Bücher, schnell gelesen: Teil 1.295

Newton Thornburg - Schwarze Herde (Polar Verlag, 2016)
Newton Thornburg – Schwarze Herde (Polar Verlag, 2016)

Gelesen: 05. – 10.01.2018, netto 282 Seiten

Tja, Cutter und Bone war ja ein großartiges Sittengemälde der Californian Way of Life das nicht ganz so toll verfilmt wurde. Schwarze Herde dagegen ist ein nicht ganz so tolles Sittengemälde eines ganz anderen Way of Life in den US of A und ein ehr so ohne echten Crime Thrill.

Lustig ist aber das eine Entwicklung aus den letzten Jahren vorweg genommen wird: Ein erfolgreicher Werber verläßt die Branche um sich als Rinderzüchter auf einer Farm selbst zu finden. Und genauso wie ich jedem Ex-Werber wünsche das er mit seinem Burger- oder Kaffee-Laden pleite geht geht auch dieser Werber natürlich pleite – finanziell und mit seiner Ehe. Seine Frau verlässt ihn, ein durchgeknallter ex-Werber nistet sich bei ihm ein und seine Herde wird positiv auf Brucellose getestet.

Und von da an geht es, begleitet von ein wenig Blut &Gewalt, schön den Bach runter. Bis er auf die durchgeknallte Idee eingeht seine Herde klauen zu lassen um sie zu Verkaufen und die Versicherung zu kassieren – so als Sanierung und Startkapital (um mit seiner jungen Freundin, natürlich eine Bedienung in einer Spelunke) nach Kalifornien zu gehen.

Der kleine Crime/Thrillerfaden im Hintergrund ist leider sehr vorhersehbar und das ganze wäre besser ein weniger auf Crime aber mehr auf Melodram aufgesetztes Buch gewesen. Gut ist es wenn es das Leben auf dem Land und die Farmer beschreibt, schlecht ist es wenn es versucht ein Krimi zu sein.

Für mich das schlechteste: Der Held hat am Ende nicht einmal die Traute sich die Birne wegzublasen. Das passt nicht. Elend muss Elend bleiben. Und Elend enden.

Soundtrack dazu: Drunks With Guns – Beautiful Happiness, was sonst?

my loveliest vinyl, part 48

7 Seconds - New Wind (Better Youth Organisation BYO 014 / Postive Force Records 08, 1986)
7 Seconds – New Wind (Better Youth Organisation BYO 014 / Postive Force Records 08, 1986)

Whilst having time off over year end i had ample time of listening to records and somehow stumbled across this. Actually i had Second Wind from DC on the player (and their actually quite cool „Security“ 12″ – a short lived post Minor Threat thingy with Bert Queiroz and Steve Hansgen) and then it struck me that 7 Seconds had their own „New Wind“ LP and that i always thought of as totally underrated (and back in those days many many selfish folks – who most likely nowadays sell insurance – took the piss out of them because of the slight deviation from early H/C).

7 Seconds even over here made it big early on: Their first 7″ on Alternative Tentacles („Skins, Brains & Guts„) put them on the map and was available thanks to AT, then „Committed for Life“ and the BYO LP’s firmly put them next to eg. Black Flag, Descendents and others. On top MRR was full of praise for the Reno H/C scene plus they had great songs – sold. Once their 1985 effort „Walk together, Rock together“ included „99 Red Ballons“ from Nena we were not only sold but hooked. Big time.

And then came „New Wind“ and that changed the picture slightly. But first the verdict:

1977 – naaa, but straight outta CA H/C, with some scents i smelled on „I don’t want to grow up“ by the Descendents and some other non H/C references!
published by a cool label – their own „Positive Force Records“ with help by the Better Youth Organisation, can’t get any cooler!
found in a cool shop – Konneckschen, where else!
catching sound – thats a twisted one – i loved it back then but latter set put it aside because of both their move into other territories and the really bad recording production job!
the lyrics – Back then considered great and still today even considered greater. It is about love, it is about change and you can not make out if they mean a personal thing or their tie with the H/C scene – really clever stuff that stands the test of time!

What really stuns me today (and that is 2018, so more than 30 years later) is how bad the record has been done sound wise. I have no clue about recording, mixing, producing and mastering but somehow and against what i am used nowadays it just sounds not good. Just image this would have been recorded and produced today, say by Ms. Stephenson and Egerton at the Blaasting Room – i guess it would be GOLD material. Easily. It was recorded at Radio Tokyo (where Stephen Egerton had his first recording work and plenty of LA Punk stuff was done) and at Inner Ear Studios in DC (with Don Zientara on the knobs) but somehow they where not able to bring the beauty of the songs home.

And even worse (or add more salt to Kevin Seconds wounds) the record just came years to early. If that would have come out early 1990s in the hight of the US Punk frenzy and would have had major label money and recording professionalism behind it would have been a massive hit on both college radio and in selling records. I am damn sure.

But hey, sometimes you have the right idea, the right stuff and somehow the times where not up for it. And this is what had hit 7 Seconds. And worst – they even where unhappy with the cover as Shawn Stern of BYO fame recalls:

Shawn Stern on New Wind Cover
Shawn Stern on New Wind Cover

… and on top many people taunted them as U2 wanna-be’s and for years they where like a persona non-grata and also i for myself decided not to buy any more records (that only changed recently, as their newest stuff is firm back in H/C territory).

I think in essence this is the pre-Pop Punk Record that everybody stole from later. It is a gem, even though the bad recording/production job. It is here to stay and i will not listen to it so much more.

When it comes to loveliest song on the record i am split – and the songs actually split over the two recording sessions (Grown Apart was recorded at Inner Ear, Expect to Change at Radio Tokyo) – but listen up youth:

It's hard to tell just how I feel, exactly what do I say,
These feelings from within for now, they just get in my way,
It seems that lately for some reason, we've been torn apart,
A bond so strong at one point, has it been blown away,

I'm gonna say this now and I won't hold back, 
Have our hearts grown apart, do we still have a chance?
Do we still have those hopes?

And then I feel like giving in, forgetting what's been said,
Pretend like things are just the way, they were when we were young,
With those new friends, acquaintances, will they be there for good?
To share emotions we have shared, in friendship, brotherhood

I'm gonna say this now and won't hold back, 
Have our hearts grown apart, have we broken on sight
Do we still have those hopes and dreams?

And then I feel like giving in, forgetting what's been said,
Pretend like things are just the way, they were when we were young,
With new friends, acquaintances, will they be there for good?
It's their emotions we have shared, in friendship, brotherhood

I'm gonna say this now and won't hold back, 
Have our hearts grown apart, have we broken on time
Do we still have those hopes?

It's all nothing for everything

(C) 1985, 1986 POSITIVE FORCE MUSIC 

 

I keep thinking each and every day.
Have I really made a difference, have I made things change?
In all these years of "growing up," and "standing strong,"
Has it made a single dent with all that is so wrong?

But if I haven't done a thing for world affairs,
At least I know I try and I'll show that I care.
'Cause it's me that has to make an effort,
Or what can I expect to change.
That's where it starts, in myself,
Not just shifting all the blame.

And as I'm growin' older, I can see the changes.
Yet history ain't history at all it seems,
I try to keep my head held high, eyes open wide,
And growing keeps me learning, yeah it keeps me free.

But if I haven't done a thing for world affairs,
At least I know I try and I'll show that I care.
'Cause it's me that has to make an effort,
Or what can I expect to change.
That's where it starts, in myself,
Not just shifting all the blame.

What have you got, What have you got to think that time will stop for you? 
What have you got, What have you got?
Your time, expect to change!

(C) 1985, 1986 POSITIVE FORCE MUSIC 

A wholeheartedly FANX to 7 Seconds for this one mate!

Bücher, schnell gelesen: Teil 1.294

Newton Thornburg - Cutter und Bone (Polar Verlag, 2015)
Newton Thornburg – Cutter und Bone (Polar Verlag, 2015)

Gelesen: 03. – 04.01.2018, netto 358 Seiten

Das Buch ist alt (von 1976) aber passt perfekt in den „Down the drain“ Backdrop der meisten Bücher in der ausgezeichneten Krimi-Reihe des Polar-Verlages.

Ist ist in den 80er im Playboy Reihe des Möwig-Verlags in einer gekürzten und schlechten Version unter dem reißerischen Titel „Geh zur Hölle, Welt!“ erscheinen und 1981 wurde das ganze mit dem jungen Jeff Bridges auf ehr schräge Art verfilmt – Titel damals „Cutter’s Way„.

Während der Film sehr sehr freizügig mit dem Buch umgeht (u.a. ist im Buch Cutter ein schwarzer Vietnam Veteran, im Film spielt ihn Jeff Bridges – dazu wurde auch die Story angepasst) stimmt doch eine Sache aus der Filmkritik:

Cutter's Way is at once an American film of its time and for all ensuing times, an ugly-truth endeavor examining a nation in which the rich and powerful literally get away with murder while the poor and pitiful barely exist at all.

Für mich ist das ganze der Nährboden auf dem in LA auch der Punk landen konnte. Cutter ist zwar nicht die Hauptfigur aber seine zerstörerischer Zynismus nimmt alles mit den in den Abgrund, einfach perfekt. Und warum: Weil er es kann und weil er seinen Platz an den Töpfen der Reichen verloren hat (so wie er seine Gesundheit in Vietnam verloren hat).

Der Rest ist das süße Leben der Reichen, das elende Leben der anderen die versuchen mitzuhalten (und doch nur von der Hand in den Mund und von Tag zu Tag leben). Geld zählt, der Rest nicht. Und so steht Cutters Kumpel Bone auch jeden Tag vor einem neuen moralischen Dilemma, weil er eigentlich nur seinen Körper und seinen Charme zu Geld machen kann, meist mit älteren Frauen.

Ein wirklich großartiges Sittengemälde und eine kleiner und feiner Krimi der mit einem lauten Bäng endet. Und mit seiner Story definitiv besser ist als der Film.

Soundtrack dazu: The Mau-Maus – We all fall down , was sonst?

Cutter and Bone (United Artists, 1981)
Cutter and Bone (United Artists, 1981)