock and the bass (manned by an exiled American) is more on the hardcore side.

    Somewhat a surprisingly interesting set, at moments even with right amount of umpf to take the audience along. They got a fair share of applause beyond their fans in row one. And they deserved it, short notice they opted for the slot and endured a “7 hour hell drive” back to Mannheim.

    I will now check their output in more detail, I also guess i will not pass the option to see them again should it arise.

    Not seeing Good Riddance on the other hand is not an option, in my single minded mu-sick-al head they are one of the few of the US (and specifically Californian) bands of the early 90s that are still relevant (and that still have a say).

    Here is what they set up for Hamburg for ending their Europe 2025 tour:

    Good Riddance – Setlist (Hafenklang, Hamburg, 29.06.2025 (c) gehkacken.de)

    And this is how they kicked off:

    From the start i had the sense that we would be lucky and GR would be going ALL IN for the final slot in Europe. Energy, fun and loads of forward pushing power.

    Loaded (Hafenklang, Hamburg, 29.06.2025)
    (c) gehkacken.de 2025

    They Hafenklang was not completely full but there where enough folks to fill the room and have a decent going in front of the stage, including plenty of sing-a-longs for many of their old hits.

    Best thing – next to Chucks banter with the audience – was the guitar sound. Luke not only shredded it like hell (and with relentless energy) but it sounded near perfect. That was a real “wow” throughout the set!

    Loaded (Hafenklang, Hamburg, 29.06.2025)
    (c) gehkacken.de 2025

    The same relentless energy by the way came from Sean on the drums, he was hitting it hard at any speed, much like a human metronome.

    Loaded (Hafenklang, Hamburg, 29.06.2025)
    (c) gehkacken.de 2025

    I guess nobody in the sweaty but happy audience noted that time flew and GR should have gotten a speeding ticket.

    The finished their set and came back for some extra fun:

    Just puuurfect! Ever since they are back at it they come on a regular basis to Hamburg and every time they have been utmost convincing. Lets hope that indeed they have a new record in the making, because that would bring them over yet again.

    Great evening at the Hafenklang and i was lucky to capture the essence of a GR show in a single shot (though Sean is hidden).

    So this is for you:

    Click! for high resolution version download (opens in new window).

    There was no vinyl to score but a grateful mate not only did hit me up with a ride but also with the last ever Effigies record (“Burned”, a loving memory for John François Kezdy who tragically died in 2023 before the record could be completed). So was not only home early but also with black gold in tow.

    Perfect summer Sunday!

  • Bücher, schnell gelesen: 1.776

    Bücher, schnell gelesen: 1.776

    Jonathan Lethem – Der Fall Brookly (Tropen, 2025)

    Gelesen: 09. – 20.06.2025 (netto 435 Seiten)

    Aus dem Amerikanischen von Thomas Gunkel.

    Ach Meno – bei Jonathan Lethem schaffe ich einfach keine Lesegeschwindigkeit. Das ist schade, den wie schon bei Motherless Brooklyn steht am Ende des Lesevergnügens eine gute Geschichte.

    124 Blicke durch ein Kaleidoskop machen diese Buch aus, das Visier dieses Kaleidoskops steht dabei in der Dean Street, Brooklyn, NYC. Und Jonathan Lethem gibt dem Leser ein Kaleidoskop das auch Zeitreisen kann.

    Das ganze ließt sich teilweise wir eine soziologische Untersuchung. Lethem untersucht, was mit dem Viertel passiert ist, in dem er aufgewachsen ist.

    Fast bildlich kann man das kollektive Gemurmel auf der Straße hören, alltägliche Vergehen und Verbrechen (zB das ritualisierte Abziehen von weißen Jugendlichen durch schwarze Kids aus den umliegenden Vierteln) kommen aufs Tablet.

    Und im Hintergrund lauert ein einziger Ankläger: Brooklyn selbst.

    Gentrification.

    Der “Krimi” ist hier eher eine rhetorisches Setting (die offensichtliche Antwort: Eigentum ist Diebstahl).

    Das Vorgehens einer Generation weißer Liberaler, die ab den späten 60er Jahren in das heruntergekommene Brooklyn zogen, wird kritisch dokumentiert. Die Motive der „Brownstoners“ schienen wohl positiv: Sie wollten den Trend der „weißen Flucht“ aus den Innenstädten umkehren, baufällige Häuser renovieren, ihre Kinder auf örtliche Schulen schicken und von einer integrierten Gemeinschaft träumen.

    Wo ist das alles schiefgelaufen?

    Joanthan Lethem hat eine Antwort darauf, die erschließt sich aber erst wenn der Leser durch ist und sich alle 124 Kaleidiskopbilder zu einem Blick formen.

    Fiktion? Oder nur über die Jahre gut beobachtet und dann anonymisiert?

    Puh, ein echt schweres Lesevergnügen!

    Soundtrack dazu: Slaughter Boys – Gentrify Me, was sonst?

    PS: Und Jonathan so?

    PPS: Dean Street 2021

  • … hand-in-glove, on all fronts: Razors & Knock Off!

    … hand-in-glove, on all fronts: Razors & Knock Off!

    It has been a while. As much as i can recall i did not see the mighty Razors live in 2024 and Knock Off last time graced Hamburg as far back as 2019, when Razors invited them over for the annual year end proceedings.

    Came Covid, came other stuff … it took indeed 6 years for them to be paired again.

    And whilst a good a number of folks flew over to Glasgow to see the Ex-Pistols and a couple of other bands (some in better shape, some in not so interesting shape) about 100 folks made it to the Monkeys.

    Razors kicked it off at 21:30 and at the start … had a couple of sound issues on the guitar side. After some checks and some adjustments from the mixing desk the guitar finally came alive in the wall of sound way desired.

    And from there the Razors took off with quite some speed. And broad smiles.

    Razors (Monkeys, Hamburg, 20.06.2025)
    (c) gehkacken.de 2025

    It was a home game, it was a supportive lot and overall everybody felt like being in a good mood.

    What was wrong? Absolutely nothing!

    That is from their 2008 Dirty Thirty effort and boy, it is already another 18 years further down the road.

    Still, it sounds like a fresh song: Umpf, great guitar work, hammering interludes and sing-a-long chorus.

    Razors (Monkeys, Hamburg, 20.06.2025)
    (c) gehkacken.de 2025

    They played an hour and a bit, had fun on stage, Klaus had fun handing out Pogoverbot and Sven was thirsty for some Holsten.

    And at the end, as ever, they took the lot for a ride with Because You’re Young / Walk On. And everybody, including the small Danish contingent, chimed in.

    Razors (Monkeys, Hamburg, 20.06.2025)
    (c) gehkacken.de 2025

    Perfect set and showcasing that the Razors are still relevant today, owning a niche (in that little niche we all love so much) and being able to take the audience along.

    Almost running late Knock Off took the stage and to my surprise there was a new bass player. I knew that they somewhat parted with their recent one, had to pull out of some gigs and got Lozz out of the mothballs for their UK gigs.

    But here i saw a younger face that i could not immediately connect but was reminded that he used to play with The Agitators. As far as i understood Knock Off did not want to pull out of this short run in Europe (Antwerp, Hamburg, Essen) and thus looked for help.

    Jelle stepped up, rehearsed at home and joined them in Antwerp (near his home). And came across hand-in-glove.

    How did it sound? It sounded like this:

    This is what they are, this is what they do: Hard hitting, words with a meaning and great choruses.

    On top their recent, self released, album has a just puurfect name (and textbook definition):

    lowerarchy (noun)
    [lo-err-ark-ee]


    1. A series of people or things considered as representing progressively lower levels of a series or whole

    2. The ones that don’t fit in, are frowned upon and cast aside.

    That is great tongue-in-cheek to frame the position, i guess it is pretty obvious where Knock Off see themselves.

    Knock Off (Monkeys, Hamburg, 20.06.2025)
    (c) gehkacken.de 2025

    And all was delivered with a smile and, as said, surprisingly tight for a band that has a bass player standing in on day two (and already has the audacity to demand “less guitar” on stage).

    Goed gedaan Jelle, goed gedaan!

    They played old songs, new songs and within that also my lovelisted song, most likely the best song in Punk Rock to remind people to look after themselves:

    And it ain’t a love song!

    Knock Off got the lot well going, entertained and into it. They skipped the walk-off-come-back for efficiency and played also for about an hour and finished off to a lot of applause.

    A pity that the wander across to Hamburg so rarely, in my head they seem to get as much sympathy and love as … let’s say Gimp Fist.

    Great evening, albeit too small turnout, and after the show i had a realization of sorts: Whilst Razors and Knock Off are coming from different directions, sporting different sounds a show with them playing back-to-back is like a hand-in-glove feel.

    Both work together for the audience like a charm, like they where made for playing together. And i sense that there is also mutual appreciation.

    Razors & Knock Off (Monkeys, Hamburg, 20.06.2025 (c) Knock Off)

    I stayed way much longer than planed with some final pint(s), chats and then the long way home. And grateful for having seen two great bands.

    #handinglove